I’m homemade. I upload my videos in my living room; I edit everything, and I upload on my laptop. And my viewers love that about me, and they get inspired and do it themselves.
In the cable news arena, you have two partisan networks looking out for their viewers. I think CNN needs to look out for the rest of us.
Our viewers are very educated, they can tell if I train or not.
What can I ask the owner that I won’t ask the GM that I won’t ask the coach that I won’t ask a player? I want to get something for the viewers at home.
The biggest thing that I get most excited about is, my family and I would watch television together, and we weren’t just passive viewers. Something would happen, and then we would talk about it. When Will Smith was shot on ‘Fresh Prince,’ that sparked a conversation about safety.
Cinema and the arts invite viewers to focus on a story and, in doing so, peel away its layers and peer into the depths of the human soul.
To all of our viewers out there – expect the unexpected.
The original ‘CSI’ grew stronger once the spinoffs became entrenched. Like any good franchise, when there’s a great story to be told, viewers can’t get enough.
As Major League Baseball struggles to overcome its staid image and lure younger fans – according to Nielsen, most of the sport’s TV viewers are over 50 – the simple bat flip has come to symbolize the culture war being waged within its ranks.
I saw a story in the Los Angeles Times that 40 percent of the viewers are men. It didn’t really surprise me.
Obviously, SNL has a lot of viewers, but the potential for a movie is through the roof.
It’s important that we’re properly represented and for viewers to see all the bits and pieces of being a woman of color.
Awards are like a pat of appreciation from the jury and viewers. It is almost like them saying, ‘So, you have done well; we expect you to carry on doing good work.’
Particularly with live TV, I have a really good time reacting in the moment to things that are going on around me. I try to think of the viewers’ perspective too.
Viewers can determine what they want to watch and what they don’t want to watch.
‘Marco Polo’ had some negative reactions in the press. Viewers have loved it, and the volume of viewing has been phenomenal.
In a way, ‘Lost,’ or maybe TV in general, is a kind of a contract between the writers and the viewers. And the actors – of course we have a great deal to do with it – but where the drama’s made, sort of where the meeting of minds is, is between those two parties: writers and audience.
As you follow the escapades or the journey of the hero through a story, it evokes some kind of emotion in the viewers. The director’s job is to make sure that the audience goes through the journey and has an emotional reaction.
Any time I break up with Dawson or question him, viewers turn against me.
I wanted to do a wildlife series. I kept remembering those days in Algonquin Park, drifting along in the bottom of a canoe, and I wanted to transfer that feeling to the viewers.
I like to show love in a way that will bring a smile or a tear to viewers.
Personally, I don’t give a toss about French viewers. I make films for foreigners – it’s a bit like Ken Loach, who’s not very popular in England but has had a lot of success in France. Cinema is always an experience in a foreign body.
‘The Walking Dead’ producers are really in touch, and appreciative, of their viewers.
The superhero is a really popular figure in the West. In Asia or Korea, the young viewers are amused by the figure, but it is not really so sensational.
‘The Raikar Case’ will offer the viewers with a kind of such a real experience as it truly delivers more than what meets the eye.
I’ve been playing with this idea in my mind that the hero’s journey that we’re all taught as screenwriters may resonate more specifically for male protagonists and maybe even male viewers.
When I meet viewers in person, it always seems to be entire family units.
It makes me so happy to know that we have so many viewers in India.
We just work hard to win the viewers respect and trust every single day.
One has to have the right spirit, attitude and make a place for themselves in the viewers’ hearts.
The best kind of marketing messages are the ones that don’t seem like marketing messages. Because it means that the viewers’ defenses are down.
TV is a medium with a wide reach and viewers consider actors role models. Hence, one must realize the responsibility of portraying a certain character.
I just think it’s so important to have fun because if you’re having fun, then your viewers will have fun too.
Bigg Boss Kannada’ manages to surprise me every season with the innovations in the concept and introduction of numerous entertainment avenues, not only for the housemates and viewers of the show but also for myself.
If we have no respect for our viewers, then how can we have any respect for ourselves and what we do?
Viewers can’t work or play while watching television; they can’t read; they can’t be out on the streets, falling in love with the wrong people, learning how to quarrel and compromise with other human beings. In short, they are asocial.
It’s an entire industry focusing on young male viewers that want action and violence. They sell us something that isn’t valid. They’re selling films like a product.
It’s like going back to ‘X Factor’ but it’s even bigger because Eurovision has so many more viewers.
Giving consumers the choice of having it all in one big bite means different viewers are in many different places in the book, making it hard to discuss without spoiling the plot. The intervals between first-run programming provide a space for communion and that tantalizing sense of anticipation.
Anyone can create and put stuff out there, so then as viewers and listeners, we have access to a lot of different unique view points.
The Food Network and the Cooking Channel have so many viewers. And, because there’s no violence, some of that audience is children. So, I think we have a responsibility to educate parents how to produce healthy meals for their families.
Maybe I’m old-fashioned, but I think viewers are hungry for shows in which people say something meaningful.
When you have Candidate A saying the sky is blue, and Candidate B saying it’s a cloudy day, I look outside and I see, well, it’s a cloudy day. I should be able to tell my viewers, ‘Candidate A is wrong, Candidate B is right,’ and not have to say, ‘Well, you decide.’ Then it would be like I’m an idiot.
I hope viewers see me as an actor who always strives to try new characters and reinvent myself.
I have long felt that it is readers and viewers of conservative media who could benefit from a more balanced discussion of what is at stake in our policy and the actions of our government.
With the ‘Watchdog Army’ we’re putting viewers at the heart of the programme.
The problem for us, as viewers, is that we want famous people who are passionate about the things they’re famous for, because that makes them worthy of the attention. But I think many of those famous people just want to be famous.
The films of Gregg Araki may not be classified as horror, but they have been known to horrify viewers.
Hollywood is just a bunch of middlemen, people trying to facilitate content transfer between creators and viewers.
Successful prime-time television of any genre produces some kind of emotional reaction in the viewers. There are a lot of different emotions to tap into. The emotion of the reward of discovery, the feeling of righteous anger, the feelings of pathos and sadness, or sentimentality of being moved by something.
We don’t look at ‘Maha Kumbh’ as just another serial. We would like viewers to see what we see. We haven’t had a game-changer on Indian television for a very long time. We hope this one will make difference to the way audiences look at the home-viewing medium.
And what’s nice about ‘Sunny’ is that it has this honesty with the viewers, which is, like, they’re here because they’re on a television show and they’re locked in this purgatory where they have to keep doing the same things with each other.
Festivals are where I see other peoples’ films, where we talk, where I get to learn what was working about the film, I get to have a discussion with viewers… and people who enjoy reading films – I enjoy reading other peoples’ films, and what discussions can come of that.
A lot of female viewers who may not have known about wrestling or watched it before are tuning in now because of ‘Total Divas.’
I’m grateful that so many viewers have related to characters I’ve played. I think many in the audience see themselves in my characters or feel like the characters are similar to their friends or sisters.
What I will learn over the years will be of benefit and interest to me personally but, as far as the program is concerned, I’m the mouthpiece of the viewers as well.
Viewers can’t expect TV to keep developing unless they make their wants known. And let’s face it. The best way to make your wants known in this world is by ‘beefing’.
I do think that the emotional weight of ‘Biutiful’ has blinded some viewers to the beauty and complexity of the film.
I feel that if my work excites me and makes me deliver my best, then it should, hopefully, entertain viewers as well.
