Geoffrey Tozer’s death is a national tragedy. For the Australian arts and Australian music, losing Tozer is like Canada having lost Glenn Gould, or France, Ginette Neveu. It is a massive cultural loss. The kind of loss people felt when Germany lost Dresden.
When I went to the Victorian College of the Arts in Melbourne to study drama, I felt I’d finally found my place in life.
The truth is that since childhood I had cultivated an existential independence. It came from perceiving the adults around me as unreliable, and without it I felt I wouldn’t have survived. I cared deeply for everyone in my family, but in the end I depended on myself.
I’m very excited to see the wonderful 2-D characters in Poptropica come to life in the form of 3-D toys. When I first held the characters in my hands, it felt like magic. I’m excited for kids to have the same feeling!
For too many families, the aftershock of the war in Afghanistan will be felt every day, most probably for the rest of their lives. I know because I’ve looked into the eyes and the faces of grieving mothers.
I testify that this work in which we’re engaged is the Lord’s work. I’ve felt His sustaining influence.
I’ve never felt that using something with tongue in cheek has been a bad thing.
I felt it absolutely essential that we plant the U.N. flag in Rwanda and plant it in a place of significance to show all the political entities, all the signees of the agreement and the Rwandans… that the international community were here and we’re here to stay and we’re going to be doing our job.
There were a lot of things that my parents could not do or afford. And when they put all that dreams into me and when I could not fulfill them, I felt very disappointed. And that was the only reason I wanted to dance with an artificial leg.
I’ve always felt it’s ridiculous to say, of any of the females in my life: You’re my friend, you’re my wife, you’re my girlfriend, you’re my co-worker. This is your box, and you’re not allowed to stray outside of it.
At the beginning of my career as a writer, I felt I knew nothing of Chinese culture. I was writing about emotional confusion with my mother related to our different beliefs. Hers was based in family history, which I didn’t know anything about. I always felt hesitant in talking about Chinese culture and American culture.
I came up from growing up with a lot of Catholic guilt, a lot of punk rock, hipster guilt in the later years where I think people have thrown a lot of things on me. Where I always felt like I’m not supposed to tell the horn section what to play or I don’t want to come off egotistical.
No one saw me cry over my dad’s death for almost nine years. I hid what I felt, bottling up my emotions so tightly that almost nothing leaked out.
When I stepped into the box, I felt the at-bat belonged to me. Everybody else was there for my convenience. The pitcher was there to throw me a ball to hit. The catcher was there to throw it back to him if he didn’t give me what I wanted the first time. And the umpire was lucky that he was close enough to watch.
It’s a very smart and heartfelt movie and that’s why, I think, we’re all drawn to it. We really showed up for this with this collective idea that it was really ambitious, but we felt we all really had something to gain from it.
I gave myself permission to feel and experience all of my emotions. In order to do that, I had to stop being afraid to feel. In order to do that, I taught myself to believe that no matter what I felt or what happened when I felt it, I would be okay.
Bangkok is one of those places where it’s so rich and full of tradition, but they’re so open to different people – different gender expressions and gender identities. As a gay man, I never once felt uncomfortable there. As a black man, I never once felt uncomfortable.
I never felt that I didn’t have a chance to win.
I was married for nine years before my husband and I separated and eventually divorced. Just as I’d watched my parents arguing and fighting, my son watched his parents arguing and fighting. It was like history repeating itself, and I felt terrible about him having to witness that.
Any success I have had has not happened overnight; the journey has never felt like me sitting in the back of a limousine sipping champagne. It has always been more like riding up a hill on a pushbike, and the chain has come off.
I felt the pressure of imagination against the doors of my mind was so great that they were going to burst.
I grew up between Detroit and Ghana, and I had to make friends in an instant. It sharpened my wit, and also, just for my own sanity’s sake, I felt like I wanted to entertain myself. So I’m going through all these experiences, and I ask myself, ‘Is this crazy? Is it? Wait, what’s so funny about this?’
I never felt I knew it all. I always felt there’s something new to learn, something new to do.
After crossing the Smoky Hill River, I felt comparatively safe as this was the last stream I had to cross.
If one area I felt it was a tough election was I couldn’t see my young son and I couldn’t see my wife a lot, but apart from that for her also it was an experience.
The truth was I felt ugly growing up. I only really started feeling comfortable in myself when I was 40.
I think the motion picture industry is a stupid business and I despise acting the scenes in short snatches, one at a time. I hate this film work. I am disgusted with myself. On the stage I could never play a part unless I felt it with all my heart and soul.
I wasn’t a big fan of Instagram at first. I felt it was watering down the way music is perceived ’cause it made things seem more normal.
I told myself that I would not come back to women’s fashion until I felt I had something new to say. I feel that fashion has become too serious and that the actual customer’s needs have not really been addressed. Fashion needs to make one happy. It is a luxury and should enhance one’s quality of life.
I feel this music has nurtured me as I’ve been immersing myself in it. I’ve felt supported by it.
I always acted in high school. Actually, I started in preschool. I was in a play about Jesus. I went to a Catholic school and played an angel and recited some poem about Jesus. It felt so long to me at the time.
I felt like my body was the only reason why people liked me.
There’s been moments where I’ve felt, as an indigenous woman growing up in Australia, there’s been that kind of rivalry of being indigenous… I’ve had that experience of someone saying, ‘I don’t know if she’s going to go that far.’
I think I’m learning to be bolder in my career choices and be more confident in my personal life. I haven’t always felt very secure as an individual, but now I feel I certain confidence and sense of self that gets me through the day a lot better than before.
I felt the Lord at a young age. And it was one of those things where that seed was planted, you know, when I was a kid.
I never felt any attraction towards violence. I never tried to express myself through violence. Violence is a language.
From very early on in my childhood – four, five years old – I felt alien to the human race. I felt very comfortable with thinking I was from another planet, because I felt disconnected – I was very tall and skinny, and I didn’t look like anybody else, I didn’t even look like any member of my family.
I never thought of myself as being handsome or good-looking or whatever. I always felt like an outsider.
There is a prevailing school of thought that something good must take time, sometimes years to create and hone. I have always felt that the books I have written fastest have been my best – because I caught an unstoppable momentum in the writing.
Sense perceptions can be and often are false and deceptive, however real they may appear to us. Where there is realization outside the senses, it is infallible. It is proved not by extraneous evidence but in the transformed conduct and character of those who have felt the real presence of God within.
I kept buying bucket hats. Next thing I knew, I felt like I didn’t look right without one.
I am that person that’s always felt like he wasn’t enough.
He piled upon the whale’s white hump the sum of all the general rage and hate felt by his whole race from Adam down; and then, as if his chest had been a mortar, he burst his hot heart’s shell upon it.
It wasn’t until Duotones that I felt my true voice come out.
I wouldn’t trade the childhood we had because, A, It was normal to me, even though, in hindsight, it’s not normal. It felt normal, and I think we maintained a pretty normal healthy attitude towards what we did. And B, I just wouldn’t trade it, the experience that we had and the growth we’ve had.
Poetry is – it’s an art form, but, to me, it’s also a weapon, it’s also an instrument. It’s the ability to make ideas that have been known, felt and said. And that’s a real, I think, type of duty for the poet.
I didn’t necessarily fit in in high school. I felt very awkward. I still feel completely awkward and weird in my body sometimes. I’m hoping that’s going to go away, but I’ve just embraced it as reality.
Metro Station, it was a crazy experience, because I felt like we just blew up really fast.
From a young age, I had done a lot of theater and musical theater. I wasn’t really sure what I wanted to do with my life, but every time I was away from acting, I just felt very incomplete and a little stir crazy.
