Words matter. These are the best Limp Bizkit Quotes from famous people such as Gary Rossington, Fred Durst, Machine Gun Kelly, Courtney Love, Afrika Bambaataa, and they’re great for sharing with your friends.
Man, I love Limp Bizkit, Johnny Lange, many people.
When Wes came back to Limp Bizkit, we really wanted to do something different. We wanted to make a core record that we didn’t care who liked or who disliked.
I wouldn’t support Limp Bizkit being on some snuff backyard brawling, fighting contest.
One of the things that was confusing about Limp Bizkit to some people is that our tastes were very different.
I listened to Korn and Limp Bizkit and that whole era of heavy music.
There’s some people who are not understanding what Limp Bizkit is about. But, then again, who am I to tell people what they can use art for or how they can interpret it?
We went through ten years of the Limp Bizkit thing, and I didn’t know what to do.
Man, I love Limp Bizkit, Johnny Lange, many people.
I don’t care if it’s rap, metal, whatever. You still should play Beatles records mixed with Limp Bizkit mixed with Foghat mixed with Creedence Clearwater Revival, stuff like that.
I think the audience for Limp Bizkit is probably not going to be particularly interested in what we’re doing. I don’t think they’ll find much that satisfies them in what we do.
I don’t care if it’s rap, metal, whatever. You still should play Beatles records mixed with Limp Bizkit mixed with Foghat mixed with Creedence Clearwater Revival, stuff like that.
When Wes came back to Limp Bizkit, we really wanted to do something different. We wanted to make a core record that we didn’t care who liked or who disliked.
I could have probably gone on and still played the part of the guitar player of Limp Bizkit, but musically I was kind of bored. If I was to continue, it would have been about the money and not about the true music, and I don’t want to lie to myself, or to them or to fans of Limp Bizkit.
A big problem for me was opening for Limp Bizkit and Linkin Park, two bands that wouldn’t exist if it weren’t for me, straight up!
I could have probably gone on and still played the part of the guitar player of Limp Bizkit, but musically I was kind of bored. If I was to continue, it would have been about the money and not about the true music, and I don’t want to lie to myself, or to them or to fans of Limp Bizkit.
We went through ten years of the Limp Bizkit thing, and I didn’t know what to do.
There’s some people who are not understanding what Limp Bizkit is about. But, then again, who am I to tell people what they can use art for or how they can interpret it?
At The Drive In came out in a period of time when Stereophonics and Limp Bizkit were huge. And there was this dark grey void – I’m not saying we filled it – but we were just a different colour at the time.
A big problem for me was opening for Limp Bizkit and Linkin Park, two bands that wouldn’t exist if it weren’t for me, straight up!
I’ve accepted the fact that Limp Bizkit is my band, one that I’m a part of, a band that I’ve built from the beginning. It does me no good to be in somebody else’s band playing their music, like Marilyn Manson or Korn. Being in Limp Bizkit allows me to be myself.
At The Drive In came out in a period of time when Stereophonics and Limp Bizkit were huge. And there was this dark grey void – I’m not saying we filled it – but we were just a different colour at the time.
I listened to Korn and Limp Bizkit and that whole era of heavy music.
I wouldn’t support Limp Bizkit being on some snuff backyard brawling, fighting contest.
I almost shouldn’t be in Limp Bizkit; it’s like I got matched in the factory with the wrong band.
I’m 38 years old and Limp Bizkit is just something I do. If I was a painter, it would just be a type of painting I make.
