Words matter. These are the best Bass Player Quotes from famous people such as Yngwie Malmsteen, Bryan Adams, Nate Ruess, Mike Gordon, Miroslav Vitous, and they’re great for sharing with your friends.
I always wrote everything – I wrote all the lyrics, I wrote all the melodies, everything; it’s just somebody else sung it. And to me, the singer is nothing else than a different… like a bass player or a keyboard player – they’re not more important than any other musician.
I always just wanted to be the singer or the bass player in the band. I’d love to have a band, where I was obviously the singer, but where it wasn’t me, it wasn’t my name.
I picked up ‘The Hunger Games’ thinking it was written at my regressed reading level. I’ve spent hours reading it, and I’m not even halfway through. Our bass player, whose name is also Nate, ended up reading all three novels and loved them.
Lately Fish and I have been hooking up more, which is a good thing because it’s just been a struggle for me as a bass player to play with someone who’s so creative on the drums, and lately it’s been really good, especially during sound checks.
So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.
The lousy guitar player in any band is the bass player.
My dad taught me to play bass. He’s a bass player; he still plays in a band in Michigan to this day. He taught me to play bass when I was about 6. I used to just go to band practice with him, and whoever didn’t show up for rehearsal that day, I would take their spot.
When I heard BB King’s ‘Sweet Sixteen,’ I knew I wanted to play bass because that was the thing that made that record: the bass player.
I can sing, but I consider myself a bass player. I’m, you know, a musician first.
Later in high school, I met Hillel Slovak, who was the original guitar player of the Chili Peppers, and we became really close. We had a band, and we didn’t like the bass player, so I started playing bass, and I got a bass two weeks later.
Our newest member is Johnny Colt, who was bass player with The Black Crowes. Colt fits right in with us. He’s loony as heck, and so are we. We have a great time and love doing what we do. I hope Johnny is with us for a long, long time. He is quite the guy.
I think people forget even though we were labelled a synth band because of ‘The Hurting,’ but keyboards are not our native instruments. Roland’s a guitar player and I’m a bass player.
I still don’t really feel like a bass player.
I’m the greatest bass player in the world.
I actually met Chick Corea in New York, where I was staying with a bass player friend.
I never forget the first time I was on ‘Top of the Pops’, my bass player said: ‘You’ve made it!’ I did used to think, when I was younger, that I’d be on there one day.
When we first came out it was this happy accident, and I was sort of into hardcore at the time. Jordan our singer was really into Jawbreaker and a lot of indie rock bands and old Dischord bands, and sort of like more of the indie side of music. Our bass player was really into West Coast punk.
I decided to build a studio in my house. We built it in my basement kitchen. I had the drummer up by the fish tank. I was in the toilet singing. The bass player was out by the shelves in the living room, and the guitarist was on the couch by the telly.
Lemmy is, I think, for anybody in the world of rock n’ roll – you don’t have to be a bass player – he is a pioneer, and he was true to his music and also the lover of a lot of different styles of music.
Without getting real personal, we liked our bass player Ed. He was a great guy and he was a good bass player but his playing was suited for a different style of band.
I’ve been in a band, so I understand the politics. Sometimes the bass player doesn’t like what the guitar player is doing, and you have to sort of even that out.
I’ve always been the DJ or the bass player or the drummer, somebody in the background. I don’t think anybody who knows me personally would say that I’m particularly shy or introverted, but I’m definitely not like Mr. Attention.
None of us wanted to be the bass player. In our minds he was the fat guy who always played at the back.
At the time, I didn’t know that bass would not be enough for me. I’m not a bass player because bass is always a background instrument even to this very day.
A lot of other bass players have told me I’m the only bass player who plays with a pick but sounds like he’s playing with the thumb and fingers, which is a great compliment.
Being an actor is like being a bass player: one of the component parts to the collective hole.
I was raised by my father, who was a singer, songwriter, guitarist, and bass player. His brothers all did the same thing, so I was kind of always raised around the music.
In jazz, you listen to what the bass player is doing and what the drummer is doing, what the pianist and the guitarist is doing, and then you play something that compliments that, so you are thinking simultaneously and thinking ahead.
Being a bass player in these big-time rock bands is hard work.
Jeff Ament, the bass player, plays basketball. He ultimately wants to do music, but he’s really good at basketball, too. We all want to do what we can’t do, maybe.
I love my music, so I want to produce, write, and serve my music. I’ve had to learn about EQ frequencies and programming and space and clutter and how to be a better piano or bass player – everything.
My band, Miles Long, is a jazz-funk spoken word band. There’s jazz sensibilities, but I’m a bass player, so I’m very much into the head-bobbing vibe with sophisticated lyrics.
I always got great respect as a bass player.
When I produce a record, I roll up my sleeves; I’m not one of those passive guys. I really get in there and make sure every note is measured. I tell the bass player, ‘You have to play it like this,’ or I tell the drummer, ‘It’s got to be like this.’
There’s something rhythmic about running, so it’s not surprising that I love it. I’m a bass player, after all.
I think my first experience of art, or the joy in making art, was playing the horn at some high-school dance or bar mitzvah or wedding, looking at a roomful of people moving their bodies around in time to what I was doing. There was a piano player, a bass player, a drummer, and my breath making the melody.
I was in bands, but they were punk bands, and you plug in the guitars, you turn them up really loud, you’ve got four or five other people on stage with you, you’ve got some protection from when they throw lighters. You can always hide behind the lead singer or the bass player.
Back in the day, being a young, inspired bass player, I started to gravitate toward jazz fusion. I almost would have called myself an elitist. I got to the point where, for a little bit there, I was more interested in instrumental music.
I am more of a solo bass player and he needed somebody who would keep the role.
I didn’t want to be the bass player everyone forgot about.
I’m a bass player and I’m a drummer – I’m a big fan of bass players.
Being a bass player in a band without a drummer for seven, eight years has been kind of weird.
I was always the sexy bass player in the background while Robin stood centre. Barry and I played it up a bit, gave ’em a bit of thigh.
As I said, when we needed to move over to rock’n’roll, Sam and Vernon couldn’t quite make the shift. So that’s when Larry took over on drums, and we needed a bass player.
I like Jaco Pastorius’ ‘Portrait of Tracy.’ He was this bass player who played jazz fusion. He was the dopest bass player who ever lived.