Words matter. These are the best Romeo And Juliet Quotes from famous people such as Romeo Santos, Emma Watson, Hailee Steinfeld, Kelly Asbury, Thomas Gibson, and they’re great for sharing with your friends.
This Romeo character is something I decided to create, like my alter ego. So the name Romeo was invented from the original Romeo and Juliet. I wanted to show people I’m like a modern Romeo.
When I started dating I had this kind of Romeo and Juliet, fateful romantic idea about love which was almost that you were a victim and there was a lot of pain involved and that was how it should be.
I feel that for the story of ‘Romeo and Juliet’ to be impactful, it has to be believable, and there has to be a certain level of chemistry between the two characters.
A lot of people say to me, ‘Is this good, to do to a Shakespeare piece?’ And I think, ‘You know, ‘West Side Story’ did it very cleverly, in a different way.’ But if you look at ‘Bonnie and Clyde,’ ‘Titanic,’ ‘Avatar,’ ‘Grease,’ ‘Brokeback Mountain’… they’re all ‘Romeo and Juliet’ stories.
I’ve always said that ‘Dharma and Greg’ is ‘Romeo and Juliet’ meets ‘The Odd Couple.’
If Shakespeare had to go on an author tour to promote Romeo and Juliet, he never would have written Macbeth.
You go see a great production of ‘Romeo and Juliet,’ where those kids are full of life and love, you hope and forget.
If Romeo and Juliet make a tragedy of it nowadays, they have only to blame their own mismanagement, for the world is with them as it has never been before, and all sensible fathers and mothers know it.
I was in Siena and decided I wanted to write a story set there. Then I discovered that the original story of Romeo and Juliet was set in Siena. It occurred to me that this was too much of a gift – I had to do it. That’s how I ended up writing a parallel story to Romeo and Juliet.
I feel like every night, when you see a really good production of ‘Romeo and Juliet’ or something, you should hope that it ends differently. That’s why we watch our favorite movies again and again.
I take the subway all the time here in New York. I love people watching and trying to figure out everybody’s background, especially teenagers – they’re so uninhibited when they display puppy love. I concoct stories in my mind: ‘Are you guys like Romeo and Juliet?’
Olivia Hussey from Zefferelli’s ‘Romeo and Juliet’ makes the intense vulnerability of true love look magnificent.
When I wrote ‘Noughts and Crosses’, I was halfway through it when I realised this was very like ‘Romeo and Juliet’… as long as you make it your own, and put your own spin on it, I think it’s brilliant to use other great work to find your own voice.
Romeo and Juliet were stunning and beautiful, but a lot of the other characters surrounding them were caricatures.
Sometimes the leads are equally balanced, like in ‘Romeo and Juliet,’ but sometimes they’re just not.
Especially growing up in Los Angeles, there’s just a very different mind-set than my own. There’s no ‘Romeo and Juliet’ in Los Angeles. There’s ‘Laguna Beach.’
Make no mistake: I love women. I’m married to one, I was birthed by one, and I played one in my high school production of ‘Romeo and Juliet.’ No one else could fit into the bodice.
‘Romeo and Juliet,’ ‘Manon,’ ‘Giselle’ – they are not stupid stories. They have fantastic characters. They have a big package of emotion.
We need to take a far more active role in love than ‘Romeo and Juliet’ would lead us to believe. Perhaps that’s what Shakespeare’s saying, in a way. We can’t leave it all up to fate.
I tried to forget about playing Romeo in ‘Romeo and Juliet’ and just think about him as a normal guy, as a normal character, and just try and approach him the same I would every other character.
What if Shakespeare had had a test audience for Romeo and Juliet or Hamlet?
I read too many romance novels during my formative years. I have a penchant for romantic comedies. I understand why ‘Romeo and Juliet’ came to such a pass.
The classic, ‘Romeo and Juliet,’ for me, is the iconic story of young love.
My first professional role was in ‘Romeo and Juliet,’ and I played Tybalt, who was Romeo’s enemy, in a small production of that in the U.K.
I think the first thing I did was several scenes from Romeo and Juliet.
I always say to people, ‘You know, if Romeo and Juliet got married, nobody would care about them.’ Imagine Romeo and Juliet, six kids yelling, ‘Mama, Mama, Papa, Papa!’
I’ve always found it funny when people call ‘Romeo and Juliet’ ‘the greatest love story ever told’ because – man – it does not work out well for those kids, you know? I’d like to think the greatest love story ever told would at least let them be together for more than a few hours.
I did a crazy version of ‘Romeo and Juliet’ once, and I played Romeo.
When I was 16 years old, I joined a drama group called North Queensland Academy of Dramatic Art under a woman called Maggie Shephard-King. She inspired me to audition for the role of Romeo in ‘Romeo and Juliet.’
I’m probably not going to get married unless I live with somebody for 10 or 20 years. But these people (Romeo and Juliet) took a chance and they did it. We don’t have the balls that Romeo did.
It’s pretty hard to play ‘Romeo and Juliet’ with someone and not fall in love.
And I just think that to introduce an unknown Shakespeare is thrilling, too – not to do Hamlet or Romeo and Juliet, to do the richer Shakespeare. People will come to this and not know the story.
I think what’s universal about the story of ‘Romeo and Juliet’ is every one has grown up and done something that was rebellious against their parents’ wishes, be it love or something else.
Barriers tend to intensify romance. It’s called the ‘Romeo and Juliet effect.’ I call it ‘frustration attraction.’
There are really only two plays: Romeo and Juliet, and put the darn ball in the basket.