Words matter. These are the best Essays Quotes from famous people such as Ronald Frame, Ruskin Bond, Nicholas Kristof, Meghan Daum, Chelsea Cain, and they’re great for sharing with your friends.
When I was younger, when I was at school, I did read a lot of fiction. I think as you get older perhaps you’re interested in essays and biographies and things like that. I think it’s just important to just read as much as you can.
I enjoy writing personal essays in the way of Charles Lamb because it goes back to the school days when I was good in writing essays.
Our world is enriched when coders and marketers dazzle us with smartphones and tablets, but, by themselves, they are just slabs. It is the music, essays, entertainment and provocations that they access, spawned by the humanities, that animate them – and us.
Because of social media, we have a lot of personal essays floating around; you see them on Facebook: everyone’s either reading them or writing them. Some of them are great; some of them are diary entries put forth as essays.
I used to write travel essays, and I was struck by how the fact of writing about a place would change my relationship with it. I would make completely different choices, do things I wouldn’t have normally, because I had to fill this narrative shape.
I knew how to write like an academic, so I knew how to write academic papers and essays and things. But the things that are great for an essay are unbearable in narrative writing.
People question what I thought of Oxford. Students used to talk about the ‘Oxford bubble’ because the place can make you feel cut off from the rest of the world. I would forget there were places like London that were not centred round libraries and essays.
Essays, entitled critical, are epistles addressed to the public, through which the mind of the recluse relieves itself of its impressions.
I always wrote as a vehicle for expression but did not try writing for publication until my mid-thirties, at which time I started writing for magazines. I wrote essays and then short stories, then moved into novels.
It makes more sense to write one big book – a novel or nonfiction narrative – than to write many stories or essays. Into a long, ambitious project you can fit or pour all you possess and learn.
I have written stories, essays, even whole books on trains, scribble-scribble.
I wouldn’t be making films if I just wanted to express some specific ideas; then I would be writing essays or something.
I chose to be a maths teacher because I thought the marking would be easy. You’d just tick and cross, whereas if you’re an English teacher, you’ve got to read essays. Then they said I had to analyse the methodology. It takes an eternity, it’s insane!
Shorter work – personal essays and book reviews – allow me to take a break from working on a book, which is good for the book and for its author.
I have more than 100 legal pads filled with handwriting. Eight novels, two books for children, countless stories and essays.
I don’t think Donald Barthelme would have minded being called a confusing writer. Confusion was a favorite subject for him in his essays and reviews, and it’s enacted in his fiction in a mishmash of dizzying incongruities.
People complain about my exclamation points, but I honestly think that’s the way people think. I don’t think people think in essays; it’s one exclamation point to another.
Stanford’s law school application wasn’t the standard combination of college transcript, LSAT score, and essays. It required a personal sign-off from the dean of your college: You had to submit a form, completed by the dean, attesting that you weren’t a loser.
I grew up in Nagpur, and I first started enjoying the author Harishankar Parsai. He wrote mostly satire, essays on the current situation and social issues. He wrote many books and I think he was my first influence.
I love essays, but they’re not always the best way to communicate to a larger audience.
When topics are complex and meaty, don’t create a never-ending email thread. It’s amazing how much time people waste composing and reading carefully-worded essays, when a 5 minute in-person chat would resolve the whole thing.
My passion is capturing what it feels like to love, be it romantic or otherwise. I love to watch two people realize what they meant for each other – and that goes across all media, books, TV, movies, personal essays; everything.
I think the pattern of my essays is, A funny thing happened to me on my way through Finnegans Wake.
I usually dread writing non-fiction. I don’t feel comfortable or confident writing essays and the like.
I am endlessly inspired by both the tenderness that can exist between two people and the excitement of falling in love. I’m very fortunate that I’ve been able to explore that in novels, a television show, some early development film projects, and essays about my own life.
I started writing poems, and when I first tried prose, I wrote bad articles and essays and columns, and I didn’t have a handle on it. I didn’t go to a school that really taught you how to write that stuff.
I didn’t even walk for graduation – I did graduate, though. I got this homeschool deal. I didn’t have to go to school because I was depressed, and my mom wrote all these essays for me. I didn’t write one of them. She literally got me my diploma.
I’ve published one book before, and now I’m writing a book of essays and stories about life in Tokyo. And I have one book coming out in May in Germany, about fitness.
For me, writing essays, prose and fiction is a great way to be self-indulgent.
The essays in The Great Taos Bank Robbery were my project to win a Master of Arts degree in English when I quit being a newspaper editor and went back to college.
Fiction and essays can create empathy for the theoretical stranger.
People aren’t coming to me looking for political essays or polemic – they’re looking for a rattling good story.
I still have some of my old University essays, and I do still have my drawing book from primary year seven.
Oddly enough, my favorite genre is not fiction. I’m attracted by primary sources that are relevant to historical questions of interest to me, by famous old books on philosophy or theology that I want to see with my own eyes, by essays on contemporary science, by the literatures of antiquity.
When you go back and look at what people say about my essays, they’re always going, ‘What is this?’ Because they’re not exactly like other people’s essays… The approach is not at all the recognized approach of a non-fiction writer. It’s not linear. It isn’t pyramidally based on fact.
I think my blog is fairly circumspect and elliptical. I’ve written personal essays, but they are short and to the point: in and out, and that’s that.
For all the power of video and film, I am not giving up my pen. I am just much more likely to try to link essays to webcasts or videos. The best way for these two media to move forward, to inform and make change, is in tandem; together they are more than the sum of their parts.
To spend this particular year reading essays to Dennis Robertson as one’s supervisor, and, simultaneously, enjoying membership of the group round Keynes was indeed an intellectual treat.
I don’t believe in writing for goals, or else I’d write essays.
I have a longstanding fascination with visual art. I do, in fact, draw as well, as I did in ‘The Summer without Men.’ I also write essays about visual art.
Indeed, ‘The Second Plane’ is such a weak, risible, and often objectionable volume that the reader finishes it convinced that Mr. Amis should stick to writing fiction and literary criticism, as he’s thoroughly discredited himself with these essays as any sort of political or social commentator.
Theological writing is usually done in essays or books, but I hope to show that if we concentrate on sentences, we may well learn something we might otherwise miss.
One of the best essays I’ve seen in recent years was by a young woman who wrote about how being chosen to choreograph a high school musical forced her to assume a leadership role she wasn’t sure she was ready for – but of course she was.
Drama school is fundamentally practical. I didn’t write any essays, so I came out with a BA honors degree in acting.
I can’t speak for readers in general, but personally I like to read stories behind which there is some truth, something real and above all, something emotional. I don’t like to read essays on literature; I don’t like to read critical or rational or impersonal or cold disquisitions on subjects.
We might enjoy essays, TED talks, and even Facebook posts bemoaning our dependency on tech, but judging by our enthusiastic adoption of these services, we’re all in.
I’m older than my sister so I started writing first. I started writing at school. I was always top of my class in composition, essays, English Lit and all of that.
When I was a kid, they made us write these essays about what Heaven would be like. I went to this Christian school in Texas, and the thing that I wrote was no bees. No bees. No mud. No infirmities.
When it comes to the personal essays I write, I just convince myself that no one will ever read them.
I wanted to make a late-night-type show that happened to be in the morning for moms. Bravo was more interested in a blend of my books ‘Momzillas’ and ‘Sometimes I Feel Like a Nut,’ which is a collection of nonfiction essays.
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