Top 90 Vampires Quotes

I think there’s a real sex appeal to vampires. They’re very sexy.

There’s something about death. It’s like trying to understand our own mortality and immortality. That’s why society is so into things like vampires, because they don’t die. Well, why don’t they die?

There are two levels of vampirism: one is the regular vampire, which is just like it has always been; and then there’s the super vampires, which are a new breed we’ve created.

I love the ‘Underworld’ movies because the vampires aren’t automatically evil, yet neither are they basically humans with fangs.

Funny enough, I don’t like vampires.

When it comes to vampires, Daniel Gillies’s Elijah is the cream of the crop. Since leaving ‘The Vampire Diaries’ to headline ‘The Originals,’ we’ve seen the brother of Klaus grow from the altruistic, steadfast, suit-wearing stud into a complicated, nuanced lead.

The vampires of ’30 Days of Night’ never really came into discussions early on. They did later when we were trying to figure out the pathology of the ‘Twilight’ vampires. ’30 Days’ is a completely different film. If you are a kid, please ask mum and dad before you watch that one!

The vampires have always been metaphors for me. They’ve always been vehicles through which I can express things I have felt very, very deeply.

I don’t like vampires personally. I don’t know any.

The vampires in the ‘VAMPS’ series judge each other as harshly as they judge humans, and basically, vampires don’t get along very well. So you’ve got a culture that’s from cradle to grave like the worst high school you’ve ever been in.

When I was filming ‘The Haunting Hour’, my co-stars Emily Osment, Brittany Curran and I paid a visit to a haunted house – all dressed up as vampires! We really confused the workers.

What you and I understand as a government doesn’t exist in many African countries. In fact, what we call our governments are vampire states. Vampires because they suck the economic vitality out of their people. Government is the problem in Africa.

Robots should stand up for themselves and not try to be humans. They should either utterly destroy us or protect us from aliens. And vampires. And pirates.

Death is the one predator we can’t escape. But vampires have found the loophole so many of us crave. I think that’s the allure of vampirism.

Vampires have always held a very seductive kind of lore and have always been some variety of attractive, whether it’s attractiveness that’s born of just the physical attributes that they have – this kind of ethereal beauty or translucent pallor – or whether it is more to do with the way they carry themselves.

I’d seen ‘Interview with A Vampire’ and saw Dracula movies growing up, but I never thought, ‘I love vampires; I have to do a show about vampires.’

There were no vampires of note in Western literature until about the 18th century. But they tell us where we park our anxieties, whether its over-powerful women, death or damnation. We make our own monsters.

Popular culture no longer craves archangels and new dawns. Pop culture traffics in vampires and deads of night.

Busta Rhymes has been around for centuries. He’s one of the original vampires.

I’m not in the movie business anymore, and hardly any 70 year olds are. I always ask the producers: ‘Are there no 70-year old vampires?’ Apparently there are not – or even zombies for that matter. I guess they all get eaten.

It was this weird confrontation of these two delicious flavors that got me consciously or subconsciously combining Lincoln and vampires as an observational in-joke with myself.

If you look at all the vampires in the past, they were sort of decrepit old men. Stephanie Meyers just made it for a new audience. All the vampires are now young men and she describes them as not being ugly.

I read ‘Dracula’ in high school. I’ve been around vampires forever.

I want to get away from the social vampires in Tucson. The people who have no lives of their own and meet me and know who I am and feel entitled to say negative things. I have good friends here, especially in the bands. But a lot of it is just like high school.

People have always had a fascination with the supernatural going back to the beginning of time and with vampires in particular. This phenomenon is not new.

My children are vampires. I don’t mean that they are going to dress as vampires for Halloween. I mean that, like vampires, they cannot be captured on film.

Vampires are handy characters, as they can do double duty as monster/villains and the classic, misunderstood romantic hero.

You write these songs which are really dear to you about your family or friends, loved ones, and then you get this call, and they say, ‘It’s perfect for two vampires making out in the back of a car.’ It’s some random TV show, and so I say, ‘Oh, yeah, perfect – that’s what I meant it for.’

Vampires aren’t made – they’re just born that way, and no one knows why. They’re sort of a race unto themselves.

I’m Cuban, so I know a lot of people who act like vampires. But wait, vampires have to be invited to your house, so maybe they are nothing like Latinos!

I don’t really know what it is about vampires that makes them such a powerful symbol, metaphor, whatever in people’s consciousness. But I do know they’re tremendously powerful. I mean, there’s a vampire on ‘Sesame Street.’ And Count Chocula. I don’t know why it’s so powerful.

I think vampires are different from human beings, but they’re sentenced to eternity on this planet. They have the same confusion about love and permanence, integrity, and denial. These qualities really are the same in vampire characters as in humans. I think they’re universal themes.

I’ve loved vampires since I was a kid, or loved a lot of the vampire movies that I saw. Anything with sharp teeth, really. I remember you could get those fake vampire teeth, and I remember just keeping them in all the time.

My agent is a vampire, my lawyer is a vampire, they’re all vampires, but they don’t suck your blood, they take your money! Vampires are everywhere. It just depends what they’re running after.

It’s not like vampires are inherently bad. It’s just people need to make better vampire movies.

‘Interview with a Vampire’ made vampires sexy.

All writers are vampires.

Vampires should be pretty much like mean girls, all the time, only amazing at it. Flawless. They’ve had time.

I think that my vampires in general were influenced by my being allowed to watch the Hammer vampire films. Vampire Circus, also shown as Circus of Fear, was one of those movies.

I’m more scared of parking by a parking meter than vampires because one of them is real and adversely affects my life and results in a $35 fine, and one is nonsense.

There’s never really been a time when vampires weren’t so over that you would be crazy to write a vampire book, or so huge that you would be crazy to write a vampire book. I’m not sure there’s ever going to be a time. We went from Anne Rice to Buffy to ‘Twilight.’

The thing I love about vampires that I find so fascinating is that, unlike other sci-fi creations, they aren’t monsters from the get-go, they’re human beings first… and so what kind of human you are would dictate what kind of vampire you would be.

I’m not afraid of werewolves or vampires or haunted hotels, I’m afraid of what real human beings to do other real human beings.

Film spectators are quiet vampires.

Vampires are so old that they don’t need to impress anyone anymore. They’re comfortable in their own skin. It’s this enigmatic strength that’s very romantic and old-fashioned. I think it goes back to something of a Victorian attitude of finding a strong man who’s going to look after his woman.

Vampires to me have always been very sexy.

With these kinds of figures you can do whatever you want as an actor because there are no guidelines, there are no real vampires. Except in Los Angeles, where everybody’s a vampire, you know?

Anyone can see that, say, superheroes and vampires perform well at the box office. That in turn can trigger competitive bidding situations and soaring fees for people who can bring these properties to the screen. The result can be a dramatic increase in the costs of production.

You know, all writers are vampires and they’ll look around and they watch you when you’re not even thinking they’re watching you and they’ll slip stuff in.

I’m 48, and I have been in love with vampires since I was six. I was born in 1962, so I’ve been through three or four waves of vampires. When I was growing up, we had vampire shows and movies. We were still dealing with Bela Lugosi, Boris Karloff and the old Christopher Lee vampires.

I just love vampires.

I think vampires are a timeless powerful archetype that can tap into people’s psyches.

Fantasy encompasses a wide, wide spectrum of writing. We have beast fables, we have gothics, we have tales of vampires and werewolves, and we have sword and sorcery; we have epics from Homer, and there is just so much out there that we put under the umbrella of ‘fantasy.’

Twilight’ has a supernatural reference to it with werewolves and vampires. ‘Harry Potter’ has magic. ‘The Hunger Games’ is about real people put into extreme situations and circumstances.