Words matter. These are the best Emote Quotes from famous people such as Sting, Richa Pallod, David E. Kelley, Nora Fatehi, Sunny Singh, and they’re great for sharing with your friends.
That sense of failure, I don’t know where people put it who don’t write songs and aren’t able to emote physically. It must go somewhere.
Watching Sridevi emote was an experience. She was very quiet on the sets. But once in front of the camera, all her energy would be unleashed.
If you interview people or friends who work with me, they would say I’m private or internal or don’t emote a lot. Yet I do it every day for 10 million people. I just don’t do it for the 30 people I’m in the room with.
To be a good actor, you need to be able to emote with your body.
The more comfortable you are in front of the camera the more you can emote well. If you are confident then 90% game is won.
I am very comfortable doing Bengali films because it’s my mother tongue, which enables me to emote well, and my home is there too.
I don’t think I was a good model. I think I was born to emote and act. I would walk down the ramp and smile and they used to say, ‘Give us a blank look.’ It was really difficult not to smile.
I got interested in the emotions after studying patients who had lost the ability to emote and feel under certain circumstances. Many of those patients also had major impairments in their ability to make decisions.
If there’s a scene in which I need to cry or emote heavily, I just take care of it during the dubbing sessions.
I had a chance to get used to the lights and the camera without all that pressure to… emote.
I’m in a lower register because I’m not trying to shout out over a wall of amps. Singing lower sounded very pleasing to my ear, and it made it easier for me to emote.
Singing is the form I’ve chosen to express myself. It’s the way I emote best.
A lot of actresses I’ve worked with recently have done so much Botox their faces don’t look real anymore. If you freeze everything on your face, you can’t emote.
When you act, you want to emote and think in that language. I don’t enjoy the process of doing a film in a language I am not good with.
It’s not your job to be warm on the news; you can be empathetic, but you can’t emote. That can be difficult sometimes – but it is my job not to cry.
This is not a rock opera. This is not Tommy. I can write songs that emote, and that’s it.
I wouldn’t say portraying a character in a film like ‘Wanted’ was easy. But it was fairly easier than playing a role where one is expected to emote more depth on screen.
What appealed to me was that the focus of ‘North Atlantic’ was more about performance rather than emoting, because I was at a point in life where it was nice not to have to emote all over the place.
I always do a lot of work around characters to make them real people because, oftentimes, they really are a sliver of a person. Even with truly wonderful writers, women characters are there to emote, and they’re often incredibly chaste or worthy. Or they’re a ‘different type of woman’, which is the worst.
Actors want to act; actors want to emote. It’s like the emotional equivalent of tearing your shirt off and screaming to the heavens: you want to express, and you want to be seen to be expressing.
‘Gutur Gu’ is a silent comedy, which I had never done. I wanted to do something out of the box. It’s exciting, tough, and fun. Dialogues are very important for actors, and to emote without them took some getting used to. It’s giving me scope to learn a lot.
You have to emote much more to get what you’re trying to get across to come through a quarter inch of latex that’s superglued to your face.
Although several actors have worked in films down South, I feel unsure of whether I will be able to emote and act as exuberantly as I do in Hindi and Bengali films.
I emote. I love things so much.
I’m always trying to encapsulate how we, as emotional beings, interact with the world and the machines and technology around us – being able to emote through those things. They’re not antithetical or mutually exclusive.
