When I started to put my eye on electronic transportation is when I fell in love with it.
The spirit of house music, electronic music, in the beginning was to break the rules, to do things in many different ways.
Under Obamacare, doctors have been strained by costly new regulations, intricate payment ‘reforms’ that tie their Medicare reimbursement to complex federal reporting requirements, and mandates that they install and make ‘meaningful’ use of electronic health records.
During the period of house arrest, I had an electronic manacle around my leg for 24 hours a day, and for someone who has tried to give others liberty all their adult life, that is absolutely intolerable.
The concept and vision of ‘Electronic Nature’ is to give my fans a fully immersive sensory experience of music, visuals and more.
Worldwide access to electronic parts has truly opened up the opportunity for innovation for engineers of all levels. It’s an incredible time to be alive.
Even one’s own home is a kind of anthology of advertisers, manufacturers, motifs and presentation techniques. There’s nothing ‘natural’ about one’s home these days. The furnishings, the fabrics, the furniture, the appliances, the TV, and all the electronic equipment – we’re living inside commercials.
That’s the thing with electronic music, you set up systems to bring in an accident, to bring in quirks you didn’t choose, but you still will have had to set up systems.
Yeah, it’s a kind of weird thing because I don’t define myself as an electronic musician. It’s certainly a part of it, and you know I have a band as well, and we go on a tour bus like other bands.
I love some electronic music. I’m not a big fan of dubstep, but there is so much good electronic music out there.
On March 12, 2004, acting attorney general James B. Comey and the Justice Department’s top leadership reached the brink of resignation over electronic surveillance orders that they believed to be illegal.
Well, take the evolution of the Electronic Frontier Foundation. It began as hackers’ rights. Then it became general civil liberties of everybody – government stay away.
The first turning point, when I stopped doing things by myself and the Bastille project began, was the inclusion of more electronic music into the sound.
My colleagues and I were engineers who worked for DCM’s calculator division. These electronic calculators used digital integrated circuits, and then they started using chips. The advanced versions of those chips were used for programmable calculators, which were the forerunners of PCs.
Those who have come into Formula One without experiencing cars devoid of electronic aids will find it tough. To control 800 horse power relying just on arm muscles and foot sensitivity can turn out to be a dangerous exercise.
I made an electronic record in the vein of Cluster. I was programming synthesizers and drum machines and that sort of thing.
I don’t ever want to stop making country, and I don’t want to stop making electronic music, either.
Electronic music has existed since the ’70s, and it’s almost comical how many subgenres of it there are.
I joined Elton John’s band in ’75. He not only allowed me to play the electronic keyboard on his albums, he also let me do the orchestrations. Then I left the band and started producing records. I was not really a popular kind of hit music guy. I was attracted to more esoteric things.
Sometimes you cannot produce a specific sound you want with, say, a guitar or piano, and you simply need to use electronic elements.
‘Oxygene’ was one of the first, if not the first, popular electronic music album.
Ambient Devices develops a new generation of consumer electronic products.
A lot of people see electronic music as a flavor of the week, but it can be more than that – has to be more than that.
Electronic music was this super cool thing to me my whole life.
I like all kinds of music – classical, pop, rock, electronic.
Some of the greatest hip-hop artists have incorporated elements from electronic shows into their setup. People are taking notice. It’s going to be a new wave.
The last thing I do is go and listen to heavy rock music. But I love electronic music. The purity of the tones is inspiring, because it’s obviously much more controlled than a guitar tone.
I’m more akin to things like Sigur Ros, Mogwai, possibly. But when I’m making solo electronic music, techno stuff is just the most exciting form of rhythm.
If anything, a lot of electronic music is music that no one listens to at home, hardly. It’s really only to be heard when everyone’s out enjoying it.
My roots in electronic music go from weird glitch music to now what’s seen as pop music. Electronic music is pop music now.
We must carefully consider card security solutions, such as adding photographs or machine-readable electronic strips, so to prevent further breaches of individual privacy that could result from changes to the design of Social Security Cards.
I suppose subconsciously I was thinking in terms of having the scale of it matching the scale of the images. Hence the sort of string quartet, jazz band and electronic stuff.
I would never say I will stay in electronic music for the rest of my life. I will always do whatever I feel like at that moment.
I saw myself as an electronic joy rider.
The major rock instruments and classical instruments were designed for performance, for sharing the music with an audience, and then later people put microphones on them and recorded them. But for electronic music, the opposite was true – they’re designed in laboratories, and later, we tried to put them on stage.
I went to study electronic engineering and computer science because I was good at math and my father told me it is a very good profession. And so I did it, although it wasn’t really my passion. Then I went to work at Texas Instruments.
I always get excited over James Murphy’s work and everything that comes out of DFA. I really like the way that Murphy and LCD Soundsystem mix electronic, dance and rock together.
Amon Tobin has been producing electronic music since the mid-’90s, and was a key figure in the rise of drum-and-bass. He’s also written some of the genre’s most compelling tracks, in the process delving into jazzy breakbeats and bass lines.
When I’m skiing, I listen to electronic music. It’s repetitive and let’s me get into a groove and crank out the miles.
I’ve always had a deep passion for a lot of early electronic and sampled music.
People are approaching electronic levels in music; although not all of it happens to tickle my fancy.
Being from a background of dance music and what you might call club music or electronic music, I think something that gets neglected in that scene is personal vulnerability.
U.S. companies need clear guidelines on when they have to turn over electronic communications to law enforcement if that information is stored abroad. The current uncertainty harms U.S. businesses and their customers and does not well-serve our foreign relationships.
Before I got into electronic games, I was making table-top games.
Print-on-demand and electronic self-publishing options have made it easy for anyone to set up a business as a publisher whether they know what they’re doing or not.
Through a mix of market forces and regulation, we’ve brought civilization to the electronic provinces.
I’m an electronic manipulator. Most people think J.J. Cale, he’s organic. There ain’t nothing organic about me.
When I sit behind that electronic drum, it dominates me; there is no innovation in composing music like that.
I wonder what book signings will be like when most of the books we read are electronic. Will authors sign something else? A flyer, perhaps? A special kind of card devised for the purpose?
I am also a drummer of sorts. I’ve got an electronic set sitting in my bedroom.
Analog, electronic, whatever it happens to be, I simply love and adore literally every aspect of making music.
There are a lot of people who wonder why Japan is a pretty consistent influence in my music, and I think it’s because the reason I started writing – my intro to electronic music was Japanese music.
