Words matter. These are the best John Singleton Quotes, and they’re great for sharing with your friends.
I’ve got passion, and for people who don’t, I make them see how trite their lives are.
I wanted to dress cool, and get all the ladies.
In ‘Boyz N the Hood,’ every female character was three-dimensional.
I love comics. I like to do everything I used to do when I was 14-years-old.
I’m a huge DVD fan.
I met Tupac through Queen Latifah in New York at this party that we were at, at a place downtown called Big City Diner.
I’m a competitive guy.
There’s hardly any precedent for a guy like me to have the career that I’ve had. Because I grew up the way I grew up, I’m an in-your-face kind of guy. I developed that as a defense mechanism to survive in the streets. I do that in Hollywood in the service of my passion.
Crunk music is the music of the South, it pervades every club and nightclub not only in America, but all over the world.
When I was in my 20s, I was out of control in terms of what I would do to defend my vision. There are black film-makers and storytellers who take a back seat to just get it done. It’s good, but it’s not right there. It’s been compromised.
One of the biggest regrets of my whole career was turning down an offer to direct on the first season of ‘The Wire.’ That would have been so perfect for me.
It’s cool for me because I’m a director, but I’m also a teacher. I’m a lover of cinema, and I love working with people who are hungry and have the energy to really do better work.
I like to be an idea person. I like to pull different people together and find new talent.
You can only really write about what you know about.
‘Baby Boy’ is one of my favourite films, and Tyrese keeps telling everybody we’re going to make a sequel. I mean, we have a story right now but we don’t know where we’re going to take it.
What’s interesting when you see ‘Black Panther’ is you realize it couldn’t have been directed by anybody else but Ryan Coogler. It’s a great adventure movie, and it works on all those different levels as entertainment, but it has this kind of cultural through-line that is so specific that it makes it universal.
I really took filmmaking very seriously… It was an honor and then a crutch also, because at a young age, I was like, I guess I’m a serious filmmaker. I never set out to be a serious filmmaker. I just set out to make movies.
Because, if I’m honest, people in the white world might be appalled, but in the black world, they’re making myths out of me. And I know that ain’t the life.
The plain truth is, ‘Fruitvale Station’ was made totally outside the Hollywood studio system, and every ounce of the picture feels authentic. The lives of the people involved in the movie will never be the same.
The more people who see a film, the more life it has. But I don’t like when people watch DVDs and look at two scenes, but they don’t look at the whole movie. Or they sit and talk to each other. You should always watch a movie all the way through.
The freshest moments in my films have always been with unknown actors.
I can’t watch a movie and watch just two minutes and turn it off, then go talk to my girlfriend.
As a storyteller, when you see somebody who is the character you envisioned, you feel this energy in the room.
At heart, I’m a dude from South Central Los Angeles. We roll the way we roll because we had survival tactics; we had to learn how to adapt. That’s just me.
I’m not a Beverly Hills dude.
Cinema was my rite of passage.
Ja Rule not doing ‘2 Fast 2 Furious’ changed Ludacris’s life.
We have these rules, the ‘hero rules.’ Like, a hero doesn’t slouch. A hero walks proudly with his head up. A hero walks with a purpose. A hero’s always a gentleman.
There’s this guy: his name, Sedik Ali. He’s like the African Kurosawa. You know how Kurosawa does stuff from feudal Japan? This guy does the feudal system of Africa.
Now, I’m so relaxed that I have to make myself nervous. I feel better when I’m second and third guessing myself over everything. I play with the mice in my head, all the time.
