When one person has the ability to make one tweet and spiral the price of a particular asset at that level – you know, 10%-20% as opposed to 1% or 2% or 3%… You know, there’s volatility in everything, there’s volatility in commodities, there’s volatility in dollars but not that kind of volatility.
I write the occasional entry for the ‘Times’ Theatre blog, especially when I’m in London and seeing two shows a day, but I don’t tweet. I don’t want to have to express my opinion in 140 characters. That’s like writing haiku. You need a certain amount of legroom to review a play properly.
You have to help your players understand that when they speak to the media, or when they tweet or text or e-mail, a lot of times, they become public knowledge.
The best shows to tweet about are the ones that are hilarious, but they might not necessarily be trying to be hilarious. Those are the easiest and the funniest because you’re like ‘come onnnn.’
The thing that I would say you get the most hate about on social media, in my experience, is if you tweet anything about women’s rights or feminism. It blows my mind. But it’s the thought of not being a feminist that actually blows my mind.
When I put out a tweet, and I put Reince’s name in the tweet, they’re all making the assumption that it’s him because journalists know who the leakers are. So, if Reince wants to explain that he’s not a leaker, let him do that.
The reason it’s hard for me to tweet is I don’t want to pronounce anything, and Twitter is for pronouncing.
We’re looking at dozens, sometimes hundreds of things every day in articles, videos, and we never look at them again. Even if we do like them, even if we tweet them out to all of our followers on Twitter, we don’t return to it.
In 2013, when it turned out that the plot of LaBeouf’s short film ‘HowardCantour.com’ (2012) had been purloined from graphic novelist Daniel Clowes’s 2007 comic ‘Justin M. Damiano’, the actor-director responded with a series of tweet apologies that also appeared to be shoplifted.
I don’t tweet, Twitter, email, Facebook, look book, no kind of book. I have a land line phone at my home – that’s the only phone I have. If my phone rang every day like everyone else around me, I would lose my mind.
I only tweet if I discover something that’s fantastic, or if I heard something really great.
No one cares what you ate for breakfast. Unless it’s something really spectacular, don’t tweet me your breakfast, I don’t care.
It’s one thing to be funny in a tweet. It is another to be funny for an hour.
I get stuff every single day whether that be comments on my Instagram photos, or tweets about a tweet that I put out. Just tweets that they make in general to just pick on me, make me feel bad about myself, belittle me or anything. It’s not good.
I always try and make people feel that they are strong enough to say something – anything, to anyone – even if it’s a stranger or they’re just writing a tweet if they’re in danger.
I don’t tweet. I don’t know how to tweet.
To get a presidential tweet from the Commander-in-Chief about a military book that you’ve written is pretty awesome. And it wouldn’t matter where that person’s politics would be, it’s the President of the United States.
If somebody tweets ‘I like Coca-Cola,’ does that mean that they’re actually going to buy Coca-Cola? One can? Two cans? Three cans? If they retweet someone else’s Tweet, does that mean they’re going to buy it?
