Words matter. These are the best David Steinberg Quotes, and they’re great for sharing with your friends.
The whole idea of doing the Hollywood thing never even occurred to me. When you grow up on the East coast, Hollywood seems like this fantasy land and you don’t think that people can actually make a living there.
The interesting thing about improvisation is you’re making something up in front of the audience. Now music helps you out a little bit because you have an instrument that’ll separate you from the audience.
Your relationship with an agent has got to be mutually beneficial. If you can’t help their careers, then they’re not going to be interested.
My influences were Woody Allen and Lenny Bruce.
On ‘Curb Your Enthusiasm,’ it takes almost a year to get 10 shows written. It always reminds me of my old yeshiva days, where you used to sit over a piece of Talmud and analyze everything that was going on.
In comedy, looking back is more important than looking around at your contemporaries because they are too much influenced by the same time period as you are.
Comedians talk to other comedians the way jazz musicians can talk to each other.
You don’t need to be stable to be a stand-up comedian.
The worst thing that can happen to a comedian is to do a documentary on your life and you’re watching it with an audience and there’s not a laugh.
I don’t really dissect comedy. Nothing kills off humor more than overanalyzing it.
I used to have a theory actually that, if you’ve had a good childhood, a good marriage and a little bit of money in the bank, you’re going to make a lousy comedian.
Silences are the most underrated part of comedy.
The thing about stand-ups is you can’t really get good unless you’re failing in front of a large number of people. That makes stand-up comedy unique: you need a tremendous amount of reserve within you to take the rejection from the audience, and without it, you can’t do anything.
A spontaneous interview feels differently than anything else you see on television.
When I started, you didn’t make a lot of money by being a comedian. You didn’t get a lot of respect.
I starred in a Broadway play that was Sidney Poitier’s first directing job and the cast was Lou Gossett, Cicely Tyson, Diana Ladd and I played a Jewish kid who offered himself as a slave to two Columbia University students as reparations.
I started writing this feature comedy in New York – a Chris Farley vehicle. The script was decent. When I got to LA, I met some new friends in film school and had them read my script and give me notes.
My father was a rabbi and had a little synagogue in Canada, so I’m from Canada. I left there at 16.
When I talk to Steve Martin, he’s joyful when he talks about comedy.
Great Canadian comics are often outsiders and insiders at the same time. That’s a great perspective for a comedian.
