Words matter. These are the best Lennie James Quotes, and they’re great for sharing with your friends.
The breadth of work that’s possible is wider and deeper for someone who looks like me in the States than it is in the U.K.
I was dreading all of the ghost stories of working on American television, not in the least, the length. In Britain, a series is six episodes of an hour drama, maybe sometimes eight, but never twenty-two, so I was petrified of that.
I’ve written virtually as long as I’ve acted, it wasn’t a sudden transition. I acted in my first play when I was 16 and I wrote my first play when I was 17.
Doors being closed or made harder to open is something I’m very familiar with – and I don’t like it.
When I was growing up and watching ‘The Sweeney,’ the notion of police officers being an inch away from the villains that they’re chasing was commonplace.
I’m not a broad comic, but I think I can be funny and I think I make people laugh.
We did four months on ‘Line of Duty’ from beginning to end, and that would be a long theater run.
I’m part of that generation that grew up watching TV, and being an actor was all about being on TV or being in films.
The Internet links me to friends and family around the world. Skype rocks!
I went to an all boys’ school in South London and the only god was sport.
One of the things I learnt over the years is that there is a craft to writing, like there is a craft to acting. I hadn’t done my apprenticeship as a writer. I did try to be a writer for hire but I’m not any good at it.
If you look in real life, it is very hard to describe people as good people, bad people, heroes or villains. People aren’t bad people. They all have their justifications.
I love writing but don’t get a huge amount of time to do it.
My favorite television show of all time is ‘Hill Street Blues.’ I think it’s the show that is to television what Pele was to football or Muhammad Ali was to boxing.
I did a film once in the Sahara. It was pretty awe-inspiring. I remember sitting up on the roof of our hotel, watching the sun go down, and all around me, for 360 degrees, was nothing but sand. It took your breath away but also made you feel tiny.
They shut down kids’ homes, for a number of reasons, and I was part of that transition into foster care. That’s all well and good if it’s populated by people who feel their work is paid decently and supported.
I became politicised in my mid teens, at the time of ska and 2 Tone and the Anti-Nazi League, when I’d get dressed up for a night out in my white socks and loafers, and the last thing I’d hear is, ‘Have a good night – be careful of the police.’
My foster mother wanted to create a family home. For me, she had made a place that I felt I could always go back to, and that was what she was trying to do for these kids.
All the great shows owe a lot to ‘Hill Street Blues.’
I like to come home regularly and, when I do, I need something to do on Saturdays. I can’t think of anything better than the mighty Tottenham Hotspur.
My thing is, I like playing guys who have a really interesting internal monologue.
I’ve worked in the theater, television, and films. A five-hour TV series is certainly more time than a character I’d be playing in a film.
I read the ‘Guardian,’ because it’s a bit like having an argument with a mate. We mostly have the same sensibilities, but where we disagree, it’s infuriating.
When I’m playing an American, I don’t play Lennie with an American accent. They’re American characters who look like me, but they have different voices.
I don’t usually like talking about acting or what my process is, and all those kinds of things, because I don’t necessarily think it’s helpful to talk about how I do my job.
I’m not setting ‘Jericho’ up to be anything other than what it is, which is, you know, a piece of good, well thought-out, well put-together TV and entertainment.
One of the things I liked about playing Tony Gates in ‘Line of Duty’ was that I don’t think he gave much thought to justifying his actions until he was under investigation.
‘The State Within’ demands a certain intelligence from its audience. It doesn’t just wash over you – it asks for commitment. And that’s a really good thing.
I don’t remember when I didn’t know about Martin Luther King.
I will say that when I first came out to the States to work on ‘Jericho,’ that was the only time that I’ve ever been frightened about a job, because in America they tell stories over such a long time, and I was petrified that I’d get bored.
