Top 45 Good Script Quotes

There seems to be a pattern. I get one good script every two years.

I can now tell from the envelope whether or not it is a good script.

TV feels quite constipated, and the thing I find particularly difficult is the branding of the channels where it’s not ‘Is it a good script?’ but ‘Is it a BBC2 script?’

Every time I think I’m going to take it slow, a good script comes along.

You just have to take these opportunities when they come along. They’re not that frequent; you’ll get a really good script, oh, maybe once a year if you’re lucky.

I’m just a sucker for a good script.

I don’t know about others, but I want to work in India, America, Iran, Europe, and Russia – everywhere. I am a sucker for good script; I’ll go wherever it’ll take me.

When I meet a good actor, I would like to be a director. When I meet a good director, I would like to be an actor. When there is a good script, I would like to be both a director and an actor. The switch is very natural, not intentional.

I am very into lyrics. I start with what the words are saying, what the storyline is saying, like a good script. It should really capture me, do something for me. If I don’t get it, it’s not going to move people, and if it’s not going to move people, it’s not going to happen.

I always prefer a good script, be it a movie or drama script.

‘ABCD – AnyBody Can Dance’ and ‘ABCD 2’ has succeeded not merely because of dance, but mainly because of its good script. Viewers have loved the story, and that’s why my movies have done well at the box office.

You can have a million dollar, 20 million dollar budget or 60 million dollar budget, and if you don’t have a good script, it doesn’t mean a thing.

Well, I love TV, and I love a good script.

I’m a filmmaker; I want to make films. I don’t want to sit in a hotel room waiting to make films, and I can control my thing in Denmark; I can make the film I want to make… of course, I have to write a good script, all that, but if I do my job, it will happen.

A good writer takes time to go in-depth into a subject and then comes out with a good script. Then it’s the job of the actor and director to improvise with it and make it even better.

I like doing Marathi films. I am not too keen on Hindi TV shows. It’s very tough to get Hindi films, but if a good script and role comes up in future, I will surely pick it up.

As far as I know, if you take your time, write a good script and make a good film, then give the audience time, they will accept it.

You can make bad writing ‘OK,’ but… you really need to start with a good script and with characters that are three-dimensional and with great dialogue. It’s a difficult lesson to learn because good writing is hard to come by, but it’s definitely worth chasing.

I don’t care about names attached to the script. That doesn’t matter to me. All things being equal, I would like to work with a good script with a good director, and the part I play is of less important than those two factors.

I’d love to work in the States; I’d love to work anywhere where you get a good script and a good part to play. But I do love British film as well.

I am not choosy and would work in any film with a good script.

I don’t want to work just for the sake of working. Generally, if a good script comes in, I read it, and if it appeals to me, it appeals to me. And it doesn’t have to be anything – it doesn’t have to be the main character; it doesn’t have to be a huge part.

I’d love to do a sci-fi movie, a western, or an espionage thriller. But I’m not going to limit myself. If a good script comes along, I’m not going to discount it because it doesn’t fit into one of these genres.

It’s possible for me to make a bad movie out of a good script, but I can’t make a good movie from a bad script.

A good script makes our job a lot easier.

Any good script makes the job of an actor easier.

I love TV, and I love a good script.

I need a producer who will look for a good script. I need a director whose purpose to make a film is not for his survival but because he loves making films.

A good script and a good brief from the director is enough to let me know what is expected of me.

When you get a good script, and the director gives you proper lines, half your job is done.

I am bound to get carried away by anyone who approaches me with a good script.

We thought we’d write a good script for women, giving them the fun roles that generally men get.

When there’s a good script, everybody circles.

With a terrible script you hustle and try to make it better. But with a good script it can be trouble because you rest on your laurels, so to speak, you think it’s going to translate easily.

I guess people feel that if you’re working with good directors and are known in the Hindi film industry, then you won’t work in South films. However, I believe that films have no boundaries of language, religion, or cast. If it’s a good script and a good director, I can do a film in Spanish as well.

If it’s a good script I’ll do it. And if it’s a bad script, and they pay me enough, I’ll do it.

If producers want to lure the few TV holdouts left, all they have to do is give them a good script and a guarantee of enough time to rehearse. They’d be surprised how fast those hard-to-gets would grab at the bait!

I’d love to see a good script of one of my books, in these years of animations and comic book sequels, and had so many written over the years, but none quite clicked.

I am open to do a Telugu, Tamil or Malayali movie. If I get a good script and good character, I will surely do it.

Changes are required as far as scripts are concerned. People need to open up and experiment in story lines. But we don’t have good script writers, producers or directors. The Punjabi industry lacks cinema knowledge and professionalism. It is the saddest part.

When I was in New York, a lot of my friends were studying filmmaking and would bring their scripts to me, as I was a good script doctor. I would read their scripts and make corrections to them for $20 per script and was fascinated by films.

I always wanted to work with Ayushmann Khurrana and I wished that I would get a good script to team up with him.

I love to be creative and to put flesh onto the ideas that are inside of me. And there are not that many great programs that are coming out through Hollywood, and I’m tired of waiting around for someone to hand me a good script, so I’m going to go and produce something.

A good script can come from anywhere.

After ‘Muriel’s Wedding,’ I first went to America, and I was sent all these scripts about fat girls overcoming hurdles. Something in me knew not to go down that road, even if it was a good script.