It’s such a nice change to get to play a wretched, shallow, mergers-and-acquisitions woman. My true colors come out.
A lot of times, losing a fight is tough. In your darkest hours, I guess your true colors show.
Every time I get a script it’s a matter of trying to know what I could do with it. I see colors, imagery. It has to have a smell. It’s like falling in love. You can’t give a reason why.
I’d love for there to be a situation – a world in which that’s just not even a question anymore. We are all filmmakers – different stripes, genders, sexual orientations, colors – and our work can be taken on its own terms. I’m really looking forward to that day.
I’m really into the Tom Ford lipsticks. I was always afraid to wear lip color because I thought it made me look too masculine, but my makeup artist Fiona Stiles got me into wearing coral, orange-y colors from his line, and now I wear lipstick all of the time.
Before I started LimoLand, I mainly bought my clothes in Harlem, where I found clothing my size in fun colors. I still like to go there and see the vibrancy and colors of the neighborhood. I am also very influenced by the colors of my contemporary African and Japanese art collections.
You don’t want a million answers as much as you want a few forever questions. The questions are diamonds you hold in the light. Study a lifetime and you see different colors from the same jewel.
The more traditional bride still prefers white or ivory, but the young girls… seem to like the idea of using colors.
Colors are important. People are in clinical depression whether they are on medication or not. Neutrals are another form of medication.
The makeup is simply an extension of the personality and colors, clothing, makeup all express something.
I gave my heart to the Americans and thought of nothing else but raising my banner and adding my colors to theirs.
Part of our tradition as black women is that we are universalists. Black children, yellow children, red children, brown children, that is the black woman’s normal, day-to-day relationship. In my family alone, we are about four different colors.
I don’t want to imitate life in movies; I want to represent it. And in that representation, you use the colors you feel, and sometimes they are fake colors. But always it’s to show one emotion.
I love the Hornets’ colors.
For the mission’s sake, for our country’s sake, and the sake of the men who carried the Division’s colors in past battles – carry out your mission and keep your honor clean.
I try to construct a picture in which shapes, spaces, colors, form a set of unique relationships, independent of any subject matter. At the same time I try to capture and translate the excitement and emotion aroused in me by the impact with the original idea.
You must try to match your colors as nearly as you can to those you see before you, and you must study the effects of light and shade on nature’s own hues and tints.
I love a red lip – red is one of my favorite colors, and I really don’t wear many other lipstick colors than red.
There are only 3 colors, 10 digits, and 7 notes; its what we do with them that’s important.
American Jews are no longer a homogenous minority; we come in all colors and from all corners of the world.
I love the challenge of taking colors that are totally disparate and making them work together in an interesting way.
I think I’m just generally more interested in figuration than abstraction. I think that painting abstraction often feels like painting colors to me, whereas portraits always feel like something connected. I like the exchange, the collaborative aspect of sitter and subject for sure.
I tell you what, if you live in Spokane, I hope you wake up every day and you’re thankful for the weather, for the trees, for the colors, for the greenery, for cars that stop when you’re running and you go to cross the road and they stop. I love it.
We moms are beautiful both with and without makeup, but I always love classic colors I can mix with anything.
I’m a smoky eye girl. I love playing with eye colors, metallics… fun stuff!
I like clothes. I really do. I like going through colors, in a way. I go, ‘Greens, man. Greens. Oh, yellow. This yellow feels good.’ So it shapes your psyche in a way. But I don’t think about it too much, even though I’m interested in it.
Green is one of my favorite colors.
I sing in many different colors and, hopefully, they add up to a great performance that, after you leave the theater, makes you feel like I’ve really shared something of myself.
The mind wears the colors of the soul, as a valet those of his master.
Green is one of my favorite colors – emerald green.
I was raised in Chicago and I guess that was one of the special breeding grounds for gangsters of all colors. That was the Detroit of the gangster world. The car industry was thugs.
I’m a real believer in dressing tone-on-tone. I’m not saying you need to dress black. Dress just one color so the colors are not breaking your silhouette.
When I hear stories about the number of kids that have been lost to violence, where families grow up teaching kids ‘duck and cover’ long before they learn their ABC’s or their colors, I know there is something profoundly wrong in our city.
I love Chanel. Everything about her was personal. All of those lions she made, she handmade them. Red and green, they were her favorite colors. She kept it personal and real, and she was a woman.
By painting colors and lines and forms seen in quickened mood I was seeking to make this mood vibrate as a phonograph does. This was the origin of the paintings in The Frieze of Life.
You have a chance to show your true colors through adverse times. You can make a conscious decision to change things.
I like edgy but classic looks – like Chanel mixed with Alexander McQueen. My personal style is edgier. My closet is just black, gray, and white. I’m more comfortable in darker colors and leather jackets.
One gets to the heart of the matter by a series of experiences in the same pattern, but in different colors.
I was a teenager with braces and into sporty dresses with bright colors and cut-outs. For awhile, I really experimented with what I wanted to do. Some really extreme things, I recall.
In the 1980s, I was quite well known for my knitwear, and a lot of inspiration came from carpets, where I found ways to use structures and colors and depth of colors.
I have a visual sense for the music. It has to stay true to a certain sense of period. I rely on a sense of colors and mood in my approach to the arrangement.
Since the beginning of my career, I have publicly dressed and represented women of all sizes, of all colors. And that’s a big part of who I am and what I want to give to the world.
The problem with the mobile industry is that it deals with an intangible service which is largely similar across major players. Most consumers cannot tell the difference between Vodafone and Orange, or AT&T and Verizon in the U.S., beyond the colors and the logos. I suspect neither can the companies.
My father raised us like… we were not allowed to see people in any sort of colors, but also we were not allowed to call people fat. If ever we were to say, ‘Oh that fat person, or this person,’ he would make us put a bar of soap in our mouth and count to 10. We weren’t allowed to look at people like that.
My Hippy’ is filled with futuristic fashion, bright colors, beautiful camera work, trippy effects, and even has a cameo from the infamous ‘Sunset Blvd Jesus.’
I then realized that I could never be satisfied again with the mere natural charm of my voice, that I had to constantly paint when singing, melting all the colors, expressing reds and blacks that had to be less primary but bursting with subtly colored combinations.
We had fashion errors that became hits. We were bold with our colors and tights and being very sexy and the assymmetrical hairstyle.
I was curious about experimenting with different colors – kind of like having an expanded orchestra. Suddenly, instead of just writing for strings, you can add bassoon and oboe and brass. I like these extreme differences in sounds right next to each other.
I have a lot of Missoni tablecloths, but for breakfast, we use placemats – we call them ‘American-style.’ I have some in crazy patterns from the Swedish brand Svenskt Tenn. And I like plates from Grottaglie in Puglia, stained in wild colors.
Bubbles have more colors than a rainbow.
What a privilege to be here on the planet to contribute your unique donation to humankind. Each face in the rainbow of colors that populate our world is precious and special.
I have trained my eye over and over ever since I was a kid. I was a bird watcher when I was a little boy. My grandmother gave me a bird book, and I got to like their colors.
I started doing sculpture in 1959. I had no commissions then. They were painted, similar in style to the paintings… At a certain point, I decided I didn’t want an edge between two colors, I wanted color differences in literal space.
If months were marked by colors, November in New England would be colored gray.
My favorite colors are black, white and silver.
I am inspired by life, past experiences, what’s to come, women around me, art, colors, paintings, and emotions.
You see everyone’s true colors in a rehearsal.
