I like the challenge of dressing ladies in lots of different things.
When I was in school, I was always writing scripts and dressing up as characters. I’d constantly be that guy who’d get up on stage. I used to write imaginary TV shows, like soap operas, for fun.
I love dressing up for events; to me it’s almost like wearing a costume for the evening.
I like to create a good atmosphere in the dressing room.
Novelists are not equipped to make a movie, in my opinion. They make their own movie when they write: they’re casting, they’re dressing the scene, they’re working out where the energy of the scene is coming from and they’re also relying tremendously on the creative imagination of the reader.
I always liked dressing up. I think, because I always liked performing, I always liked costumes and things like that.
At the beginning of my career I was going through a really weird phase of dressing in boys clothes. I would only wear one American Apparel T-shirt and shorts and brogues the whole year round. Not the same T-shirt, obviously, but one style of American Apparel T-shirt. I think I was going through a tomboy stage.
You have to make decisions that you think are right for the club. I also think that, in the dressing room, there should only ever be one voice and it’s got to be the manager’s.
I don’t see my season with Dortmund negatively. There were some real problems there in the dressing room and they were going through a generation change.
If we’re willing to accept unlimited immigration in order to keep wages low and corporate profits high, we should just say so and stop paying for all the immigration enforcement window dressing.
When hip-hop came along, men and women started dressing down as a form of rebellion.
I think that a costume can really help in embodying a character. So dressing up in something completely different to what you would usually wear is so new and refreshing.
I have a Maltese Shih Tzu. I’m notorious for dressing her up in sweaters.
I like dressing how I like to dress, and I look like a little art statement.
I don’t think a lot of artists have the freedom that I have when it comes to dressing in general.
I did an episode on my talk show on cellulite, and I brought seven women into a dressing room at Nordstrom’s in L.A., and we all sat and talked about our cellulite.
A dressing room is both a personal space and a workspace. It changes with the flick of a switch: turn on the relay – the speaker linked to microphones in the auditorium – and you’re at work; when that’s off, it’s your sanctuary.
When I did ‘Racing Demon’ by David Hare, I worked with Paul Giamatti, who had stacks of books in his dressing room. I was offstage a lot, so I would go read in his room. He was reading a four-part series on the Byzantine Empire by Alexander A. Vasiliev. I read two of those during the run of the play.
There were times we were kept in our dressing room until late at night because it wasn’t safe to go home. Our bus would get attacked, the tires slit.
After ‘UNCLE,’ I never accepted the first offer: if I wanted more money, I asked for it. A better dressing room? Four first-class tickets instead of two? I’d ask for them, and I’d often get them.
All my teammates, whether they’ve been playing with me or sitting on the bench and not dressing, they’ve supported me. I don’t think I’d be too good a person if I didn’t do at least the bare minimum of the same.
I love dressing up and I love looking good.
In TV, you get driven to work in a luxury car, and find flowers in your dressing room. Then suddenly you’re on tour, drying your hair backstage on plastic curtains.
Though designed as a mere convenience, clothing sizes establish an unintended norm, an ideal from which deviations seem like flaws. There’s nothing like a trip to the dressing room to convince a woman – fat, thin, or in between – that she’s a freak.
In the dressing room, you can never lose that group concept.
You never think about someone dressing up as you for Halloween.
I really enjoy everything about this profession. From the training I do preparing for my matches, to the time I spend in the dressing room getting ready, right up until I make my entrance to the ring and the final bell rings.
In the dressing room there is nothing better than when a good player walks through the door and the guys say ‘I’m glad he’s come along.’
Obviously, there will be different character traits in the dressing room, but I’m there to bring happiness and a smile.
When you go onstage, the process of getting you from the dressing room to the stage is all about ego.
I’ve often been accused of dressing too well. I’ve always been fascinated by fashion, though I don’t think I’m particularly fashionable.
I like to be comfortable, but I do enjoy being a British gent and dressing up a bit.
I do not like going to the dressing room and trying on millions of outfits. I just look at something and hope that it will work. I try it on at home, since I don’t like going through the whole process.
I’m really not good at dressing up and being glamorous.
Being pretty… I’m just confused about it. I mean, I love getting my nails done, but I also like dressing like a boy. I think I feel most myself when I’m mixing femininity and masculinity. Like, fifty-fifty.
I started being a photographer because I liked fashion. I liked the idea of dressing up and changing my look. I got earrings, dyed my hair. I would dress like a fashion photo.
A fine timepiece is part of dressing like a gentleman. When I first made a little money, I bought my first watch which was a Rolex Daytona. It was just one of those things that said I was successful.
No matter what it is you are cooking, buy the best ingredients you can afford. I don’t care if it’s a simple salad or Beef Wellington. A quality product stands alone and won’t need any dressing up.
