The issue in Web accessibility is the fact that blind and visually-impaired people need the single biggest boost to achieve equivalence, since the real-world Web is a visual medium.
The Lowcountry traditionally is a logical place where the big ships stopped and brought new things in from the ocean, and the islands have a mystical tradition. It is such a visual place, too, with these iconic villages with the Spanish moss and the village and historical homes and the coast.
Art is really more musical than it is visual.
I’m a visual person, so it always starts with a picture, and then I get obsessed with the idea, sometimes too much. I have these blank books in which I take notes, and I add postcards and other physical items.
Music is more than words. It’s a visual experience, too, and people really feel my music because of the way I move and put on a show.
Kids cannot follow stories. They don’t know what the hell is going on in a cartoon. They like to see funny visual things happening.
I try not to get trapped in any one musical or visual style at all.
I love Rauschenberg. I love that he created a turning point in visual history, that he redefined the idea of beauty, that he combined painting, sculpture, photography, and everyday life with such gall, and that he was interested in, as he put it, ‘the ability to conceive failure as progress.’
‘Instagram’ is a media company. I think we’re about visual media. I explain ourselves as a disruptive entertainment platform that enables communication through visual media. I don’t think it’s just photos.
The ability to have somebody read something and see it, or for somebody to paint an entire landscape of visual imagery with just sheets of words – that’s magical. That’s what I’ve been trying to strive for – to draw a clear picture, to open up a new dimension.
I never think about it much, the visual aspect of it, until we start making the movie. I don’t really think about it when we write. When we finish, and I start putting the film together, and we pick the locations, I do think about that a lot.
I’m quite a softy, yes. I have a blank spot with respect to visual art, but I have perhaps a compensating hypersensitivity to poetry and music.
Innovation and thoughtful visual storytelling are deeply woven into the fabric of Getty Images.
I think of myself as a translator. I just change the dry, unfeeling language of data into a visual language that allows for feeling.
Adam does most of the work when it comes to videos and he basically does the same as I do with the lyrics. The videos are his visual interpretations of our music.
I have a longstanding fascination with visual art. I do, in fact, draw as well, as I did in ‘The Summer without Men.’ I also write essays about visual art.
I’ve said this before, but I don’t like putting captions in my comic books. I feel, for me, they become a crutch, a way to ignore the essential fact that our medium is a visual medium, and the greatest pleasures to be derived from comics are how stories can be told with pictures.
Although my art work was heavily informed by my design work on a formal and visual level, as regards meaning and content the two practices parted ways.
Radio is such a perfect medium for the transmission of poetry, primarily because there just is the voice, there’s no visual distraction.
