Top 80 Julie Quotes

It was Julie Burchill who decreed that, beyond a certain age, a man should not be seen in a leather jacket.

One can hope to be like Julie Christie, and with a bit of luck might be able to, but you couldn’t hope to be like Rita Hayworth.

I will admit, I once launched myself at Julie Garwood for a hug, hoping some of her magic would rub off on me… and I have fangirl crushes on Susan Elizabeth Phillips, Linda Howard, and Kresley Cole, among many others.

I will admit, I once launched myself at Julie Garwood for a hug, hoping some of her magic would rub off on me… and I have fangirl crushes on Susan Elizabeth Phillips, Linda Howard, and Kresley Cole, among many others.

Everyone comes up to me saying, ‘Cooee, Julie! Hello!’ as if I know them. Of course I don’t bloody know them. Am I flummoxed by it? Sometimes. I think, ‘Ooh, love, go easy.’ For a time, I did feel this pressure that I had to be funny, but it passes.

My vocal influences are a lot of jazz singers: Billie Holiday, Julie London, they had this tenderness to their voice.

With the Tonys it’s a little tricky because a lot of the funnier jokes are more insider, so people watching at home may not get a Julie Taymor reference the way that New Yorkers would. So you have to figure out what comedy plays to a large audience and still respect the individuals who are there.

I’ve always wanted to play ‘Lady Macbeth’ and Strindberg’s ‘Miss Julie’.

My ultimate style pin up is a tough question because my own style is influenced by so many sources. From Bianca Jagger to Kate Moss to Julie Christie. I love how they are always themselves and it never looks too ‘done.’

I have a treadmill, and I work out with my trainer, Julie Diamond, as often as possible. She’s so positive.

She can be Mary Poppins but she can also be – I would never use the word ‘crude’ in the same sentence as Julie Andrews because she is so fine and beautiful – but she can be naughty and she doesn’t mind a good joke.

And I’m supposed to grab her and kiss her and she’s supposed to react. Well, what happened was, Julie was very nervous at that time, given this incredible part which she did beautifully.

One of my favorites is ‘The Sound of Music’. When Julie Andrews runs through the hills singing her head off, I always wish that a gust of wind would blow her skirt up.

I love the Sixties with Julie Christie and Jane Birkin – those natural English beauties. That’s the look that is most me, when I wore the tight-to-the knee dresses. I don’t think I bleached my hair until I was 20. I like experimenting for big occasions, though. You’ve always got to do a bit of a number for the birthday!

When I was told that I was being offered a role in ‘Miss Julie,’ I already knew I wanted to do it.

Julie Christie, I used to hang out with her. She was friends with Richard Pryor and Warren Beatty and all of them. There was a club in Beverly Hills called the Candy Store, a private club. I used to hang out with them all.

When I think back, the neighbors were always sayin’, ‘Oh, that poor Julie, that poor orphan.’ I loved it. The Italians would invite me in for dinner – it was an Italian neighborhood mostly. Oh, I loved it.

One thing that I love about ‘Difficult People’ is that Julie Klausner and our showrunner, Scott King, have written the lead character I play as a fully formed man.

Like so many others, I came to romance during the golden age of it – Judith McNaught, Julie Garwood, Johanna Lindsey and Jude Deveraux were at the height of their historical domination. Without those women, I wouldn’t be a romance novelist.

One thing that I love about ‘Difficult People’ is that Julie Klausner and our showrunner, Scott King, have written the lead character I play as a fully formed man.

I had a couple of releases including Dil Ka Rishta,’ Koi Mere Dil Mein Hai,’ Madhoshi,’ and Julie,’ but they were badly released and went unnoticed.

With the Tonys it’s a little tricky because a lot of the funnier jokes are more insider, so people watching at home may not get a Julie Taymor reference the way that New Yorkers would. So you have to figure out what comedy plays to a large audience and still respect the individuals who are there.

I’ve always wanted to play ‘Lady Macbeth’ and Strindberg’s ‘Miss Julie’.

I’ve been embracing the red lip and just wearing it every day, not just for going out. And I get so many compliments on it. I love the Julie Hewett Rouge Noir: it’s sort of a forties red.

I hate to sound like Julie the cruise director but it’s people that I think about all the time.

I love the Sixties with Julie Christie and Jane Birkin – those natural English beauties. That’s the look that is most me, when I wore the tight-to-the knee dresses. I don’t think I bleached my hair until I was 20. I like experimenting for big occasions, though. You’ve always got to do a bit of a number for the birthday!

Julie’ has not been perceived as a sleazy film, and I am grateful for that.

The film that I go on about and drive people mad is ‘Don’t Look Now’ with Julie Christie and Donald Sutherland. It’s the best married couple acting you have ever seen in any film, the way they are together.

My first real break was meeting my manager, Julie Gibson. She’s the one that introduced me to Ford and Innovative and got me started.

I have a treadmill, and I work out with my trainer, Julie Diamond, as often as possible. She’s so positive.

My ultimate style pin up is a tough question because my own style is influenced by so many sources. From Bianca Jagger to Kate Moss to Julie Christie. I love how they are always themselves and it never looks too ‘done.’

Working with Julie Andrews is like getting hit over the head with a valentine.

No matter what you do, you can act your heart out, but people will always say, ‘Oh, Julie Adams – ‘Creature from the Black Lagoon.’

I wasn’t thrilled about ‘The Sound Of Music’ – not the movie itself but my role in it. Captain Von Trapp was a bore, and they tried to help by giving it a bit more cynicism, but it wasn’t my favourite role. I enjoyed the music, and I loved Julie Andrews.

I have to say that getting to tackle Maria in ‘The Sound of Music’ at Carnegie Hall was surreal. When I heard my voice, it was all I could do to keep myself from doing a British accent and sound like Julie Andrews!

It was Julie Burchill who decreed that, beyond a certain age, a man should not be seen in a leather jacket.

I love Katharine Hepburn. I love Liesl in ‘The Sound of Music.’ I love Julie Andrews. I love Audrey Hepburn.

I made a big mistake with him the first day I shot. We’re shooting the scene where I come back from the party, the dance, in the sleigh with Julie Christie and we turn the corner and go past the camera and the camera follows us just a little bit and we disappear.

I’m interested in Jeff Bridges. I love that guy. And I did like Carey Mulligan in ‘An Education.’ And I love Meryl Streep, but if they could ban ‘Julie & Julia,’ I’d be in favor of that.

‘What doesn’t kill you makes you stronger’ not only applies to the deeply personal subject matter of ‘To the Bone’ but to simply getting a film about people with eating disorders made. Without the brilliant Julie Lynn, Bonnie Curtis, and Karina Miller producing, there’s no way this project would be coming to fruition.

The thing about ‘Harry Potter’ is it’s great fun because of the people – I was usually with Julie Walters and Mark Williams, Brendan Gleeson, Robbie Coltrane, and the kids. Wonderful, funny, amazing people. If you’re going to hang around on a set bored, you might as well do it with Julie Walters.

And we just went with Julie because that name hadn’t been used in any other popular songs at the time.

My mum always tells the story that, when she was pregnant with me, and I was two weeks late, she would watch Mary Poppins over and over again to try and get me to come out. That is my relationship with Julie Andrews.

They offered me that film before I did Frida and I said, no, I’m not capable of directing. Then after seeing Julie direct, I was inspired by it. She motivated me to do it, because we don’t have role models as woman for directors.

I’d love to tackle a classic Shakespeare play or take on Nora Helmer in ‘A Doll’s House.’ Musical theater, it’s the classics like Rodgers and Hammerstein and Cole Porter’s ‘Kiss Me Kate.’ I’m much more a Julie Andrews-type soprano than an Idina Menzel.

I hate to sound like Julie the cruise director but it’s people that I think about all the time.

I’d love the career of Julie Walters. As a man.

Everyone comes up to me saying, ‘Cooee, Julie! Hello!’ as if I know them. Of course I don’t bloody know them. Am I flummoxed by it? Sometimes. I think, ‘Ooh, love, go easy.’ For a time, I did feel this pressure that I had to be funny, but it passes.

I had the honor of doing a two-man show with Julie Andrews around Australia and New Zealand.

I found out my baby was visiting Julie Chen a lot, from ‘The Talk’, and my nanny was just like, ‘Oh yeah, that’s Julie. We pop in on her all the time.’

‘Kilikal Parannatho’ sung by Rajesh Krishnan, who sung ‘Julie I Love You’ in ‘Chattakari,’ is a personal favourite of mine.