I performed in plays like ‘Ashwatthama’ and ‘Andha Yug.’ It was hardcore theatre.
I’ve played a lot of bad guys over the years, a lot of hardcore guys. At the same time, I’ve done a lot of comedy.
I still get a lot of people coming up to me and recognizing me as Nunez, because ‘Community’ fans are really hardcore.
I believe in the opportunities for social gaming. It’s overlapping with mobile gaming and lots of video gaming, but it’s still different. It’s all getting more blurry as hardcore games and console games talk about being social.
There will be the 5% on the fringe of any hardcore fanbase that get angry about any change you make to the source material. The truth is that novels, games, comics, and what-have-you are not usually ready to be slapped up on screen as-is.
High school and college were my punk, formative years. I was playing hardcore, learning to be a musician. In bands, you tour, but you’re paid nothing; you’re playing to 50 people in a basement, sleeping in a van, and you love it.
We need prisons because there are some hardcore criminals, but I never met a guy who has been in jail that came out with a smile on his face thinking, ‘Right, that’s it – now I am going to be good!’
I worked for this company that repossessed cars. Sure enough, the day after I quit, they repossessed my car, but that would probably be my strangest job to date. You have to work your way up to become a hardcore repo man.
I’m among the hardcore fans of ‘Blade Runner.’ ‘Blade Runner’ is one of my favorite movies of all time. It’s a movie that is linked with my love and passion for cinema.
‘Twin Peaks’ fans, it’s a hardcore group of people.
I’m that girl that’s a hardcore musician and loves to sing and write and play instruments but, at the same time, loves video games, metal music, and just being a goofy person.
The more hardcore conservative you are, the more tightly identified you are with defending the interest of capital as an interest of the system based on hyper-competition, the more likely it is that you vehemently deny climate change. Because if climate change is real, your worldview will come crashing down around you.
Much like Jennifer Lopez or Ricky Martin who might have started with a hardcore Latin fan-base, I’ll always remember what my foundation was.
One reason I’m such a wayward prognosticator of rightwing trends is that I’m incapable of blacking out enough neural sectors to see the world through reptilian-brained eyes, a prerequisite for any true channeling of the mean resentments and implanted fears that drive hardcore conservatives.
The fact of the matter is that I’m never going to be Dale Earnhardt Jr. or Chase Elliott. You’re not going to have that connection, the hardcore roots with the fans.
I don’t remember a Rob Van Dam versus Mick Foley hardcore match. There should have been one.
Yeah, the majority of Brit+Co users are women, but DIY? You see kids DIY, adult men geeking out hardcore with anything related to woodworking and all these cool new technologies, metalwork, leatherworking, concrete making. Everyone has a passion. I truly believe it’s in our DNA literally to build things.
Hip-hop for me has always been hardcore and edgy.
Even within the context of the alternative scene I was a part of, within punk and hardcore and the alt scene, there was a focus on self-destruction.
In terms of content and instrumentation, I feel we have been extremely ambitious on every one of our albums going back to high school. We were the first screaming hardcore band to put a big ballad on our record.
Junior Blender is a hardcore dancehall head. He’s in Supersonic, which is one of the top soundclash sound-systems in Europe.
After being a born-again punk rocker for about ten years, the whole thing started falling apart. American hardcore had become Californians in baggy shorts making jokes about being white trash, and British punk had morphed into dogmatic crusties yelling at everyone about everything.
Undoubtedly, the biggest misconception about me is that I’m some staunch conservative, blind, rightwing hardcore Republican who doesn’t want to hear anything from the other side.
Traditional songwriting, to us, is where the experimental nature comes in. We’re all involved with so much outside activity with really hardcore, experimental music-making.
We built up a hardcore following, but we were really still semipro, gigging over long weekends and the like. So after EMI signed us, we packed in the day jobs because we had to make an album.
