Words matter. These are the best Concert Hall Quotes from famous people such as Rem Koolhaas, Katherine Jenkins, Ronnie Barker, Itzhak Perlman, Theodor Reik, and they’re great for sharing with your friends.
The great problem of the concert hall is that the shoebox is the ideal shape for acoustics but that no architect worth their names wants to build a shoebox.
I do not understand where the idea came from that opera is only for privileged people, I am as happy singing before 70,000 people at the Millennium Stadium, as I am in front of a few hundred in a small concert hall.
There was a strange happening during a performance of Elgar’s ‘Sea Pictures’ at a concert hall in Bermuda tonight, when the man playing the triangle disappeared.
It is good medicine to go to a concert hall and forget the harshness of what’s going on. It can be a very positive thing.
The repressed memory is like a noisy intruder being thrown out of the concert hall. You can throw him out, but he will bang on the door and continue to disturb the concert. The analyst opens the door and says, If you promise to behave yourself, you can come back in.
I’m not going to play lead guitar in a concert hall full of people, because I’m going to mess up a lot.
It’s clear on the one hand that an education enriches and informs a response to beauty, even makes it possible in esoteric cases. On the other hand, there’s no question that someone with no musical education whatsoever might wander into a concert hall and be overwhelmed by the ‘Beethoven Pastoral Symphony’.
It’s funny, but to me, when you go to a concert hall and hear electronic pieces from the ’60s, I think they sound really dated. But when an orchestra plays a piece from that period, and it’s going to sound different every time, it feels more modern to me.
Birmingham did a truly remarkable thing in building Symphony Hall, which is the finest concert hall in the U.K. and one of the best in the world. The city has supported music without putting on the brakes.
The music lovers of London and the country deserve to have something where orchestras can flourish. You have no idea how wonderful an orchestra like the London Symphony Orchestra can sound in a great concert hall.
Kids now are so used to surround sound and the power in theater speakers, that the concert hall is a disappointment to them.
As an architect, you have to provide a shelter to enjoy art. And you have to love art. It’s like when you make a concert hall. You must love music. This is the reason why you make the space, to enjoy music – making a space for art is the same thing.
I loathe hecklers. I haven’t got a good syllable to say. When you come out of the club circuit and into the concert hall, they should be gone. There’s an element of manners that should tell you that the ticket is dear and it’s a different venue.
In Bombay, we have a fine concert hall. I think it is high time we built venues in Delhi and Calcutta, not only for western music, but also Indian music. It doesn’t matter which party is in power; don’t you think the capital of India should have a concert hall?
On the corner of 57th and 7th Avenue sits the most famous concert hall in the world. No less a figure than when Tchaikovsky led the first performances in 1891. Virtually every major artist has performed there. There is simply no place like it. The first time I stepped foot in Carnegie Hall was in 1964.
Poetry is all I write, whether for books or readings or for the National Theatre or for the opera house and concert hall or even for TV.
Hey, look at this guy Kenny G. with his thing, walking up and down the aisles of the concert hall and running off the stage and playing the same time. It’s old hat!
You couldn’t be performing if it weren’t for the audience. I appreciate them being there. So why not applaud them? They took time out of their schedule to show up and sit in the concert hall and be part of the experience.
And as far as the Disney Concert hall is concerned, it is a wonderful modern structure and I am extremely honored that I had this opportunity to have a concert here.
Every day we make more progress toward understanding the concert hall.
I think the most important thing for a listener is to realize that he, too, should not listen to music in a passive way; that if you sit in a concert hall and expect to be moved or taken off your seat by the music, it will not happen.
For three years, the ‘Meistersinger’ score was a ball and chain to me. It went with me to every city and concert hall.
