Words matter. These are the best Molly Quotes from famous people such as Kay Cannon, Marielle Heller, Billy Gardell, Lamorne Morris, Nicolas Winding Refn, and they’re great for sharing with your friends.
When I was younger, I wanted my hair to look like Molly Ringwald’s.
Molly Ringwald’s characters always had a complex personal life, and I appreciated that.
‘Mike & Molly’ exists in a world where we don’t just say a snarky line, make a crazy face, and walk out of the room. There’s actually some tender moments here, too.
I had this job at Hollywood Video, and during my worst audition ever, I forgot all of my lines in front of Chuck Lorre at the callback for the ‘Mike and Molly’ pilot.
I’m a huge John Hughes fan, and I grew up in the ’80s, when his films came out. So, my introduction to what you’d call ‘cinema love,’ that illusion of love, was ‘Sixteen Candles’ and Molly Ringwald.
Molly Shannon, for example, is someone I’ve always really looked up to, because her comedy is so physical and wild and unembarrassed and brave.
Molly Ringwald, she’s a natural talent. Every girl in this country related to that girl.
At every turn, Molly Antopol’s gorgeous debut story collection, ‘The UnAmericans,’ is firing on multiple cylinders.
All the training at MGM came to be a great help for me on ‘Molly Brown.’
A TV touchstone for me is ‘The Days and Nights of Molly Dodd.’ That series was whimsical and smart and had the mix of comedy and drama that I now trade in – but with a dash of magical realism. I wanted to be Molly Dodd, but more than that, I wanted to be Jay Tarses, who created the show.
In life, I’m like Molly Brown. I’ve had tough times along the way and gone through experiences that many women have gone through. But I ain’t down yet.
Even when I first started modeling, my loyalty to those girls like Molly Goddard, Ashley Williams, and Dilara Findikoglu was important. I like to support them as much as I can. For me, it’s as important to walk in their show or wearing their clothes as it is doing a Marc Jacobs show.
I had never seen the classics with Molly Ringwald, like ‘Pretty in Pink’ or ‘Sixteen Candles,’ or ’80s horror, like ‘Poltergeist,’ ‘Close Encounters,’ and ‘Nightmare on Elm Street.’ I went back and watched all of those.
We’re a weird bunch at ‘Mike & Molly.’ We go to work, and we’re crazy about each other, and we love where we go to work.
I recently saw the movie about Ray Charles, and there’s a scene where he falls down and the mother doesn’t help him. She says, I don’t want anyone to treat you like a cripple. I’ve fallen down before, and Molly will say, get up and just go.
I have a terrific editor in Molly Mahan – she’s the best – and Red Sonja has become up there with Black Canary as my favorite character to write, ever.
‘Molly’s Game’ was a true story about a remarkable young woman named Molly Bloom. She was this close to going to the Olympics; she was ranked third in North America in women’s moguls.
Authors don’t tend to stay with the same agents and editors over their entire lifetimes, but Grafton worked with Marian Wood, her editor at Putnam, from Kinsey’s first outing, and signed with Molly Friedrich, still her literary agent, with the publication of ‘B Is for Burglar.’
I started watching ‘SNL’ when I was thirteen or so; those were the Molly Shannon/Ana Gasteyer/Cheri Oteri years.
My mother Molly had a nervous breakdown after my father Chic died, aged 50. He was a very generous man who ran a shop in Dundee giving a lot of people tick. When he died, a lot of people hadn’t paid their bills, so he died with a lot of debt. After he died, my mother went doolally.
‘The Unsinkable Molly Brown’ was my favorite for me to be in because it was all dancing. There were other musicals that I made with Donald O’Connor and Gene Kelly that were wonderful pictures, and we had a lot of fun making them.
My mom grew up in Idaho, went to Brigham Young University: they’re very Molly Mormon. And my father is, like, first generation Albanian, and his parents lived in Southey and grew up in downtown Boston. My parents are complete opposites.
I’ve never gotten money from most of those records. And I made those records: In the studio, they’d just give me a bunch of words, I’d make up a song! The rhythm and everything. ‘Good Golly Miss Molly’! And I didn’t get a dime for it.
Being away from home for six months of the year and seeing your kids grow up on Skype all that time – I think I saw Molly walk for the first time on Skype. That’s not good.
My twin in the show is Molly Stanton who is so sweet and great and she is totally different from me.
