Top 88 Big Screen Quotes

A lot of people tend to chew up the scenery. I’m a firm believer in less is more, especially on the big screen.

You could put all of Rev. Jeremiah Wright’s angry sermons on to one loop. You could put that loop up on the big screen at Radio City Music Hall and let it play there 24 hours a day, seven days a week and Barack Obama will still emerge as the next president of the United States.

Whenever I get a good script, I don’t care whether it’s telly or theatre or big screen – I’m not bothered.

In the old nuclear age, you could sit under a big screen under a mountain in Colorado, and you could see where the missiles were coming from.

When I was 18 years old, I had never before seen Australian film on the big screen.

I take it as a compliment when people want to click photos with us. But at times, it is pretty intrusive. People think that because we come on the big screen or on television, they have a right over us.

Watch for me on the big screen.

To see yourself on the big screen, you’re big, you hate your voice, your vocabulary. You say the same words, you speak bad.

Whether it’s Cyd Charisse and Fred Astaire or ‘West Side Story,’ see it on the big screen. That’s the way we should appreciate it.

Superstar,’ my first Gujarati film is a game changer for the Gujarati film industry. When I saw it on the big screen, I had goosebumps.

There’s nothing like watching hand-drawn animation on the big screen.

There’s a certain cruelty to being on a big screen as your eyelids start to sag and your hair falls out and turns gray that you either have to be able to handle or not. What you can’t do is try to force yourself into roles that you could have played or would have played ten years earlier.

I don’t want to be a grumpy old man or too pessimistic, because if I have a chance, I would prefer to watch a film in the cinema with an audience on a big screen instead of watching it on a cell phone. It’s a very different experience, but somehow I think this form will have its own future and life.

When you’re a regular gal, you look in the rearview mirror, and in the bright daylight you see that line around your mouth, but when you’re an actress and you see that line up on the big screen, it’s, like, seven feet long.

For actors, we always feel like there shouldn’t be any divide for anybody. The industry is the one that kind of creates the idea that if you’re such-and-such an actor, you can’t be on the big screen.

Television is a big platform for actors, and so many actors have made it to films from there. And for me, too, it has been a great transition from the small screen to the big screen.

I have this set-up at my house where I have one big movie theater screen that’s 9 ft. by 16 ft. Then, I have nine 63-inch monitors around it; four on either side and one underneath. So I get all nine one o’clock games, and I can switch them onto the big screen. That’s what I do on the Sundays during the season.

My wish is to bring my heroes to the big screen, and many of them have already appeared in my films.

‘Border’ was the first movie that I watched on the big screen. It always takes me back to my childhood.

For 82 minutes, ‘The Little Mermaid’ reclaims the movie house as a dream palace and the big screen as a window into enchantment. Live-action filmmakers, see this and try to top it. Go on and try.

Under a pulsating full moon, the gussied-up Billie Jean King National Tennis Center seems much softer and prettier at night, with the fountains bubbling and fans without tickets to the big stadium sitting in the plaza and watching a big screen.

There’s something about the impact of a big screen that means something to me, even though I realize almost every film is fated to be seen for a year in theaters, and then forever after on television.

It’s good to see some Kiwi accents up on the big screen.

The cinema is really built for the big screen and big sound, so that a person can go into another world and have an experience.

Going to a theatre and watching yourself on the big screen is a nightmare.

I always hope that people feel less alone when they see a movie that I make. That some part of the story played out on the big screen will resonate for individuals in the audience in a way that gives them comfort.

If you watch any show that stars white people, white people aren’t coming up to them like, ‘Thank you for showing my face on the big screen.’ Because they see their faces in popular culture all the time.

The big screen and the small screen are two very different mediums – they are perceived differently by people.

‘Okja’ I don’t think would have been made if Netflix hadn’t made it. That, to me, is a much bigger thing than whether someone watches it on a big screen or a phone. Because it simply wouldn’t have existed otherwise.

I was very introverted as a child and as an adult. But something inside told me that I needed to express myself, and it would be on the big screen.

There are certain films you want to see on the big screen.

Even if it flops, when you’re sitting at the drawing table, you dream about seeing your work on the big screen, no matter what.

I remember seeing ‘Aladdin’ when I was five or six and loving it. I looked at the big screen and said to my mum, ‘Whatever this Genie guy does, I want to do.’ Mum said I couldn’t be a genie, but that Robin Williams, who did the voice-over in the film, was an actor. So I said, ‘OK, then, I want to be an actor.’

Frank is such a great visual storyteller, that if you study his artwork you see that his Sin City books are already the best movies never seen on the big screen.

I can’t live without my 15-inch MacBook Pro. I drag it everywhere I go. I love having a big screen with me at all times, especially in transit.

I go to universities to talk to the students and teach them how to watch movies. Movies have so many elements – acting, music, art direction, costumes. I also tell them not to watch pirated movies. At the cinema, they can enjoy the big screen and the surround sound.

I hope to bring fresh ideas to the big screen.

Sticking to my schedule, I’ve gotten over seven months ahead, which allowed me to write a ‘Pearls Before Swine’ movie script for the big screen.

Animation translates well to a small screen. When you look at Walt Disney or Chuck Jones – you know, Bugs Bunny – there really isn’t any difference if you watch on a very big screen or a computer screen.

The only way to see a movie is in a big theater, on a big screen, with a big bag of popcorn.

The cinema has done more for my spiritual life than the church. My ideas of fame, success and beauty all originate from the big screen. Whereas Christian religion is retreating everywhere and losing more and more influence; film has filled the vacuum and supports us with myths and action-controlling images.

If I hear that a film of mine is going to be shown on a big screen somewhere and I haven’t seen it in a while, I make a point to get to see it. I just want to see it up on the big screen.

I want to see myself dancing on the big screen.

There are definitely times where I am listening to the radio, and I think, ‘That would be awesome. I would love to sing that.’ It’s this weird karaoke fantasy that I might someday get to live out on the big screen.

It’s nice to see my work recognized as being worth something beyond the printed page, and it was very cool seeing Thanos up on the big screen.

I saw ‘Dracula,’ ‘Frankenstein,’ ‘The Wolf Man,’ ‘The Invisible Man.’ I saw all those guys on the big screen at RKO in the Bronx. I just always loved that stuff. I loved other stuff, too. That’s the thing. That wasn’t all I wanted to be.

Not all stories are meant for the big screen.

I don’t even like DVDs. Honest to God, in my lifetime, I might have rented a dozen DVDs, literally gone into a video store and rented a dozen DVDs in my lifetime, because I don’t like to see movies that way. I like to see them on the big screen.

When you show people on the big screen that could be our next-door neighbour or our cousin, it does have an impact on our lives.

Bruce Lee was the first star I idolized. Growing up as a Chinese American, there weren’t many people like me on the big screen.

I’ve been a huge animation fan since I was a kid, so the idea of seeing my characters in full motion on the big screen is completely mind-blowing.

I was thrilled, because I like the big screen and I could then move on to the next thing. It was the biggest break for me. In a way, though, I wish it had been a TV series because then you are working for five years.

I loved couriers. You had this transfer of physical information happening throughout the city and the world. Someone picking up the package, putting it in a bag, going somewhere, taking it out of the bag, giving it to someone else. I thought that was so cool. I wanted to map it, to see that flow on a big screen.

I like that because the fans want to see onstage what they know so well from the big screen.

I hope ‘Chess’ will hit the big screen. It seems a natural to me. Good venues, tunes, and politics.

I made my debut on big screen, and many thanks to my mentor T. Rajendhar for introducing me to films.