For people who are afraid to talk about cancer, for people who are afraid to communicate with their loved ones about it, and for the people who want to pretend cancer doesn’t exist, either delaying diagnosis or not getting regular checkups, the consequences can be fatal. Doing nothing about cancer will kill you.
Somewhere along the way, when we were building social media products, we forgot the reason we like to communicate with our friends is because it’s fun.
By listening to others, you better understand their needs and you can then better communicate with them.
I just want to be able to communicate with my fan base.
I don’t think that your height affects how good of a spokesperson, how well you can be, how well you can communicate your ideas as a beauty queen or as a public figure.
I am just always trying to pay attention to how to communicate things that may not always be the hot topic issues and ways they can be entertaining and engaging. That’s what I think has always been my passion, even if it comes to the type of music that I do.
I’m only just learning what language to use when I want my microphone turned down, you know, because it’s all so new to me. It can be quite difficult on a daily basis to communicate with the people I work with, so I’m just looking forward to knowing more.
Sometimes you see how humanity can rise above any kind of cultural ills and hate that a person’s capacity to love and communicate and forgive can be bigger than anything else.
You can’t leave out half the world’s experience and expect to address all the problems. Women communicate differently and process information differently, which leads them to resolve conflicts differently.
I have two children of my own. Crying is not evidence of pain or any real suffering. It’s really just the way children communicate.
I design all my sets. With my tour and my album artwork, I co-design that with people who are better at drawing than me. But I’ve got a good imagination. I went to art school so I understand how to communicate my ideas.
Through our effective campaign-management strategies, we’re seizing opportunities to capture additional insights on customer behaviors, allowing us to reach and communicate with them more effectively.
Communicate, communicate, and then communicate some more.
The way this whole novel thing came together was, I sold them one bill of goods and then didn’t communicate very well. I am like Captain Run-on Sentence.
If you pour your life into songs, you want them to be heard. It’s a desire to communicate. A deep desire to communicate inspires songwriting.
As a child, these colourful superheroes that could fly, or were horrifying like Ghost Rider and the Hulk, with this tremendous rage or these supernatural powers, provided an escape for me from my mundane existence, from my lack of friends or my inability to communicate well with people. They liberated me.
Learning how to communicate to big audiences, and how to frame a message in a way that works in a sound-bite world, that for me is very challenging.
Observe, record, tabulate, communicate. Use your five senses. Learn to see, learn to hear, learn to feel, learn to smell, and know that by practice alone you can become expert.
I believe in communication; books communicate ideas and make bridges between people.
The actor always must be in the scene, not above the scene. To communicate any larger ideas is my problem; it’s how the narrative is constructed and directed that hopefully does it.
I mean, what is music anyway? It’s a form of communication – at least for me it is. And that’s why I play the kind of music that I think – that I hope – can communicate with people.
I have played in matches where individuals have frozen and gone into their shells: they don’t want the ball, they don’t communicate, and they don’t do their jobs. Fear turns them to stone.
In my teaching, I enjoyed creating models to clearly communicate my thoughts.
As an actor, all you have is what you know and what you see in other people. The more you know, and the more you’ve experienced, the more you’re able to communicate to other people.
As an actor, you have many tools – your body, your voice, your emotions, mentally. In film, you have your eyes because they communicate your thought process. In fact, generally in film, what you don’t say is more important than what you say. That’s not so much the case for stage.
You can communicate a sad message or perplexing message through happy chords or a happy melody, and I hope to have the listener pose more questions in their life as opposed to going along with the everyday and what’s being pushed on them.
The vocabulary of film is camera cuts, it’s how they communicate. But games are different. We don’t really need to do that. We do it because it’s a language that we’re familiar with.
The attraction, and my particular participation is in being able to communicate with my fans, answer their questions, get a feel for how they respond to Vader.
So I think it’s important to communicate with the people in terms of what the real facts are on these proposals and try to have a discussion and a dialogue that gives people information. I think they’re hungry for that rather than just political rhetoric.
I was in a band in Auckland, and I remember they all hated me. They had a big intervention. They said, basically, ‘Gin, we think you suck.’ I was miserable. I cried and cried. But looking back, that taught me about social skills and how to communicate with musicians.
The absolute key difference between television and radio is the ability of radio to communicate. With television you can watch the screen and your mind can be anywhere. On radio it requires a certain amount of discipline from the listener to follow what’s being said.
I have made compacts with fourteen different persons that whichever of us died first would communicate with the other if it were possible, but I have never received a word.
People can express themselves better with images than just text, so they communicate more this way.
The thing about hip-hop today is it’s smart, it’s insightful. The way they can communicate a complex message in a very short space is remarkable.
I’ve studied documentarians extensively to come up with my own in-house style. I’m a student of Michael Moore’s films, of Eisenstein, Riefenstahl. Leave the politics aside, you have to learn from those past masters on how they were trying to communicate their ideas.
I do this acting thing mostly for myself. I like to make a connection and communicate with the audience to make myself feel less lonely. I also do it to develop my own character, so sometimes I do it to just be away in a certain area that I’ve never been to. But mostly, the story has to do something for me.
Any ‘artist’ makes a living by expressing what others can’t – because they’re unaware of their feelings, they’re too afraid to express those feelings, or they lack the skills to communicate and be understood.
Whenever I do something, particularly if it’s a cameo, I make sure that I have a backstory written out so that I can talk to the director intelligent and try to communicate a three-dimensional character.
One of the things that’s really important in ‘Queen of the Night’ is how people communicate with their clothes.
Technology gives us power, but it does not and cannot tell us how to use that power. Thanks to technology, we can instantly communicate across the world, but it still doesn’t help us know what to say.
Acting, music, comedy are all just delivery systems to communicate ideas and stories.
I am a goalkeeper. My first duty is to save the goal. The second is to communicate with my defenders and organize them.
Even if I’m writing music, it’s with a lyric in mind, to communicate some kind of feeling.
I need to make sure that I’m taking roles that I feel like I can communicate through.
I think the inspiration came from the fans. Whenever I’m online or whenever I get a chance to really communicate with the fans and the audience, they always say that they would love to have all of the remixes on one CD.
I think that theater is a unique way to communicate with people as they gather together with other people they may not even know. It creates a sense of shared community for the time of the performance that hopefully carries over into other aspects of the audience’s life because they have shared this experience together.
I don’t need to have my convictions confirmed by a show of numbers. However, being among people in front of a band leads me to believe that all is not lost, that humans, now and then, can communicate on a higher level than the political and the practical.
I never believed the anchorman should be the know-it-all. And I try to communicate that to the audience. While I have some knowledge from my years of experience, what I want to do is walk you through this because we’re all walking through this together.
I don’t know that hearing people have ever felt that experience of truly being left out. They have easy communication, while deaf people can’t join in. It takes more time to communicate with us.
I played a lot of games at a young age and I feel like I’m an older player in the side now. I communicate a lot more on the pitch and in the training room now.
Communicate with the front office, communicate with the staff, communicate with the secretaries, everybody. And make everybody feel a part of something. That’s important.
