Words matter. These are the best Flips Quotes from famous people such as Troy Dumais, Caity Lotz, Hal Needham, The Undertaker, Huda Kattan, and they’re great for sharing with your friends.
My mom worked for a doctor who had a pool that he heated to 90 degrees, and I hated cold water. My dad showed me how to dive in that pool, and pretty soon I started doing flips.
In high school, during lunchtime I would go in the room where the wrestling mats were and try different flips and different moves. Like windmills. I just started mixing martial arts with jazz and contemporary stuff and it would get mashed together and became my style.
We try to reduce the danger to a minimum, of course. And then we prepare for accidents with alternate plans. For instance, if I’m turning over a stagecoach, I try to take into consideration what moves I have to make if it flips in the wrong direction. Without those emergency plans you get hurt.
Everybody’s calling, they want to backflip off this and into that. Once you do that a couple of times, it’s like, ‘OK, what do you got now?’ Well, now I gotta do two flips into that, then two and a half. When they get used to that, what do you do?
I want to shake things up, I want people to talk about it. It’s really important that our brand flips the industry upside.
Mr. Burns comes out and flips cigar ashes on his shoes, and makes up about 90 percent of what you hear.
With ‘Django Unchained,’ when you’re dealing with slavery, it’s like a gymnastics routine with the highest amount of difficulty. Quentin Tarantino is not going to do a movie that’s just going to lay there and be safe. There’s going to be twists and flips.
Stuff starts to feel stale comedically when you’re just rehashing things, so putting together a writers’ room where the majority is made up of people who have not been the focus of the story, it flips everything around.
Being typecast is the enemy of any actor, so if you can try to do something that flips on the head peoples’ ideas of who you are or what you can do, that’s my biggest aim.
Even when I meditate, I imagine myself in a dance movie, doing these turns and flips.
Guys do dives because they don’t know how to work. Guys do flips because they don’t know how to work.
I want to go out there and try as hard as I can to be the best in that ring. And for me, that doesn’t mean cutting flips and cartwheels and not selling punches.
I started in junior high doing the splits and flips and that kind of stuff. It was kind of the acceptable thing to do. But I had two older brothers, so I was a tomboy. I was the cute tomboy who could put on the skirt but then go tackle you or something. I was a little rough around the edges for a pretty woman!
Most of us are imprisoned by something. We’re living in darkness until something flips on the switch.
Regular martial arts is traditional, with no music and no flips choreograhed into it. But extreme martial arts is choreographed to music. It’s very fast-beat uptempo, and you put a lot of acrobatic maneuvers into the routine.
Because I’ve always been good at knowing what I thought and not reviewing prematurely and have gotten better at those things over the years, my flips are rarely that significant.
I think the core of fans’ relationship is one that vacillates schizophrenically and mercurially from reverence to resentment. Fans fetishize the players’ athletic genius and both deify it and demonize it; witness the way awe turns into anger whenever a player holds out or flips off the offensive coordinator.
When I’m working on a Slipknot song, it’s like a switch flips in my head. I can go there easily – it doesn’t take a lot of soul searching – and it’s a dark, almost sinister place. Stone Sour is more the way I’ve always written. It’s a different tone.
Put a lawn sign on your lawn; go door to door for your candidate. Register people to vote. There’s so much we can do through our voices and time. That’s what flips elections.
Fear Street’ just takes all of those stereotypes and those tropes and flips them on its head. I feel honored to be a part of a community and a trilogy that does that.
I love obsessive fandom because I’m an obsessive fan who flips out over music.
Toughening up, performing masculinity, pretending to enjoy things I didn’t enjoy all enabled me to dodge the gender policing of the adults around me. But the way I really was – the swished hips, the Double-Dutching, the hair flips – seemed to always prevail and attract Dad’s disdain.
To learn to do backflips and front flips, you had to fall and bump your head a couple times. I’ve been doing them since I was a little one, though. Just something I’ve enjoyed doing, just flip.
When a dramatic actor does a funny film, people are like, ‘Wonderful! I didn’t know he was funny!’ But when it flips, people can get really thrown by it.
All I had to do was go out and perform. One of the hardest things was doing those back flips, where you had to jump up and land on the top rope. It’s precision movement.
With ‘Black Swan,’ the ballerina saga flips its tiara and goes on a hallucinatory bender, a scary acid trip where transfiguration and disfiguration meet.
I don’t think the people in power realize how detrimental it can be to a way a girl looks at herself if she flips through a magazine and only sees one type of woman.
There’s a crazy amount of goodwill, and I don’t know where it came from, and I don’t understand, but the more I pay attention to it, the more it’s going to sting when it flips, so I think I’m almost subconsciously cultivating this naivety to it all.
I think these shows with the young kids doing these jumps, doing these fantastic back flips, I think they’re absolutely great. They did what I never did.
I’ve definitely had those moments when I think a relationship with somebody is one way, and then it just flips.
I had been on the junior Olympic team in high school for trampoline; I could do twenty-six back flips in a row.
Home Alone was a lot and a lot and a lot of standing and sitting and walking and running and it was physically demanding but in this, I’m doing back flips and riding ostriches. It’s physically demanding in a new way, so it’s fun.
My love of performing goes way back. My mom got me on ‘Romper Room’ when I was five – it was my favorite show. But they couldn’t control me. I would run up and smack the camera, and I’d jump around and do my little flips and routines. I wish I could get that tape now.
