Words matter. These are the best Human Voice Quotes from famous people such as Flume, Arvo Part, Julian Treasure, Svetlana Alexievich, Danielle Steel, and they’re great for sharing with your friends.
It’s quite fun to mess with the human voice. It’s quite special in the sense that the voice is the #1 instrument that we can connect with; it doesn’t sound too alien. I think that’s the key is to find the line between sounding human and sounding robotic. That’s an area that I like to explore a lot.
The human voice is the most perfect instrument of all.
The human voice: It’s the instrument we all play. It’s the most powerful sound in the world, probably. It’s the only one that can start a war or say ‘I love you.’ And yet many people have the experience that when they speak, people don’t listen to them.
I love the lone human voice. It is my greatest love and passion.
People have entire relationships via text message now, but I am not partial to texting. I need context, nuance and the warmth and tone that can only come from a human voice.
The human voice sounds thicker with a chorus and reverb than a dry signal.
How nice the human voice is when it isn’t singing.
It is the closest instrument to the human voice, and the things you can do on the cello… there are endless possibilities.
But that guitar is the perfect companion to the human voice. You rest it against your gut, against your heart, and when you strum it the vibrations go outwards for all to hear, but the vibration also hits you on your body.
You know the drum was the first instrument besides the human voice.
I’ve always been obsessed with the grain of the human voice. It’s the ultimate instrument, there’s this whole level of virtuosity and poetry, a sort of athleticism, of controlling your voice.
I am very interested in the human voice and how we use it, especially when we aren’t thinking, like the kind of stuff Robert Ashley was interested in.
The human voice deployed to recite the Vedas and later aid the temple dancers was paramount before any instruments emerged.
The human voice is the most beautiful instrument of all, but it is the most difficult to play.
I like what Oliver Lakes does on the saxophone. The saxophone comes pretty close to the sound of the human voice and when Oliver plays with other sax players, it’s like a dialogue.
Words mean more than what is set down on paper. It takes the human voice to infuse them with deeper meaning.
Transport of the mails, transport of the human voice, transport of flickering pictures-in this century as in others our highest accomplishments still have the single aim of bringing men together.
It’s not easy to shout against real elements. The elements are big, and the human voice is very small.
If you like an instrument that sings, play the saxophone. At its best it’s like the human voice.
My original interests and intentions in guitar playing were primarily created on quality of tone, for instance, the way the instrument could be made to echo or simulate the human voice.
‘Partita’ is a simple piece. Born of a love of surface and structure, of the human voice, of dancing and tired ligaments, of music, and of our basic desire to draw a line from one point to another.
The human voice is one of the most attractive things.
The human voice: mysterious, spontaneous, primal. For me, the human voice is the vessel on which all emotions travel – except perhaps jealousy. And the breath, the breath is the captain of that vessel.
The range of the cello is so big, it can play as low as the double bass and as high as the violin. It has the perfect shape, and its sound is the closest to the human voice.
While most of the music I write is instrumental, I love to use the human voice as another instrument.
