Top 33 West Side Story Quotes

It sounds corny to say, but we’re like a family. That experience for all of us really created a bond… The ‘West Side Story’ experience, it really is a family. There’s a closeness that has continued.

Along with its enchanting and exquisite melodies, West Side Story has attitude and a tremendous amount of frenetic energy. It’s emotional, theatrical and technical. It’s everything.

I think ‘West Side Story’ is one of the greatest, if not the greatest, musicals ever put onscreen – or stage, for that matter. I, frankly, like Zeffirelli’s ‘Romeo and Juliet’ very much, too. I grew up with that… I loved it. I loved the score; I loved the acting.

I was miserable in West Side Story. They really miscast me. I came from the Midwest; what they really needed was a guy that was street smart. The first time I saw the movie, I had to walk out. I looked like the biggest fruit that ever walked on to film. My character was so weak.

I was a little boy who watched ‘Solid Gold’ every week and wanted to be a ‘Solid Gold’ dancer. And I would do very in-depth reenactments of ‘Grease 2’ and ‘West Side Story’ with my sister Natalie in our garage. I was a very theatrical kid.

I auditioned for ‘West Side Story’ just like everybody else, and I nearly had a heart attack, because I hadn’t danced in about – oh, I don’t know, about 15 years.

My mom and dad are New Yorkers who left the tenement streets of the Bronx and came to Los Angeles when ‘West Side Story’ was real. They have the scars to prove it.

‘West Side Story’ I used to watch all the time – I don’t know why. Well, I do – it’s a great movie. I love the music in it. I love the actors.

I don’t believe I was jinxed or hexed by winning an Academy Award in my first picture, ‘West Side Story.’

Oh yes, I’ve been approached to do all sorts of nonsense. How about a remake of ‘West Side Story?’

We love ‘Fiddler.’ We love ‘West Side Story.’ I want to be in that club. I want to be in the club that writes the musical that every high school does.

If you look at ‘West Side Story,’ a lot of those numbers are actually pretty cutty, but the cuts are always musically motivated.

‘West Side Story’ is one of the greatest theatrical experiences I’ve had.

I’m not really a big musical fan. I enjoyed ‘West Side Story’ when it came out, but it gets a bit tired in the end.

In 1957, ‘West Side Story’ had introduced the musical to the reckless dark side of teen-age life; ‘Bye Bye Birdie,’ set in Sweet Apple, Ohio, where the citizens apparently dress mostly in chartreuse, mauve, orange, periwinkle, and turquoise, was a walk on the bright side.

I’ve always wanted to play Maria in West Side Story. My idol is Natalie Wood, and I love the movie, so I think a modern-day twist on it would be really neat.

You have to pay attention to the moments when you’ve felt on top on the world. I remember the first time I was on stage, I was doing ‘West Side Story,’ I was 17 and this woman was crying because she liked what I was doing so much.

Whether it’s Cyd Charisse and Fred Astaire or ‘West Side Story,’ see it on the big screen. That’s the way we should appreciate it.

I would like, if I can, to broaden the possibilities of the musical theater. I think there’s a better ‘Oklahoma!’ someplace, a better ‘West Side Story.’ And I’d like to be mixed up in it.

My first big role was when I was 17 and I got the part playing Maria in ‘West Side Story’ in my school production.

I was about seven or eight years old when I first heard West Side Story, and it had a huge impact on me. If you look at the elements of that record, it contains many of the things I enjoy doing today.

If there were a song from ‘West Side Story’ that I would do, it would be ‘Something’s Coming,’ but in a sense that put it in the right key for me and then do that one.

Gary Sinise and I go the furthest back of the Steppenwolf people; we were both saved from academic mediocrity as sophomores by being cast in ‘West Side Story’ by this transformationally beautiful teacher named Barbara Patterson.

Like the tail fins on fifties American cars or the parabolic shapes of Populuxe furniture, ‘West Side Story’ incarnates the dream of momentum in the golden age of the twentieth century.

I was at Elon University in North Carolina for two years pursuing my BFA. And after my sophomore year, I was cast in the Broadway Tour of ‘West Side Story.’ I just kind of – it always was my favorite show growing up.

I was a Spanish dancer. I don’t mean to put that down, because that was great, too, but nothing like the kind of dancing you had to do in ‘West Side Story,’ which was called jazz.

In high school, my first thing ever was I played Tony in ‘West Side Story’ when I was about 17. I was a really shy kid, and I just, like, forced myself to learn how to sing this one month because I loved ‘West Side Story’ so much, and I somehow managed to get the role.

I think the thing’s that perhaps sad really is that younger people haven’t come in and I think it must have been absolutely fantastic to have worked in the 50’s when you had all of the great Broadway composers and when West Side Story didn’t win the Tony Award.

I actually love ‘West Side Story.’ I think it’s an amazing film to watch.

West Side Story was terribly important because of the style of the dancing and the gangs of New York.

I’ve always loved going to see Broadway shows. I’ve seen ’em all: Rent, Chorus Line, Cats, West Side Story, Guys & Dolls, Wicked, you name it!

I don’t regret ‘West Side Story’ one bit. It was an incredible movie full of young people with amazing rapport.

I danced in a company of ‘West Side Story’ when I was very young. It was most of the original cast – Larry Kert, Chita Rivera – and Jerry Robbins directed. It was tough, a wonderful initiation for me.