Words matter. These are the best Tony Visconti Quotes, and they’re great for sharing with your friends.
When I was five my parents bought me a ukulele for Christmas. I quickly learned how to play it with my father’s guidance. Thereafter, my father regularly taught me all the good old fashioned songs.
I make records with an open mind, I always have.
I also mixed David Bowie’s Young Americans album in 5.1 earlier this year and it will be available very soon. Even the original stereo mixes have been re-mastered and sound amazingly good, better than ever, in fact!
I keep reviewing my feelings about the supernatural.
My father had a brilliant scholastic record in high school and was awarded a college scholarship. Unfortunately he had to turn it down so that he could continue to support his family.
I could never have a better teacher in those days than my father.
I am not a creature of habit.
It is easily overlooked that what is now called vintage was once brand new.
Computers have virtually replaced tape recorders.
Finally, I would like to remind record companies that they have a cultural responsibility to give the buying public great music. Milking a trend to death is not contributing to culture and is ultimately not profitable.
No one else in our family was a professional musician so this took an enormous leap of faith on their part.
Originally a record producer more or less hired a bunch of professionals to participate in a recording session, the performers and the technicians, and a music director was put in charge. That directly related to a film producer’s job.
Now I know what it’s like to be a rock star. No, I didn’t sleep with 5 groupies at once. But I was interviewed about 45 times in 5 days in 3 cities.
My father loved people, children and pets.
Today a record producer is even more involved and is often the production’s sole musician, one person playing all the instruments one-by-one.
I love Logic Audio and have been using it for years. All my track outputs used to come up on my old board in the same order as in the old Mac G4 – 1 through 32, came up as 1 through 32, for instance.
We always started these albums as making demos, that went right on until Scary Monsters.
Oh, it was so hard to leave Paris, just about my favorite city in the world.
Despite a few really bad days we had quite a lot of fun making Low, especially when all the radical ideas were making sense and things were starting to click.
