Words matter. These are the best Andrew Dominik Quotes, and they’re great for sharing with your friends.
Anything that’s memorable about a movie is often what a test audience will object to because they’re being asked to be experts. They just compare the film they finished watching to all of the other films that they’ve seen.
Actors look for characters. If they read a well-written character, and if they think the director’s not an idiot, they’re going to sign up and do some acting.
Sometimes you do complete run-throughs of scenes, sometimes you break scenes down into little bits. It just depends on what the actors like to do. It’s almost like jamming.
Actors have either got to play something that’s close to them, or something that’s the complete opposite.
I’m not a very efficient filmmaker. There’s a lot of guys, filmmakers like the Coen Brothers who shoot a whole movie and maybe don’t use 12 setups. I’m in awe of people like that; I’m just not that guy.
Films that score very high with test audiences generally tend to not be so great. But, there’s a lot of money involved in making movies, and it’s a way for people to reassure themselves, who have spent money, and it’s also a way to work out how to market a movie.
Crime is a job and it’s boring. It’s also unpleasant.
I really believed Obama when he spoke in 2008, but I remember watching his victory speech after this last election and it was the same speech. Exactly the same speech. I felt like he didn’t even believe it anymore. He seemed to be tired of saying the same thing.
I write a number of screenplays, and I’ve never really come up with a part for a movie star.
Everybody is always trying to make the best movie they can. It’s a process.
There’s been about 75 movies about Jesse James, and I’ve seen about four of them. He’s usually portrayed as this plucky rebel who’s got no choice but to turn to crime, because the railway’s hassling his mother. But he wasn’t like that.
When men organize themselves into groups, and they make rules based on common or self-interest, it’s always tangled and political.
Obviously, a power player in a criminal organization doesn’t have to persuade anyone. He can just do what he wants.
For me, the movie’s always evolving as I’m doing it. I throw things in as we shoot, and I take things out as we go. I want to create a whole life and then select the pieces that best sort of describe it later, you know? So there’s a lot of wastage when I make a film.
To me, regardless of who’s in office, the government is strangled by business. And the government’s priorities are dictated by business. I mean, why does America, even after healthcare reform, still not have free universal healthcare? I’m sure it has something to do with the insurance lobby.
A lot of writing’s going down dead ends that don’t go anywhere.
I don’t know whether crime is dictating business or business is dictating crime.
It seems like women don’t want men to be men anymore. They want men to be women. But they really don’t want what they say they want. It’s very weird.
Americans are not renowned for having a sense of irony.
I like test screenings. I like to see a movie with an audience of strangers. I think it tells you a lot.
Sometimes you see a movie and you can really feel that it’s an actor putting in a performance. Someone said ‘cut’ and they’re back in their trailer having a coffee or getting their hair done.
I don’t think human beings have changed in 2,000 years.
Masculine ideals have become very confused in the modern world.
America’s moved so much of its production and manufacturing offshore, it’s become a nation of middlemen.
Once you do something violent in a film, you don’t have to do too much. You do it once and the feeling of violence just stays there, do you know what I’m saying?