In the beginning of Audioslave, I was very honest. I said, ‘We make great albums and write great albums – but don’t be under the impression I’m going to be a lyricist that writes anything other than what strikes me as inspiring in the moment.’ The lyrics weren’t going to be focused politically.
I think the thing that strikes you when you come back to ‘The Little Mermaid’ after all of these years is the simplicity and innocence. That’s in the look of it, and that’s in the sound of it.
I had some great pitchers while in St. Louis. At first, they only ‘pitched’ the ball fifty feet. They had an allowance of six bases on balls, which was neutralized to some extent by four strikes. Later on, the ‘throw’ became a free-for-all, overhand, or any style the pitcher chose.
