Top 35 Warner Bros Quotes

I was cast as the lead in a Warner Bros TV pilot and was immediately told I needed to lose weight. I got a bit weird about food for the first time in my life, and I thought, ‘You know, this just isn’t the life for me.’

I hooked up with Warner Bros, and I was dying to play Ensign Pulver in the ‘Mr. Roberts’ series, and I didn’t get the part. Instead they cast the with Forrest Tucker and Larry Storch in ‘F Troop.’

When I was a teenager, the biggest heartthrob was Tab Hunter. He was in every movie out of Warner Bros. until he was exposed as gay, and his career faded. That was an object lesson. I knew I must protect my sexual orientation.

I was really disappointed that Warner Bros. didn’t think highly enough of my film or my filmmaking to ask me to make the new Superman.

More than anything, I want to keep working with people of talent like Craig Gillespie, Spike Lee and Clint Eastwood. But there’s also those long-dreamt-of moments: I’d love to host ‘Saturday Night Live,’ I’d love to do a Penguin stand-alone movie at Warner Bros., I’d love to do a Teddy Roosevelt biopic.

We’ve played producers almost our entire lives in everything else we’ve created. But when working on a feature and even dealing with something like Warner Bros. or another production company, or other details that you can worry about – we definitely learned a lot.

I got a great kick being in the Warner Bros. studios – that was really cool. I kept singing the ‘Looney Tunes’ theme song all day. I’m sure they haven’t heard that one before.

We’re going to help DC feel like more of an important priority in Warner Bros.

The size difference on a Warner Bros. film versus the small productions I had been on in Europe was enormous. You go from 20 people on set to 150.

I actually re-signed with Warner Bros. on my own. They’ve been really good to us and all the people over there are great; they love me and I love them. So I’m just sticking with them.

Island Records was the first record label to… acknowledge me. After that, quickly, Republic Records, and then Atlantic Records, Sony Records and Warner Bros. It was all the labels at once. It was absolutely insane, like, knowing that this many record labels were interested in me.

So many people from the West are coming into India, all the studios have come into India, and they’re making films here, whether that’s Fox, Warner Bros, Disney, everyone. That stands as testament for us, so why are we afraid of sharing our talent with the world? We must.

For years, Warner Bros. was trying to get me to make a movie about Howard Hughes.

Trying to convince Warner Bros. to make a $30 million ‘Veronica Mars’ movie just wasn’t going to happen, for understandable reasons.

My connection to ‘Aquaman’ came out through the Sony hack. It had no relationship to reality. I was not on that film. I was not hired to work on that film. I had been talking to Warner Bros. about it.

You see a Clint Eastwood movie, and you might not know if it’s from Universal or Warner Bros. or another studio. He has affiliations with so many studios now, but there was a time when you’d just look at a movie and think, ‘Oh, that’s a Warner Bros. film.’

I was on Warner Bros. for a minute.

There was a time when watching a cartoon was a nurturing experience. You would watch a Warner Bros. cartoon, and at the end of it you could probably win ‘Jeopardy.’

I think back to having had the good fortune of being at Warner Bros. when we were doing ‘Lois & Clark.’ The chemistry between Dean Cain and Teri Hatcher was really wonderful.

Warner Bros. has talked about going out with low-cost DVDs simultaneously in China because piracy is so huge there. It will be a while before bigger movies go out in all formats; in five years, everything will.

Tatiana Alvarez, who also became a queen of the wheels of steel in L.A., has now sold her incredible cross-dressing, reverse ‘Tootsie’ story to Warner Bros. in Hollywood, and hotshot producers Mike Medavoy, Brian Medavoy and Erwin More have reunited to turn it into a movie.

I started touring a little bit in 1973 in support of a record I made for an independent label. In 1975, when I signed with Warner Bros., where I remained happily ensconced for the next 24 years, my touring activity increased considerably.

I gave up on the big screen. The Witching Hour was at Warner Bros. for 10 years and it just didn’t work out.

I remember the screen test for ‘Gossip Girl’ was on the Warner Bros. lot in Burbank. I was about 17 or 18 years old at the time. I remember driving onto the lot and going, ‘Oh my God. This is surreal.’

‘Batman Beyond’ started because we were tossed a curve, because the higher ups at Warner Bros. wanted a different take on him.

When I went to Warner Bros., there was a woman named Bonnie Lee who was an executive who helped me to get to ‘Pee-wee’s Big Adventure.’

I wanted to be the first female, young teenager producer, and it didn’t happen. And when it finally did happen, I was shelved because I was signed to Warner Bros.

I turned in a script that meant a lot to me and an executive at Warner Bros said he was disappointed in me. I took a hit of confidence and stepped away from film-making for some time.

I was working with another major label after Warner Bros, and they were telling me who to hire as musicians, what kind of music to play, what producer to use. I mean, what’s the point of putting me on the record?

Our goals were and are to be sure that we set up DC Entertainment to be more integrated and more cooperative within DC as well as in Warner Bros.

Warner Bros. never really got behind the solo work. They always kind of drew a blank. I think they always were thinking, ‘Well, this is nice, but let’s get back to what’s really important.’

I was looking to explore the theme of good and evil, so what better inspiration than the comics? I’d developed a relationship with DC and Warner Bros. when I donated a sculpture of Catwoman to the ‘We Can Be Heroes’ campaign a few years ago. That’s what started it.

I was a Charles Schulz kind of guy. I didn’t read comics books. The Warner Bros. guys were great – Chuck Jones and Friz Freleng.

I never mentioned my sexuality to Warner Bros. at all, and they never mentioned it to me, thank God.

Warner Bros offered me the next Batman, and the only reason that I didn’t do it was because of The Saint.