Words matter. These are the best Loops Quotes from famous people such as Mick Fleetwood, Aerin Lauder, Dominic Cummings, Michelle Dockery, A. A. Gill, and they’re great for sharing with your friends.
There are no Kleenex boxes on these loops, just so you know.
I love cereals. We must have 10 to 15 boxes. But if I’m being honest, I have Fruit Loops and Lucky Charms hidden behind the healthier ones.
As I’ve said many times, Vote Leave could only win because the Establishment’s OODA loops are broken – as the Brexit negotiations painfully demonstrate daily – and they are systematically bad at decisions, and this created just enough space for us to win.
Silk scarves are my thing. I tie them to my handbag or thread them through belt loops or wear them in my hair. Never round my neck, though.
Suits are malevolent magicians’ sleeves for socialists, full of patrician loops and tricks, small, embroidered, cryptic messages of deference and privilege. They are ever the uniform of the enemy. They are also the greatest British invention ever.
I had eJay, and then I had Acid Pro. I had a crack of both of them, and I would just make little loops, and then I’d hum along to them. I used to spend a lot of time on a computer looking for music and making beats and stuff.
Twenty percent of my records, you’ll find a loop, like two or three loops per album out of 13 or 15 songs. I’d rather keep it like that.
‘Wolf Hall’ attempts to duplicate not the historian’s chronology but the way memory works: in leaps, loops, flashes.
Tightly embracing guitar effects and tape loops, Mission of Burma made sound an important commodity in rock ‘n’ roll, and its members carried that tradition into their first album after a 19-year hiatus, 2004’s ‘ONoffON.’
The orbs create feedback loops that can influence either personal of employee behavior.
It’s not that what LCD Soundsystem and Juan MacLean do is necessarily simple, but they are basic loops and beats and songs that are just pleasurable in a really basic way.
How many of us have these demons or habits or things we don’t like about ourselves and understand the loops that we’re in and yet are unable to break out of them and create lasting change within ourselves?
I became this dorky 15-year-old, in my bedroom all the time with crossed eyes, staring at my computer. It was all drum loops, R&B and pop – silly songs that I hope to God no one ever hears. But that’s what got me in to music.
Software tends not to kill people, and so we accept incredibly fast innovation loops because the consequences are tolerable and the results are astonishing.
I struggle with arrangements. I take forever doing them. It gets to a point where I’ve been playing around with things on loops for days. I always paint in broad strokes – very quickly, I’ll feel out the larger structure – but it’s putting the details in that I find the hardest part.
Distortion pedals are just fantastic for not only rehearsing quietly but also for all those moments when you are going to play in highly compressed environments like radio, television, or recording against compressed loops.
The story of Basinski’s ‘Disintegration Loops’ – tapes that destroyed themselves in the transfer to digital – is a parable (again almost too perfect) for the switch from the fragility of analogue to the infinite replicability of digital.
I was using tape loops for dancers and dance production. I had very funky primitive equipment, in fact technology wasn’t very good no matter how much money you had.
I’ve battled my weight since I was 12. My parents took to us to New York once, for a holiday, and there I’d buy fruit loops from a 24×7 shop and sit down with my books. I never played; I wasn’t that kind of kid – I just read. I ate chocolates like peanuts. I was 86kg till I was 19.
I was making all my own beats, and I really liked sampling stuff, like old ’50s and ’60s pop and soul and doo-wop records. I was chopping those up and putting loops and drums on them and just rapping over them.
The rhythmic feel of ‘Dark Days In Paradise’ is completely different to anything I’ve ever done before. There’s a lot of drum loops on there, but used in conjunction with real drums: a lot of influence from hip-hop and dance music, with the keyboard sound and sequencing.
When Europe dominated, there were no or few feedback loops. Or, to put it another way, there were few, if any, consequences for its behaviour towards the non-western world: relations were simply too unequal.
The biggest problem is that Facebook and Google are these giant feedback loops that give people what they want to hear. And when you use them in a world where your biases are being constantly confirmed, you become susceptible to fake news, propaganda, demagoguery.
The ‘Hey Monday’ songs were always glammed up to be this big production, and I definitely want there to be some bells and whistles like synth or drum loops, but for the most part, I want a simple yet powerful production.
Sometimes I think that we are living in a simulation controlled by the reigns of a destructive child who often gets bored or distracted, leaving us trapped inside feedback loops for years at a time.
I’d met Dr Dre, he was thinking about his next album, we talked a little and he said, ‘Let me give you some of these loops and see what you come up with’.
Since graduation, I have measured time in 4-by-5-inch pieces of paper, four days on the left and three on the right. Every social engagement, interview, reading, flight, doctor’s appointment, birthday and dry-cleaning reminder has been handwritten between metal loops.
History is about loops and continuums.
By cultivating rich social networks, by cultivating weak ties, not just close ties but the weak ties, by becoming connectors and by connecting others so that they connect us, we create a world in which these self-amplifying feedback loops feed on top of each other.
We resurrect ‘Mezzanine’ with a promise that we can break free from the data of the past and escape the feedback loops.
The global climate is a complex interactive system, with all kinds of nonlinear feedback loops.
People think unless you have loops and electronics and so on, you must be in your 50s. I quite like a lot of things that have loops and sequencers, but I couldn’t really be bothered.
I discovered that the most interesting music of all was made by simply lining the loops in unison, and letting them slowly shift out of phase with other.
