I get homesick for snow and for winter and for seasons and, really, for weather patterns. But L.A. has some of the best weather, so who can complain when it’s 80 degrees and sunny?
I love the perspective afforded by having lived five decades, a degree of bemused and muted calm, a relief from the insistent demands of a turbulent ego and rampant ambition. I’d love to stay here forever. But something tells me that 50 is a sunny idyll, a temporary state of grace, a golden afternoon.
I’ve never been a sunny personality. I’ve never been outgoing. I’m a solitary person.
When I look at green trees on a sunny day, I don’t know how to make an interesting picture of that.
I’m very sunny. You know, I’m always optimistic.
I need a combination of attitude, sensuality, and vulnerability. I need a new kind of heroine. After Bipasha Basu and Sunny Leone, India now needs an even more unique fantasy figure.
I feel like it’s a dangerous and dark world if ‘Sunny’ becomes mainstream comedy. If you were to turn on CBS at 8 o’clock on Thursday and see an episode of ‘It’s Always Sunny In Philadelphia,’ I don’t know if I want to live in that world.
I’ve always worked with new directors. ‘Pyar Koi Khel Nahin’ with Sunny Deol, Anupam Kher’s debut film ‘Om Jai Jagdish,’ and Niraj Vohra’s ‘Khiladi’ were all first-time films.
I think golf is a waste of time and a waste of a sunny afternoon. I also stink at it. I have never found anything, including divorce and a sexual harassment suit, more frustrating.
I don’t think the choice of launching Sunny Leone as an actor in Hindi cinema was that radical a decision.
I’m the only composer who has scored for two-three generation of actors. Be it for Amitabh Bachchan, Abhishek Bachchan or Dharmendra, Sunny Deol or Sunil Dutt, Sanjay Dutt – I have done it all.
Stanford University is so startlingly paradisial, so fragrant and sunny, it’s as if you could eat from the trees and live happily forever.
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