I just find P.J. Harvey so mesmerising to watch because she remains unfathomable. She is the kind of woman who makes you rue the day you weren’t born her. She always seems to be the cat that walks alone, and you don’t feel you are supposed to know her.
In ‘The High Low’, in some respects an audio version of ‘Grazia,’ Pandora Sykes and Dolly Alderton wonder whether they missed something in their survey of the Harvey Weinstein story. Maybe they did, they decide.
For every R. Kelly or Bill Cosby or Harvey Weinstein, there’s, you know, the owner of the grocery store, the coach, the teacher, the neighbor, who are doing the same things. But we don’t pay attention until it’s a big name. And we don’t pay attention ’til it’s a big celebrity.
I went to see Harvey again in Fiddler. Harvey’s throat is getting better.
Meet them once and you’re innocent; meet them twice and you’re not. So if you see me having drinks again with Harvey Weinstein then, okay, you’ve got me.
The film you know as ‘Super Troopers’ is a film that almost didn’t happen. The script was originally commissioned and developed by Miramax, but when it failed to get a green light, Harvey Weinstein was kind enough to give it back to us so we could make it elsewhere.
I never got a chance to do Tom Waits or PJ Harvey kind of stuff in the Gaslight Anthem.
For every Harvey Weinstein, there’s three or four thousand other pastors, coaches, teachers, uncles, cousins, and stepfathers who are committing the same crimes. We have to keep that in focus and we have to keep talking about it.
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