Top 25 Young Talent Quotes

There are so many YA novels being made because there is so much young talent that can bring it to life. J-Law was one of the first females to do it with ‘The Hunger Games,’ and it’s been going on for a while now. With J-Law, it was like, ‘Hey, I’m Katniss,’ and then, ‘Hey, I just won an Oscar!’

It doesn’t necessarily have to be championship-or-bust for me to go back to the NBA. I want to be in a situation where I thought I could help, play a little bit, and help where they have good young talent.

When you’re a young talent, and you want to launch your brand, you always have tons of questions: Where should I produce? Should I launch a second line? Should I do shoes, accessories? If you have someone who can coach you and give you advice and help you find the right supplier, it’s a big help.

I don’t know much about climate change. But I’m pretty sure we better figure out what to do to lessen its impact – at least its health impact – and that’s not going to happen unless you have a lot of young talent interested in these topics.

I think initially with the ECW product it was a perfect place. Even though it was WWE’s ECW, it was a perfect place for the young talent to kind of get their feet wet and figure out the lay of the land and to figure out how the WWE works and then you can transition better into Raw or SmackDown.

It’s so awesome to see a lot of the young talent really grow and compete every single day.

It’s amazing to be able to embrace young talent.

It was like an older but better version of Young Talent Time because we had more time to spend on it. There were three guys and three girls and we made thirteen episodes that were sold in the United States and Canada.

Soap operas are such a great way to break-in to the industry. The diminishing landscape of daytime TV means it’s going to be harder for young talent to get discovered.

The young talent we have in dancing in our country is to be seen to be believed.

I had to prove everything because I was coming from Milan, and nobody knew me. I was a young talent who hadn’t done anything, so I had it all to prove and all to do.

I believe there’s no reason why we couldn’t be entering a new age of musical theater if we continue to nurture young talent, take risks, and give them a playing field.

I can never do better than Fawlty Towers whatever I do. Now I very much want to teach young talent some rules of the game.

There’s a lot of young talent. I felt strongly that we wanted somebody with a great football mind who’d make it their mission to succeed. And a coach, likewise. Somebody young, energetic, open.

Reality shows like ‘SaReGaMaPa’ are a huge platform for young talent. Thanks to television, they have more exposure than we could even imagine.

I really like coming-of-age dramas. It’s probably the most intense period in anyone’s life, those years before you become an adult. Dramatically, there’s so much to explore there. And it’s nice to be around young talent coming through.

Red Bull have always been very good at nurturing young talent – Sebastian Vettel and Daniel Ricciardo are products of that – and it is important with Asian talent that people keep investing in it. There’s a massive pool of people, for sure, and the next Sebastian Vettel is out there somewhere.

At least, in this situation, I know my chances of coming back could be slim because of the young talent the Yankees do have.

The Australian film industry has recognised Tropfest as a place to nurture young talent. It’s a stepping stone between amateur and professional.

I’m not sure there are enough coaches in the system that can take young talent and consistently get them into the top five in the world.

I’m able to bring a great deal of experience to a company that is looking to build young talent, which is vital to the future of professional wrestling.

I wanted to have a label to not only release my own stuff but to also give young talent a chance to release their music without signing away their life. I had a great time with Spinnin’, and the people I worked with were amazing, but the contract wasn’t really for me. It wasn’t what I wanted.

I’ve always had a fortunate knack for grabbing young talent and giving them a break.

The great thing is that young talent isn’t tied to a how-to model for starting a line; we get to find new ways to go about doing things. And don’t let people tell you you can’t. Go find a way to show that you can.

I’d like to manage someone, a young talent that maybe doesn’t have the mic skills.