I think I experienced it during the ’90s that there’s no better place to be than Madison Square Garden.
All I do is watch dance videos. I love Ricky Ubeda, who is a contemporary dancer, and I also love Madison Cubbage. They inspire me to work harder every day.
L.A. is always great. There’s something special about L.A. And New York, for me, because it’s home. There’s nothing quite like walking onstage at Madison Square Garden.
In Argentina, in Brazil, I remember going to Australia, all the trips I did in Japan, you know how they’d advertise me? ‘From Madison Square Garden, Bruno Sammartino.’
We still haven’t played Madison Square Garden. That’s a benchmark. Something will have gone seriously wrong if we don’t play Madison Square Garden for this album.
I don’t really identify myself as white or African-American. I’m just me. I’m Madison.
For my fans around the world, I am pleased to be joining the WWE Hall of Fame, especially at Madison Square Garden.
We Americans think, in every country in transition, there’s a Thomas Jefferson hiding behind some rock or a James Madison beyond one sand dune.
In the area we’re discussing, leadership begins on Madison Avenue, on the desks and in the offices of people who spend hundreds of millions of dollars buying what will get them ratings.
I love playing at Madison Square Garden.
My abiding childhood memory is watching my uncle perform to thousands in Madison Square Garden. He wore a white suit and came down from the ceiling on a rope, and the crowd went crazy.
Today’s uses of the Second Amendment may invoke James Madison and Alexander Hamilton, but they have a lot more to do with interest-group politics.
Mom was 50 when my Dad died. She got on a bus every weekday for years, and rode 40 miles each morning to Madison. She earned a new degree and learned new skills to start her small business. It wasn’t just a new livelihood. It was a new life.
I have a lot of memories of Falls Church. I went to grade school in Madison Elementary School.
We Americans think, in every country in transition, there’s a Thomas Jefferson hiding behind some rock or a James Madison beyond one sand dune.
There’s more musical freedom on Madison Avenue than anywhere else. It’s an Eden for a composer.
My first ever show in America was opening for Coldplay at Madison Square Garden. Nobody in that audience could have known who I was. It was almost like it was an accident, like I was in someone else’s dream.
It’s a hard road to hoe, doing one-nighters. I remember doing VFWs in Madison, Wisconsin. Those were pretty rough shows.
It’s not so much about conquering Madison Square Garden or Vegas. The opponents who I fight will take me all around different venues and arenas. I need to conquer opponents.
Honestly, the All In women’s locker room was such an inspirational group of women. What I love about all the women involved – Chelsea, Britt, Madison, Jordynne Grace, Brandi Rhodes, Tenille Dashwood, Penelope Ford, Mandy Leon – is we all bring something so different to the table for a common vision.
I felt very strongly about the Ashley Madison thing. Of the 39 million people who signed up for Ashley Madison, only a tiny percentage of them actually had an affair. And I’d go a step further and say even if they did, it’s none of our business, frankly.
In Naples, Fla., I met a self-made man, a multimillionaire, whose round penthouse apartment is home to Pierre-Auguste Renoir, Claude Monet, Henry Moore, and Mickey Mantle. He had purchased the most coveted items auctioned by the Mantle family at Madison Square Garden in December 2003.
Copywriters on Madison Avenue constantly grapple with the question of where their work sits on the totem pole of ‘real’ writing.
When the rule of law is being perverted to the rule of the ‘good intentions’ of unelected judges, it is time for serious study of Thomas Paine and Sam Adams as much as Washington and Madison.
Everyone is treating it like a Hollywood story. In Madison, it’s a neighborhood story.
As a hockey player, playing for an Original Six team at Madison Square Garden, where it’s packed every night, there’s nothing like it.
I would love to have gone there, fight at Madison Square Garden or a casino in Las Vegas, but there are no American heavyweights now who can pose a challenge to me.
You know why Madison Avenue advertising has never done well in Harlem? We’re the only ones who know what it means to be Brand X.
I had a paint pony called Half-Pint, and I rode her in Madison Square Garden, and that was my first big show. But my first real pony was this red pony called Chantal. He was absolutely amazing. He was a great pony, except he did spin me off a couple of times! I would blink, and then I would be on the floor.
If I’m walking very, very fast down Madison Avenue in the middle of the day, I’ll say I’m stopped 10 times.
Like everybody know, six years, nobody beat Mr. Bob Backlund. I beat him in most famous arena in the world, Madison Square Garden.
When I got back to Madison Avenue, I realized that copywriters made more than artists, so I switched.
Honestly, the All In women’s locker room was such an inspirational group of women. What I love about all the women involved – Chelsea, Britt, Madison, Jordynne Grace, Brandi Rhodes, Tenille Dashwood, Penelope Ford, Mandy Leon – is we all bring something so different to the table for a common vision.
I always used to get goosebumps in Madison Square Garden, because as soon as I started making my entrance, people would be chanting my name. ‘BRU-NO! BRU-NO!’
Shake Shack started off as a summer hot dog cart in Madison Square Park. It was not meant to be a company – it was completely accidental. It started off as an expression of community building.
Fans in Madison Square Garden are a little bit hipper, but they are more vocal. It’s like, ‘Hey, you work for me, bro. I bought this ticket. Now get out there and entertain me.’
I am honored to receive the James Beard award and so incredibly proud of my entire team at Eleven Madison Park.
Madison Avenue is a very powerful aggression against private consciousness. A demand that you yield your private consciousness to public manipulation.
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