As somebody who participates in the overall PC ecosystem, it’s totally great when faster wireless networks and standards come out or when graphics get faster. Windows 8 was like this giant sadness. It just hurts everybody in the PC business.
I saw podcast sites with all these fancy graphics. People don’t care about that. They sign up for what I do.
Great graphics requires more than just high-performance hardware. Gamers know software is just as important.
People have always wondered if I’m trying to push the envelope when it comes to my cinema – they keep questioning the visual graphics and the controversial content.
Stanley Kubrick knew we had good graphics around MIT and came to my lab to find out how to do it. We had some really good stuff. I was very impressed with Kubrick; he knew all the graphics work I had ever heard of, and probably more.
The days when you needed amazing Silicon Graphics machines to run animation software are gone now.
I worked for seven years doing computer graphics to pay my way through graduate school – I have no romance with computer work. There’s no amount of phony graphics and things making sound effects on the screen that can change that.
I would love to take ‘Ultimata Underworld’ and literally update the graphics.
My philosophy is, I can’t make every product that can possibly use a high-performance CPU and graphics. Why shouldn’t I enable others, in a positive fashion, to leverage AMD IP in more places?
While Hollywood’s computer graphics quality is world-class, their production pipelines are a mess of non-standard tools and labor-intensive processes driven by the mantra of maximizing quality regardless of cost. It’s very Balkanized.
I got my diploma from Ealing College of Art, in graphics and illustration.
Loads of computer graphics equals a terrible video in my book.
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