Words matter. These are the best Cello Quotes from famous people such as Maya Beiser, Emilia Fox, Michael Bacon, Julia Holter, Dev Hynes, and they’re great for sharing with your friends.
I decided that I wanted to explore all kinds of music with my cello, not just the Western classical tradition. I just wanted to try and expand my vocabulary and bring that different kind of music to my audience.
When I was four, we had to choose a musical instrument to play at school, and I chose the cello. I played until I was 18, and although I found it nerve-racking to play solo, I loved playing in an orchestra. When I left school I didn’t carry on with it, which I regret.
I remember when I first got my cello when I was 8 years old. I remember the room it was in and what the lacquer smelled like. Instruments have just been something very special to me.
I played cello on my early recordings, but that doesn’t mean I’m a cellist, you know?
Cello is my first instrument, then piano, drums, bass, violin, recorder, saxophone, but I’d never play them live!
I played cello in my high school orchestra.
It is my aim, my destination in life to make the cello as beloved an instrument as the violin and piano.
If we just stick to one kind of music, our creativity is limited. We wanted to extend the audience for the cello, especially the younger people, and to show them how cool and how powerful and how diverse the cello can be.
I enjoy practicing law too much to even contemplate retiring, but I often think about engaging in serious study of the history of art, of the intricacies of classical music. I could write a fugue, or perhaps learn to play the cello.
When I started learning the cello, I fell in love with the instrument because it seemed like a voice – my voice.
The cello is such a versatile instrument. It can rock like the hardest rock guitar, and it can sing like the human voice. We couldn’t do what we do without the classical training. It’s a hard instrument to play. There are no frets, and it takes finesse and technique to play.
It started when I was eight years old. I first heard the cello on the radio, and I loved the sound. It was such a magical, beautiful sound. I dedicated my entire childhood to cello, practising like crazy.
I learned playing cello in ‘Cantabile’ and Go in ‘Reply 1988.’ In ‘Moonlight Drawn by Clouds,’ I learned horse riding and Geomungo. It’s fun to learn new things.
We tune differently, and we use some tricks. There’s just the two of us for much of a concert, so we want a big sound. We do use some guitar effects, distortion and delay. Playing cello with distortion sounds so good.
I’m a sucker for emotionally exploitative cello.
Because in classical music cello is not regarded as a popular choice, it’s always playing the long, boring notes.
I was a rebel and I wanted to do something that nobody else did, and nobody else played the cello. Also, I was also a small kid and I liked the fact that it was big.
With ‘Game of Thrones,’ the most dominant instrument would definitely be the cello. That’s something I just felt really captured the mood of the show very well.
I record cello Etudes that are fewer than four minutes long and post them on YouTube. How can one execute fully-formed ideas with utmost perfection, yet stay free enough to allow improvisatory nuance? This has immediate application in almost every area of life, but especially in performance.
Now, we are still learning how to approach girls, you know, learning what to say, etc., because the practice we’ve had was with our other girl, the cello. If you noticed, it has the shape of a female.
I think that I make chords when I paint, so I think you would be listening to the cello. It’s deep, and it’s resonant. A lot of people have compared me to Brahms – that slightly melancholic sensuality that’s highly structured. Well, that describes my work right there.
We have a lot of people onstage. We have a live violin, live cello, live drums played on this kind of massive electronic kit with some acoustic elements built in.
We were never happy with the way cello was recorded, and we wanted to experiment in the studio to make the cello rock as much as possible. On the second album, we had great help from Bob Ezrin, who helped us develop our sound even more.
The cello is a hero because of its register – its tenor voice. It is a masculine instrument, whereas the violin is feminine because of its soprano pitch. When the cello enters in the Dvorak Concerto, it is like a great orator.
I play guitar, bass, drums, piano, and pretty much any sort of stringed instrument – besides violin or cello.
It is an attention-getter. I mean, it’s hard to ignore a woman lugging a cello around.
I played tennis. My older brother, Joseph, was a cello player, and I played the cello, but he was better than me at the cello, and he was also a better tennis player than me, so I was always like, ‘I wish there was something that only I did!’
It has endless possibilities, and but what we do with our arrangements, we move the borders of cello playing and discover new ways of new techniques of cello playing.
I’m a pretty good drummer. I’m pretty good at guitar, bass and piano. I can play accordion; I’m not virtuoso. I’ve played cello before. My sister played it, and I know how to play it, but I’m not the best. Violin is kind of the same thing.
I remember a moment when the Prince went back to his old school, Grammar School in Melbourne, and slightly to his horror his old music teacher produced a cello.
I keep saying if I ever get a good amount of quiet time that I want to learn to play cello. It’s a very warm instrument. The tone of the cello and the movement – I don’t know what is; I love it so much.
Whoever heard of an electric violin, electric cello or, for that matter, an electric singer?
I got into cello in the fourth grade, and I played that for years. I adored playing it. I got an opera coach when I was 12 because I really wanted to learn how to sing properly. The only proper way to sing, I thought at that age, was opera.
I love music. I still play cello a few times a week.
We knew we wanted to have our own tone for the show. And then the big instrument that actually we came up with was the cello. It has a big range. It can play really low. It can play high. And it has a dark sound, and ‘Game Of Thrones’ is obviously – it’s a dark show, and the cello became the featured instrument.