Top 35 Aishwarya Rajesh Quotes

I take care of my body, do yoga and exercises.

I love the body language of the women cricketers and the attitude with which they carry themselves.

I’m playing my first urban character in ‘Thirudan Police.’ It’s an important film because I’ll be breaking the stereotype that I’m only fit for rural characters with this role.

Eating street food in Bangkok is an experience.

In ‘Aarathu Sinam’, I play a wife and mother. It’s a very homely character, quite contrary to what I’ve done so far.

I come from a lower-middle-class family and used to stay in a housing board colony.

I believe that comfort level is crucial for a performer.

While signing ‘Sakhavu,’ I wasn’t aware of the depth of communism in Kerala. I was born and brought up in Chennai, and our political ideologies are very different.

I was not wary of playing a mother on screen but wasn’t sure if I could do justice to it. Would I be able to showcase that kind of overpowering love without being a ‘real’ mother?

I had a lot of Marwari friends, both in Holy Angels School and Ethiraj College.

I don’t go by the screen time. Even if I have one or two scenes, it is essential that people remember me.

I want to do glam roles, too. I don’t want to restrict myself when it comes to doing good cinema.

I am not interested in doing a film on the basis of a good story. I want a proper screenplay.

Social media and smart phones have become an inevitable part of our lives. We shouldn’t be under their control, which is wrong. It is mere stupidity, and we must be aware of everything around us.

My mother tongue is Telugu. I was born and brought up in Tamil Nadu.

I feel very confident and empowered before the camera, after working with Arjun Rampal.

Anybody can do glamorous roles. With the latest technology, any girl can be shown beautifully on screen.

Any actor can be glamorous, but not everybody can be a performer. That’s why I’m focusing more on the performance side. I feel that’s what even people want from me.

After acting in a critically acclaimed film like ‘Kaaka Muttai,’ I didn’t get any offers for more than a year.

There is a fine line between being glamorous and vulgar. I am open to glam roles as long as they don’t look vulgar on screen.

I will never do something like an item number.

I had to do a lot of preparation for ‘Kaaka Muttai.’ I had to literally spend every night and morning in the slums, observing the life of people there, and work on my diction.

My aim is to do all genres, both entertainment and art.

‘Kanaa’ is a rare opportunity; it’s about women’s cricket, and they’ve trusted me with this film. I trained for nearly four hours every day with three coaches.

I lost my father when I was barely 10.

When I travel in Tamil Nadu for shooting, I make it a point to eat at roadside eateries and drink tea/coffee at a tea stall.

I did my schooling at Holy Angels, where they had stringent rules. I coloured my hair blond and red and was pulled up by the principal.

I usually don’t choose any of my Tamil films depending on the heroes but give priority to the script.

I played a very small role in ‘Attakathi.’

I always do what the character demands, and I love to experiment with my looks.

I like men who respect women.

It’s very different working with Vetrimaaran. If he’s happy with your shot, all he will tell you is, ‘Good job. Go do what you have to next.’

Vetrimaaran expects his actors to be spontaneous. Since he mostly prefers shooting in live locations, you have to be prepared for everything when you work with him.

I want to be a star; yes, that’s everyone’s dream.

Every director has their own unique working style.