It’s always been fun for me to play somebody else. I did drama class when I was younger. It kind of just happened. I never said, ‘I want to act.’ I just auditioned for the role, I got it. I was blessed with this opportunity to be in ‘Earth to Echo.’ It’s fun for me; it’s cool to do.
If you’re in a forest, the quality of the echo is very strange because echoes back off so many surfaces of all those trees that you get this strange, itchy ricochet effect.
If you write about a process you’re about to go through, market research, and you go through it, and it doesn’t echo what you’ve written about, you’ve failed.
We must assimilate the thought that life between death and a new birth is so constituted that everything we do awakens an echo in the environment.
Videogames are indeed design: They’re sophisticated virtual machines that echo the mechanical systems inside cars.
I found that the flute was too limiting. Soon I bought a microphone, then loudspeakers, then an echo, then a synthesiser. Much later I threw the flute away; it was a sort of process.
Ennui is the echo in us of time tearing itself apart.
Weirdly enough, if I’m having trouble with a guitar part – not the playing of it but the writing – I’ll mess around with echo and other effects, just turn everything up and make it as crazy as can be, and it winds up taking me somewhere. I’ve found so many guitar parts from echo. It’s limitless.
I wrote ‘Echo’ a few months after moving out of my sister’s apartment in Atlanta. I was 17 and just finished high school. I didn’t go to prom and didn’t walk the stage. I just dipped.
To exist in an echo chamber and only talk to people with whom we agree is fruitless.
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