Top 25 Gina Prince-Bythewood Quotes

I remember sitting in the theater watching ‘Bridesmaids,’ and I’m doubled over laughing, and then I’m crying in the same movie. It’s the overwhelming feeling, as I’m looking up and seeing these women, and I’m realizing how rare it is to see that.

On my set, people have to respect the actor’s process. I totally respect what actors do. I give them whatever time they need, and I never scream out directions from the camera. I take the time to walk up to them and talk to them personally.

I love writing and directing because it’s great therapy. Every project I’ve done, there’s been a personal connection.

As an audience member, if I go to a film, and I am watching two actors, and they’re kissing, and it looks like they don’t even want to be kissing, it just takes me out of the film.

I don’t want people to go to a film of mine because they feel guilty, like, ‘I have to support it because there’s black folks in there.’ I want them to go because it’s a good movie.

I hate to fly. I’m deathly afraid of it.

There is a perception within our community and the world that black people don’t love each other. That we don’t fight for each other. That perception is so dangerous. We need positive images to counter the negative portrayals we see every day. And positive doesn’t mean perfect. Perfect is boring.

I was adopted by two amazing people: a Salvadoran mother and a white father who were incredibly supportive of me and my work. I am eternally grateful for them.

I was adopted by a Salvadorian mother and a white father. Growing up having complete identity crisis. Then my search for my mother and trying to find out why I was given up, and how could a mother give up a child, then finding out the circumstances of my birth was pretty traumatizing.

Improv is a very big thing for me. The thing with actors is I do not understand at all how they do what they do. I’m fascinated by it, and I have such a respect for it.

Talent has no gender. People are hiring young male directors right out of film school, off of a student film or off of a film at Sundance for millions of dollars. You can do the same with a female. It’s not a risk about the work if you respect the film that they made.

There are a lot of aspects of filmmaking that I love, but one of my favorites is in post, finding the right song for the right moment.

‘Beyond the Lights’ was my fourth film. I gained a lot of knowledge, and I’m excited to share that with young filmmakers because I know how lost I was coming out of film school with that question of ‘What’s next?’

I love movies. And I dig a great love story: the kind that wrecks me, then builds me back up and leaves me inspired. I write what I want to see.

There’s a great deal of women in film school. I was not the only woman in my class at UCLA. When I went through the Sundance program, it was half women and half men.

Some of my favorite films are musicals, like ‘Walk the Line,’ ‘The Rose’ and ‘Lady Sings the Blues.’ I just love the way the music and the story fuel each other.

When ‘The Cosby Show’ came out, and everyone was up in arms about ‘The Cosby Show’ and that it was reflecting a world that didn’t exist – but I knew black doctors. And I knew black lawyers. And I knew families that, you know, had a mother and a father and kids that were well-behaved.

Everything I’ve written has been personal and touched on things that I needed to deal with in my personal life. So I just feel that writing is great therapy, and the best writing comes from truth, and so I mine my life constantly for that.

Films really can change a conversation and change someone’s thinking and perception, especially with people of color at the center. It rarely happens. I think it’s important for both the community but also the world to see people of color in all genres, especially love stories.

Oh my God, I love UCLA so much. Their film school is great because it’s unstructured, so there’s a freedom to fail in there and just tell your story, and everybody makes a film. It’s so important to have that freedom in film school because that’s what you’re there for: to learn and make a film.

There are so many romantic comedies made, but very few dramas or love stories. And with a love story, you have to take time to develop three-dimensional characters.

If I get a note on my script or my films, what I say to a studio executive is that, ‘You know, this is the film of my legacy, and I never want to be sitting in a theater looking up on the screen and seeing something that I don’t believe in.’ I will never do that.

I grew up with white parents, and until after college, it was a lot of confusion, especially because I grew up in an all-white area. So I never looked around and saw anyone who looked like me.

Movies have power. Power to impact society and the choices we make. I want to entertain, but I also want to say something to the world.

‘Black film,’ that term allows studios to just marginalize a movie and say, ‘We’ve made our black film. We’ve made our film with people of color in it,’ as opposed to, ‘I just feel like people of color should be in every genre.’