I only have three scenes and each is a turn and she gets progressively drunker. It’s all terribly funny and its main challenge is that it’s so far away from what I usually do.
There’s something about seeing a movie that you like, and being able to see the scenes that didn’t make it, just as a window into the process of how choices are made and how a movie is made. To me, the idea of getting to have the scenes on the DVD is very exciting.
I’m a little greedy for action scenes. I’m a martial artist, and any time I get to show off some of that art is great.
I am so excited to extend myself behind the scenes as a designer and to – as my father puts it – finally have a real job.
I try to imagine the scenes as I’m writing them as if I were watching them play like a film.
There is a lack of humor in fashion. To me, it’s always been the fun, cool industry to work in, and I always wanted people to be on my side and see how much fun we really have behind the scenes.
I challenge the homes of Israel to display on their walls great quotations and scenes from the Book of Mormon.
One day, I read an extremely vague ad looking for someone interested in working in film. Seeing as I loved watching films, I replied, and I found myself working for this guy who did his own personal editing of scenes from Antonioni and Fellini films.
Sometimes you do complete run-throughs of scenes, sometimes you break scenes down into little bits. It just depends on what the actors like to do. It’s almost like jamming.
It was one of the marvellous feelings of the film, having the music going in your head while doing scenes.
Often times, while filming ‘WAGS Atlanta’ with 3 male producers, we were told to dress ‘WAGGY’ for scenes, not realizing that WAG style isn’t universal! WAG style can encompass a myriad of different looks.
I was sad that Corpse Bride was so short. I would’ve liked to have had her around for way longer. She doesn’t actually have that many scenes.
Ghostery lets you spy on the spies in your computer. For each web page you visit, this extension uncloaks some – but not all – of the invisible tracking software that is working behind the scenes.
I was a good college kid, all-American and baseball-playing, living in the dorms with a million barbarians. I did not expect to be claimed by Fitzgerald hook, line, and sinker. ‘This Side of Paradise’ – that sweet, sophomoric pastiche of notes, scenes, poetry, and plays – I felt like he’d written the book just for me.
Sleep is my best friend when we’re shooting ‘Game of Thrones’ because there are very long days and intense scenes.
I remember watching the Blu-ray, and also when they first released it on DVD in the collection of all three movies of ‘The Godfather,’ and seeing all of those scenes that they cut out, and there wasn’t a single one of them that I wished they had kept it, but they were the most exciting thing to watch anyway.
The thing is, when we do fight scenes, when we kill people in the movies, they bring in experts to choreograph it bit by bit, because you can’t really kill someone, and you don’t want to really hurt them.
In something like ‘Frank,’ which is a comedy, albeit a strange and emotional one, you can absolutely put in deleted scenes, and we did because they were just funny and great, but they weren’t necessary in the overall structure.
At worst, spring break in Daytona Beach feels feral – like everybody is trying to re-create scenes from the movie ‘The Hangover.’
I would love to continue working behind the scenes in music – to produce and manage up-and-coming musical talent would be a dream!
Shoot a few scenes out of focus. I want to win the foreign film award.
A lot of action movies today seem to have scenes that just lead up to the action.
For me, certain shots or scenes are keys in the movie.
We all want to let fans behind the scenes. We just don’t want them following us around.
‘Game of Thrones’ has kind of got the Midas touch, certainly for the lead actors and those recurring guest stars. It’s the show that can do no wrong because it’s so well produced. My contribution is short, but I think, in my mind, it was sweet because it involved such elaborate scenes.
The Knack were a very, very powerful band, and you got to understand, when they came in, all the punk stuff was still going on. There was an amazing conflict within the scenes.
The way I work is, I always compose a shot list before I talk to anybody, including my DP. So I’ll spend a couple months basically creating the movie in my head, so I have a very solid film in my head, where I know every shot, and I know what the transitions between scenes are.
Hardly anyone says anything real in the courtroom. Almost everything is decided ahead of time, and the truth is found behind the scenes.
It’s hard sometimes, especially with a book like ‘Scorch Trials,’ to truly adapt to the way the book is because so many of the scenes that take place in the book are really graphed and painted for the imagination. Trying to bring that to life is a really big task.
I do as much as I can. I even drive through the chase scenes several times to make sure the details are right.
Usually when I’m making a movie, what I have in mind first, for the visuals, is how we can stage the scenes to bring them more to life in the most interesting way, and then how we can make a world for the story that the audience hasn’t quite been in before.
‘Mr. Robot’ is more directly about technology, and ‘Homecoming’ deals more with the pharmaceutical industry, but I think they’re all part and parcel of this growing sense that things are happening behind the scenes at our expense, and we’re not aware of it.
I think there are a lot more relationship scenes in my movies that people tend to overlook. A lot of scenes really feel real and are about the characters.
If you’re a female and you get asked by someone who shoots the most beautiful female scenes to be in their film, it’s kind of exciting.
We went through all the scenes and they became kind of funny and they expanded a little bit and because it seemed to be working so well in the movie, they added a couple of things later on in the movie and that’s how it turned out.
Shower scenes are great. Janet Leigh never took a shower again in her life after ‘Psycho’.
What’s important is to have more women creators behind the scenes, being producers and being in charge. That will ultimately help push this boys’-club, locker-room mentality out the door.
I’m too shy to do kissing scenes.
There were scenes that just for length purposes, and knowing that the attention span of kids is not great, don’t make it much longer than about 90 minutes.
The way films establish the order of scenes is very artificial.
Hopefully, I’m not stealing scenes from other actors, because then they won’t want to work with me.
I love doing fight scenes. I’ve been a dancer since I was 3 years old, so I think that helped me with the movements.
All writers, in all viewpoints, must choose which information and scenes will be presented, and in which order. In that sense, the author is always represented as a point of view in a work of fiction. His hand can always be detected by the discerning.
My favorite video to film was ‘Work It’ because it began the incredible road ahead. Missy was protective and thoughtful of us kids, removing us from the mature scenes and using the clean version when we filmed.
That’s what I love about those old movies – the music is like a constant companion. Even in scenes that aren’t particularly dramatic, like a woman checking her watch, you hear the music as a comment on that action.
I want to go behind the scenes as well as on screen. I think you have to make your own destiny in this world.
Stephen Moyer is probably the most gracious, gifted actor that I’ve met. He’s really intelligent. He has a real sensitivity to his character, to scenes, to scripts.
Action scenes are not that different from other scenes.
I’ve worked extremely hard. There’s always that part that people don’t see, the things you do behind the scenes.
We all write, but the script is a blueprint. We can lose whole scenes when we’re shooting.
It does get strange when you realize people will hang around for hours to get a glimpse of you doing scenes outside.
I can’t bear kissing scenes.
Like with ‘Starlet,’ we intentionally did not look at ‘Boogie Nights’ before making ‘Starlet,’ and I should have. Because there are one or two scenes that come too close and it looks almost like – because it’s about the same industry, and you’re going to be covering certain subjects.
When we played Paris, the English punks would come over, and they got to know the French punks. There was some nice scenes in the back alleys.
People will like to say that ‘Eastern Promises’ is brutal, but the only reason they say that is because the scenes stick with them. They are realistic. They are in-your-face and you see the consequences. It’s not a bunch of quick editing cuts.
‘Terrible’ is not a word I would use in shooting romantic scenes with Scott Speedman.
I have never been over fond of scenes anywhere.
What’s mostly left after a match? The scenes in front of the goal where the attackers are the highlights of the play. But doing the spectacular is not particularly important to me. I just want to play for my team.
