Top 66 Woodstock Quotes

I was at Woodstock. In the mud.

Of all the ’60s – there was Elvis, there was the Beatles, there was the British invasion, Jimmy Hendrix, and Woodstock – the No. 1 record was ‘The Twist.’

Everyone here seems to appreciate the sunshine way more than we do in California. We tend to take it for granted, but in Chicago, it’s like Woodstock love every time it gets above 70 degrees.

My first film that I got right after ‘Spring Awakening’ was called ‘Taking Woodstock,’ and Ang Lee was the director.

The Woodstock dove on the iconic poster is really a catbird. And it was originally perched on a flute.

I’m from the ’60s, but no one has ever accused me of being a hippie. I never had much interest in the Woodstock crowd, which partied to change the world, while real people were starving to death in Africa.

My first film that I got right after ‘Spring Awakening’ was called ‘Taking Woodstock,’ and Ang Lee was the director.

There’s a lot of surplus rage from the ’60s that was never really worked through publicly. I think a lot of that rage still exists, and I think you see that when John McCain runs a commercial that beats up on Hillary Clinton’s earmark for a Woodstock museum.

I met Jimi Hendrix and Janis Joplin when I hung out with Michael Lang just before the Woodstock Festival. They were as charismatic in person as they were on stage.

I was admired by all these hippies, and it was wonderful playing at Monterey and Woodstock, performing for half a million people.

Woodstock was a business. A very poorly run business.

We can’t recreate Woodstock, nor do we want to. We want to turn its notoriety into a place where we can shape controlled, scaled-down musical events of all sorts.

I always say that even though my dad was alive during Woodstock, he was just not invited. He just seemed like he was from a different generation.

Woodstock happened in August 1969, long before the Internet and mobile phones made it possible to communicate instantly with anyone, anywhere. It was a time when we weren’t able to witness world events or the horrors of war live on 24-hour news channels.

Woodstock happened in August 1969, long before the Internet and mobile phones made it possible to communicate instantly with anyone, anywhere. It was a time when we weren’t able to witness world events or the horrors of war live on 24-hour news channels.

Of all the ’60s – there was Elvis, there was the Beatles, there was the British invasion, Jimmy Hendrix, and Woodstock – the No. 1 record was ‘The Twist.’

Even Woodstock turned out to be a disaster. Everybody was stuck in the mud and people got sick.

There’s always been an element of ‘right time, right place’ to Nine Inch Nails. When we stepped onstage at Woodstock ’94, I could sense it. I get goosebumps thinking about it now. Like, ‘I don’t know how we did this, but somehow we’ve touched a nerve.’

Chaplin was my idol. I remember watching those movies at this little theater in Woodstock, N.Y., when I was probably 6 and laughing so hard at the surprises, like Keaton suddenly being dragged by a streetcar.

I was living in Woodstock for a long time, and I thought, I got to get out of here, man.

Everyone here seems to appreciate the sunshine way more than we do in California. We tend to take it for granted, but in Chicago, it’s like Woodstock love every time it gets above 70 degrees.

There’s a lot of surplus rage from the ’60s that was never really worked through publicly. I think a lot of that rage still exists, and I think you see that when John McCain runs a commercial that beats up on Hillary Clinton’s earmark for a Woodstock museum.

I was invited for the first Woodstock. Actually, I started the programme.

Woodstock – I didn’t see anybody play, except when I was standing backstage waiting to go on, because it was so muddy. And the weather was so horrible, you literally couldn’t get there except by helicopter.

The ‘rock world’ is a lot smaller than it used to be. It’s doing a lot less things than it used to be. From Woodstock back in the day and Rage Against the Machine, no one sells millions of records anymore.

Though it’s frequently portrayed as this crazy, unbridled festival of rain-soaked, stoned hippies dancing in the mud, Woodstock was obviously much more than that – or we wouldn’t still be talking about it in 2009. People of all ages and colors came together in the fields of Max Yasgur’s farm.

I grew up with the Woodstock generation. I went to Woodstock, and like everybody in my school, I wanted to be in a rock-and-roll band, and most of us were. But I also grew up with a lot of piano lessons and a lot of classical music training.

When my mother was raising me, she moved us upstate to the Woodstock area. Our closest neighbor was a mile away. She planted all her own vegetables.

I was invited for the first Woodstock. Actually, I started the programme.

The Woodstock dove on the iconic poster is really a catbird. And it was originally perched on a flute.

At the time of Woodstock, I was just 13, but I used to see these exotic hippy creatures and I did look on with envy. How could you not? In an ideal world, I would have loved to have been a hippy – but I might have been a bit strait-laced. It was my fantasy.

People say Altamont was the ‘end of the ’60s.’ It was unfortunate, but at the time we didn’t think of it as signaling anything. The fact that nobody got killed at Woodstock is amazing because that was half a million people. We only had 300,000 at Altamont.

I like to head upstate to the Catskills, to Woodstock.

But when I played Woodstock, I’ll never forget that moment looking out over the hundreds of thousands of people, the sea of humanity, seeing all those people united in such a unique way. It just touched me in a way that I’ll never forget.

Over the years Woodstock got glorified and romanticised and became the event that symbolised Utopia. It’s the last page of our collective memory of the age of innocence. Then things turned ugly and would never be the same again.

My mom had me at 16 and took me every place she went. I remember going on peace marches. She tried to take me to Woodstock – it was pouring rain. It was on my birthday, and I was crying so much in the car they turned the car around and dumped me at my grandmother’s house… I had a little attitude.

Woodstock is well known because this country is so hyped on amount. It was big. Half a million people doesn’t necessarily mean something is good. It just means it’s big.

At the time of Woodstock, I was just 13, but I used to see these exotic hippy creatures and I did look on with envy. How could you not? In an ideal world, I would have loved to have been a hippy – but I might have been a bit strait-laced. It was my fantasy.

Describing Woodstock as the ‘big bang,’ I think that’s a great way to describe it, because the important thing about it wasn’t how many people were there or that it was a lot of truly wonderful music that got played.

My dad just left high school in ’69, went to Woodstock, and after half a year of college for architecture, just took off for Alaska. He bought a van and went straight into the mountains and built a cabin.

In the Woodstock movie, you see Justin, my son, who is now a filmmaker, being carried off by my wife at the time to the helicopter. He’s just this little bundle of joy in her arms. And it’s 1969.

I played Woodstock in ’69, and it really changed my life. Without a doubt, it was the single event that really changed the way I felt about music. Up to that point, I hadn’t really thought of myself as more serious musician, and I didn’t really have that much interest in pop music.

Woodstock was both a peaceful protest and a global celebration.

I was at Woodstock. In the mud.

Even Woodstock turned out to be a disaster. Everybody was stuck in the mud and people got sick.

Woodstock is the only thing we have going for us in this part of the state in terms of national recognition. The idea is to extract what was good about Woodstock, repackage it, and present it to Middle America.

Woodstock didn’t define a generation because everyone showed up or those who did were a perfectly representative sample. It defined a generation because, for a few days, it bottled its peculiar zeitgeist.

Chaplin was my idol. I remember watching those movies at this little theater in Woodstock, N.Y., when I was probably 6 and laughing so hard at the surprises, like Keaton suddenly being dragged by a streetcar.

I always say that even though my dad was alive during Woodstock, he was just not invited. He just seemed like he was from a different generation.

I have held Jimi Hendrix’s Woodstock guitar and imagined what it would be like to play it, but that’s the extent of it.

Woodstock had a tremendous impact on American artistic life.

Woodstock didn’t define a generation because everyone showed up or those who did were a perfectly representative sample. It defined a generation because, for a few days, it bottled its peculiar zeitgeist.

Woodstock is well known because this country is so hyped on amount. It was big. Half a million people doesn’t necessarily mean something is good. It just means it’s big.