Words matter. These are the best Alexander McCall Smith Quotes, and they’re great for sharing with your friends.
Many of my books are written from a female perspective. I rather enjoy the take that women have on the world, and certainly I enjoy the conversations that women have.
But you cannot expect every writer to dwell on human suffering. I think my books do deal with grave issues. People who say they are too positive probably haven’t read them.
The point of opera is that people are moved by the emotions and music.
Every novel presents a slice of life. A noir policier for example presents one slice, one that perhaps addresses social dysfunction or some sort of pathology, while mine present a slice that is more upbeat and affirmative.
The Okavango Delta is an astonishing sight: the great Okavango River, rather than flow towards the sea, flows inland, into the sands of the Kalahari.
I’ve also long since realized that the way to really engage children is to give out prizes; it’s amazing how it concentrates their minds.
I’m very interested in tea. I wouldn’t mind being involved in some aspect of the tea industry.
My wife Elizabeth and I started The Really Terrible Orchestra for people like us who are pretty hopeless musicians who would like to play in an orchestra. It has been a great success. We give performances; we’ve become the most famous bad orchestra in the world.
Baboons take a bit of getting to know but, apparently, once you break the ice, so to speak, they are complex and interesting creatures with elaborate societies.
Serial novels have an unexpected effect; they hook the writer as well as the reader.
I’ve always had a creative urge and I get immense satisfaction from creating something because it feels like I’m making sense of the world and imposing order on it.
You’re always told by your publisher that you must only write one book a year and some years you should perhaps write none at all.
I have three older sisters, so we were a reasonably large family and, in general, a happy one.
I would certainly never consider myself a Renaissance Man; I’m not fit to look at the dust from the chariot wheels of many of those who have gone before me.
I write four books a year. I’m very fortunate that I write quickly; around 3,500 words a day. Being strict about delineating my writing time and personal life, as well as keeping distractions at bay, is the only way I can accomplish this.
Any author of fiction will tell you that characters don’t need to be told what to do.
Writing fiction, I really just sit there and it just comes.
Writers obviously have to bear witness to the harsh face of the age.
If you lose sight of the smaller accomplishments, you end up with an imbalance in your life.
There is this intimacy still in Botswana. It’s a country of just under two million people, and there’s this sense of connectedness, in that people tend to be related to one another.
Fiction is able to encompass books that are bleak and which dwell on the manifold and terrible problems of our times. But I don’t think that all books need to have that particular focus.
Painters aren’t expected to paint bleak pictures, are they?
Well, I’d say all of us are a combination of moods and emotions. In my day to day life I don’t go around skipping, but at times one can feel sheer exhilarating joy at the world.
The local community is very important in one’s life; the feelings of identification with a place and people.
Every single day, I get letters – very moving, overwhelming letters – testifying how much my books have meant to people in times of crisis in their lives, when they were very ill, say. If I ever doubted that writing could play an important part in people’s lives, I don’t doubt that now.
I’m interested in character and dialogue and exchange of ideas.
One of the most destructive things that’s happening in modern society is that we are losing our sense of the bonds that bind people together – which can lead to nightmares of social collapse.
With ’44 Scotland Street’ I found myself having to work out how a daily novel works, and it is completely different to a conventional novel.
Botswana is actually very peaceful. It’s democratic. It never was in debt. They’ve been fortunate, they’ve had diamonds.
New York is a wonderful place to be up, an awful place to be down.
That my philosophy of life is, as far as possible, one of enjoyment. I’m not nihilistic.
A very powerful theme in fiction is that of loss.
It seems to me that we’re in danger of losing sight of certain basic civic values in society by allowing the growth of a whole generation of people who really have no sense of attachment to society.
I’ve certainly always had a very high regard for Botswana and so I paint a very good picture of the country and I’ve never pretended to be painting an entirely realistic picture.
Who can’t like pigs? They’re wonderful creatures! I’ve always liked pigs.
