Top 30 Chang-Rae Lee Quotes

I don’t like to use writing assignments, exercises. I think too often people get comfortable writing in that vein, but you can’t go on to write a novel comprised of short writing exercises.

Even though I went to Exeter and Yale, and I enjoyed all the trappings of those places, I think at the same time – and maybe it’s because I’m an immigrant kid and not white – there was always this other consciousness; that is, I was conscious of everything that was going on.

My writing day follows my family’s day. I get a good few hours in the mornings when the kids are out of the house. And I don’t work at night any more. I like to see my family.

I think book clubs should read more contemporary poetry.

I’m interested in people who find themselves in places, either of their choosing or not, and who are forced to decide how best to live there. That feeling of both citizenship and exile, of always being an expatriate – with all the attendant problems and complications and delight.

In my other books, things do happen, but they are kind of bookends to the real action, which for me was an exploration of consciousness. Not that I don’t get into the consciousness of the people in ‘The Surrendered,’ but you could say there’s not as much anxiety about it.

My family immigrated when I was 3, and our predecessors inhabited the Korean Peninsula for as long as can be recalled.

To be honest, I’m not that much of a reader of Korean fiction, since so little is translated.

We arrived the way most emigrant families did. My father came first, and the rest of us – my mother, my sister and me – followed a year later.

It’s hard to write a war story without thinking about the ‘Iliad.’ Because the ‘Iliad’ knows everything about war.

I don’t listen to music while writing; it seems to me I’m trying to make my own kind of music, and to have anything else going on is just noisy interference.

I don’t feel uncomfortable in America, but every once in a while, I’m reminded that people don’t see me the way I see me. It doesn’t change my life, but it gives me a consciousness about it.

I remember when I was in art classes, I hated following the assignments. And I would get in trouble for doing something totally different or taking it in a weird direction.

As for what’s the most challenging aspect of teaching, it’s convincing younger writers of the importance of reading widely and passionately.

For me, that’s always been one of the great charms of the first person: we gain access to a very personal, private kind of music.

I write on a computer. On breaks, I’ll make myself green tea. I don’t want something too caffeinated. I guess I don’t believe in chemical enhancement of my writing. Just slight, but nothing crazy.

Like most people, I’m fascinated by characters who are completely flawed personalities, riven by anguish and doubt, and are psychologically suspect.

Most people don’t think about race as much as I do. They don’t have to.

I can put together a pretty decent meal from whatever happens to be in the refrigerator and the pantry. I like the challenge of this sort of improvisation, the rigor of limitation and sometimes having to take a risk.

Unlike F. Scott Fitzgerald and Tom Wolfe, I don’t like proper dress while working. I like writing in pajama-like clothing, which eases and relaxes me and allows me to connect with the decidedly improper.

Part of writing a novel is being willing to leap into the blackness. You have very little idea, really, of what’s going to happen. You have a broad sense, maybe, but it’s this rash leap.

My parents – my mother, particularly – were very focused on our succeeding. I loved my parents, and was very grateful to them for everything, and I didn’t want to disappoint them.

I suppose people might consider me a ‘loose’ reader, as I seem willing to read anything of quality thinking and prose.

I have a hard time revising sentences, because I spend an inordinate amount of time on each sentence, and the sentence before it, and the sentence after it.

I don’t believe complete assimilation is possible, at least not for anyone who has an active, open mind. Every step, every entry into the flows of existence can be seen as a beginning, a commencement of a brand new way of seeing oneself in the world. This is the case for everyone.

We know the point of the 2010 Census is to count us, one by one, to tally every last resident, but the massive project of course has more prying, if limited, interests.

I’ll read pretty much anywhere and anytime, but for a while now, I’ve really enjoyed reading on flights, especially the longer hauls, when I’m unplugged from everything and can completely immerse myself in the world of a book and submit happily to its rhythms, perspectives, ideas.

I think my parents recognised that I’d always wanted to be a writer, and so they didn’t think that this was some idle, faddish wish on my part.

I didn’t leave Wall Street because the work was against my nature – I do have a pretty good head for numbers. I left because I had this love for writing.

We read and remember certain writers because they offer distinctive voices and perspectives, because they’ve given themselves over completely and passionately to their obsessions while vigorously ignoring everything else.