Top 33 Stella Quotes

I like Stella McCartney, Chloe, Alexander McQueen, Aaron Featherstone, normal Chanel if I can ever afford it, I’d be wearing that all the time! I like to admire from afar.

My fragrance is rose and amber, and I was just very specific. A lot of what I’ve done, at the stages I’ve done it, I’ve been a little naive, which brought with it a kind of charm. I did Stella a while ago. It’s now a bit of a classic.

I’ve been a big fan of Michael Showalter’s for a long time. I watched ‘Stella’ growing up.

My favorite book of all time is Cold Comfort Farm, by Stella Gibbons.

Stella McCartney is just the coolest show to do. I love the collection. I love the setting. All of her stuff always feels so fresh.

I’m an actor. I was trained by Stella Adler, one of the greatest teachers of the world. I was 19 years old, and she frightened me to death. I was her houseboy for a while.

When I was 15, 16, I studied with Stella Adler at the Conservatory of Acting, then I stopped again and went to the Actors Studio when I was 18.

Stella McCartney, not only is she a designer, she is a mother of four, and she lives for practicality. She understands what a woman needs to wear to work and what a woman needs to wear when it’s time to go out and put on the Ritz!

We’re all aware of the huge plastic crisis and the effect it’s having on our planet. Fashion has a key role in that, but also there are ways we can deal with it. Stella McCartney is someone to look up to in that sense, she makes the bigger point in her collection that you can be sustainable and stylish.

I have a background in theater. At the time I read ‘The Loved Ones’ script, I was playing Catherine the Great of Russia onstage. Straight after that, I played Stella in ‘A Streetcar Named Desire’ and Isabella in ‘Measure for Measure.’

I said, ‘I’m going to the United States to study with Stella Adler and do movies because nobody here has done it and my passion is films.’ But I came here and I didn’t speak English, I didn’t have a green card, I didn’t know I had to have an agent, I couldn’t drive, I was dyslexic.

Then I heard this genius teacher Stella Adler – I recommend you read anything you might find about her and if you have anyone interested in theatre, you get them one of her books.

I love the name ‘Stella McCartney.’ It’s a beautiful name the way it rolls off the tongue. A couple of years ago, I wrote a cello concerto and used that as the basis for the rhythmic and melodic structure of the main motif of the cello part.

Wearing a bold print gets harder as you get older. It’s safer to stick to subtle prints or block colours. I have always found prints quite tricky. My daughter Carly, who is on the design team at Stella McCartney, is obsessed with them.

I think comedy drama is a tricky one. But it’s like in real life: often really tense, dramatic situations can be punctuated with the mundane and banal, and that’s what we try to capture in ‘Stella.’

When I get home, I’m not the boss like I am at work – I slip into a more feminine role. I take everything off and put on my Stella McCartney silk robe. I’ll put on a red lip or red nails, and it lifts my mood. Sexy underwear also gives you a spark.

I was a student of Stella Adler and then later Lee Strasberg, and they were into sensory work. At its best, acting is not about words – even when the words are important.

Every day I’d say I look different. Sometimes I look really formal, sometimes I love the classic Stella McCartney, Chloe Sevigny and Gwyneth Paltrow thing. Other days I like being rock star and wearing leather jackets and studs. I love wearing Burberry – it’s the perfect combination of formal and punky.

The cows in Stella Gibbons’s immortal ‘Cold Comfort Farm’ are named Graceless, Aimless, Feckless and Pointless, and that more or less is the verdict on ‘Ocean’s Kingdom,’ the wildly hyped and wildly uninteresting collaboration between Peter Martins and Paul McCartney.

I think Stella Tennant is amazing. And then I really loved all those ’60s society models, like Edie Sedgwick.

I’m very passionate about my two Dobermans, Stella and Mr Jonty. I go on and on and on about them, and people have to tell me to shut up before I get out pictures of them.

There’s benefits of having established artists on the record, Liam Payne on ‘Polaroid’ for example. If you look at that song you have Lennon Stella, who’s an up-and-coming artist, so there’s a balance on there because I still want people to focus on the song just as much as Liam being an amazing superstar.

I went to acting school in New York City for two years. I studied with Stella Adler.

I don’t have a favourite designer because I feel every designer offers something different and special, but I do really like Alexander Wang, Burberry, Stella McCartney and Balmain.

I’ve always been a huge admirer and lover of Alexander McQueen, Alexander Wang. I love so many British designers like Stella McCartney.

Far from being dominated by ideas from Paris and New York, Latin American artists were often the innovators. They were doing drip paintings in advance of Pollock, creating language art before the American conceptualists, and fashioning shaped canvases decades before Kelly or Stella.

I love talking about ‘Stella.’

I’m married. My wife, Stella – a beautiful woman. She’s brought a lot of peace to my life, a lot of wisdom.

The characters in ‘Stella’ wake up and they want to have a good day. They don’t set out to make someone’s life a misery.

People who don’t know how old I am can cast me as the woman in ‘Girl with a Pearl Earring’ and can cast me as Stella in ‘Streetcar Named Desire,’ and they are miles apart.

Of course, in later years, I’d studied acting more than ever before – mostly with the late Stella Adler, who was marvelous! – but in my earlier years, I couldn’t afford to do this.

I have a Stella McCartney Adidas sports bra. I feel like I’m totally comfortable running. No problem. I have support where I need it.

I love Stella McCartney because she’s timeless and classic, and I love Isabel Marant for wearability – you don’t need ‘an occasion’ for her clothes.