Top 25 Matthew Macfadyen Quotes

My vanity is I’m terribly romantic! But being married is lovely.

I did four or five years in telly, and by the end of it was drained. I was a bit sick of myself. I didn’t feel like an actor anymore. That sounds silly, but when you’re doing a play you’re using different muscles, and it blew all the cobwebs away.

It must be odd, being recognizable. I would hate to lose that anonymity.

You’d never play Hamlet if you started worrying about who’s played it before you.

Nobody’s really unsympathetic, I think. People do good and bad things. If a character’s totally unsympathetic, they’re not real and I’m not interested. Even the real monsters have to have a spark of something you can relate to.

Some British actors are snobby about telly, and I don’t understand that.

I think I do have a good eye. It’s quite liberating, being in a position to read a script and say, ‘No.’ It’s really the only power you have, as an actor.

I’ve worried more and more as the years have gone on. The more you’re seen to be doing well, the more stress there is. You feel you ought to consider things more, and be more fussy – there’s further to fall. All these little worries.

It’s a real skill to be able to publicise yourself.

I was quite a shy child. I would get terribly nervous and throw up before my birthday party. And then I would be fine. I feel the same now. I get nervous, then it’s fine.

As much as I long for a sort of security and consistency sometimes, I do enjoy sort of being busted around. I really don’t know what’s happening sometimes next week, let alone this year.

I try to be fussy about the parts I play. I think that’s quite prudent, it means you’re stretching different muscles, and you’re scaring yourself by doing something which is out of your comfort zone.

I think it sits quite happily with me, the condition of being an actor. I see some people getting quite eaten up with it, with the insecurities. There are times when I long for continuity and stability, but I also love the idea of not knowing what I’ll be doing next – or even if I’m going to work.

You never know how films are going to do and it is daunting if I think about it.

What’s exciting is there’s a curtain that divides the audience from this other world. You want to see behind.

I have felt some twinges recently, about parts I wanted to play that I may be getting too old and fat to do. ‘Hamlet,’ for example – maybe that’s gone. I would love to play Richard II.

People like to think that actors are terribly worried about ghosts of other actors in the parts they play. But you just have to get on with it.

I think people ought to do what they feel useful at the time. If I do things because I ought to do them, I switch off.

The security comes, as an actor, in knowing that you’re not in control. If you try to control your career, or how people perceive you, you’ll make yourself unhappy, because life doesn’t work like that. So much is luck. It’s much better to let yourself off, to think, ‘There’s nothing I can do.’

The lovely thing about being an actor is being anonymous, it’s never having to explain yourself. And that’s what I find interesting about actors or painters I admire. I don’t want to know about their lives.

I would hate not to do a play every couple of years. I think it’s not me.

It must be odd, being recognisable. I would hate to lose that anonymity. It happened for a while with ‘Spooks.’ No one notices me now.

I love TV and I love making films and I love doing plays. I feel very lucky to be able to do all three.

I wouldn’t want to leave it so long before doing a play again, I get very stolid and sluggish if I do too much telly.

The actor in me would always like to be more dashing, or slimmer, or have nicer hair.