I like the idea of taking three-dimensional objects and making them two-dimensional so that they look like cartoons.
I wish that every director was as interested in doing as much in camera and with physical objects as much as possible as J.J. Abrams is.
We think that the world is a solid, vivid place, full of shape and colour and solid objects like this table and this microphone and so on, but we actually create that in our heads out of the bits of information that hit the back of our eyeballs or hit our eardrums or hit our tongues or whatever.
Business reporting is not dealing with objects, it is dealing with relationships between objects.
I am intrigued by inanimate objects. They’re a piece of history, someone’s statement and ideas of life.
The waves are subtle, altering spacetime and the distance between objects as far apart as the Earth and the Moon by much less than the width of an atom. As such, gravitational radiation has not been directly detected yet. We hope to change that soon.
The kind of support the down-and-out need is the kind we have always refused them, the kind that would mean engaging with them not as objects of contempt, but as fellow human beings.
People are not happy with women in actual power, yet we seem to be happy to take women on as figureheads, objects, like queens. It’s a powerful yet politically powerless role.
I don’t have a problem to say I am a good merchandiser, because I love objects.
Despite a certain amount of rhetoric, such as ‘the second American Revolution,’ there is a fair consensus about which events in the affairs of a people can rightly be called revolutions. It is also clear that such revolutions are proper objects of study for the historian.
I sometimes am challenged to imagine where the timbre of art should be. Should it be about objects that point to this current moment, or how objects are related to ideas of this current moment?
We see no objects in our universe that could become wormholes as they age.
I have always been interested in exploring how we can leverage our knowledge about everyday objects, and how we use them, in order to interact with our digital world.
Phones are interesting objects. Sometimes you wish they just didn’t exist.
All objects, all phases of culture are alive. They have voices. They speak of their history and interrelatedness. And they are all talking at once!
Time, which runs through the world like an endless tinsel thread, seemed to pass through the centre of this room and through the centre of these people and suddenly to pause and petrify, stiff, still and glittering… and the objects in the room drew a little closer together.
Women should be looked at as much more than objects of glamour. We have a lot more to offer.
Due to mistakenly believing that outer problems are their own problems, most people seek ultimate refuge in the wrong objects. As a result, their suffering and problems never end.
In archaeology, context is everything. Objects allow us to reconstruct the past. Taking artifacts from a temple or an ancient private house is like emptying out a time capsule.
Design, by definition, is an eco-friendly activity, as its aim is to create objects which are meaningful and durable. Trends always cost resources, but a true designer creates wares which will remain relevant forever.
I learned how to incorporate heirloom furniture, artwork and objects d’art to work with exciting new contemporary pieces.
The immediacy of mystic experience simply means that we know God just as we know other objects. God is not a mathematical entity or a system of concepts mutually related to one another and having no reference to experience.
Hardly any actor objects to press. It’s a question of it being done in the way they like to see it done, meaning to get down to the serious interview what the profession is so we can reach out to the people to help them get along.
Curiosity is natural to the soul of man and interesting objects have a powerful influence on our affections.
We need to empower all women, both financially and socially, to give them the tools to support themselves and their families. We need to start seeing them as contributors to society, as assets, not as objects of pity or, even worse, objects of shame.
First, I would find an object which I would think is suitable for my characters and stories, then write about it, and in the end, I ended up with a house full of thousands of objects.
I am jewelry and objects together. This is the Elsa Peretti name to me. It is a very good balance for me to try and create with the person in mind or with the space in mind – to imagine a bowl of fruit or something for water. It is a little bit yin and yang.
A beach is not only a sweep of sand, but shells of sea creatures, the sea glass, the seaweed, the incongruous objects washed up by the ocean.
We have these words ‘space’ and ‘time,’ but you can’t touch them. They’re not objects, they’re not things, they go forever. Space and time are really tools of animal sense perception, the way we organize and construct information.
We were totally unprepared for such a large quantity of visitors, and in view of the preservation of the antiquities they being very crowded and in poor preservation, we were obliged to refuse admission until some preparation was made to safeguard the objects.
I think a house should reflect the interests and personality of the occupant, but it takes time to gather together the objects one likes around oneself.
Many objects of our three-dimensional perceptual world are not only chiral but appear in nature in two versions, related at least ideally, as a chiral object and its mirror image.
Smart property might be created by embedding smart contracts in physical objects.
In general, the objects in the universe that are very high-energy objects, or the processes that are high-energy processes, will radiate more in the short wavelength range towards the gamma rays or the x-rays.
The question of the composition of perceptible objects is one which already occupied the mind of the ancient Greeks.
When people are like, ”UnREAL’ is so dark,’ I’m like, ‘Hahahahahahahahahaha! Wait ’til you get to ‘Sharp Objects.”
What strikes me is the fact that in our society, art has become something which is only related to objects, and not to individuals, or to life.
As specialists of apparent life, stars serve as superficial objects that people can identify with in order to compensate for the fragmented productive specialisations that they actually live.
Manufactured objects testify to who made them; they describe values.
I am in love with the idea of doing a movie in 3D. I think 3D would be great in a kind of realistic normal story without throwing objects to the camera, but using the 3D on the emotions in an intimate story.
Paradoxically, I think working at an Internet magazine intensifies the attraction of beautiful printed objects.
My affinity, as a novelist, with Dickens has been overstated. I relish the way everything in his prose pulsates with life force, and I’m in debt to him every time I invest inanimate objects with uncanny animism. But his female characters annoy me.
Again, like I said, my life has been about being fascinated by objects and the stories that they tell, and also making them for myself, obtaining them, appreciating them and diving into them.
I’ve always being interested in clothes – and I’m also the curator of a significant dress collection with 12,000 objects in it – the Royal Ceremonial Dress Collection at Kensington Palace.
When you talk about objects, one other thing automatically comes attached to that thing, and that is gestures: how we manipulate these objects, how we use these objects in everyday life. We use gestures not only to interact with these objects, but we also use them to interact with each other.
I don’t want to collect Indian art, though pots and beadwork and blankets made by Indians remain the most beautiful art objects in the American West, in my opinion.
A man of letters never objects to a slum. He sharpens his pen there.
You know, women are treated like objects. But they have substance. They are not just an item number to be looked at – they have more to them than that.
I’ve been a printmaker and designed objects. I’ve done 500 posters.
And so it is, that both the Devil and the angelic Spirit present us with objects of desire to awaken our power of choice.
Self-appearing subjects and objects are the power of the baseless ultimate truth.
As I’m studying magic, juggling is mentioned repeatedly as a great way to acquire dexterity and coordination. Now, I had long admired how fast and fluidly jugglers make objects fly. So that’s it. I’m 14; I’m becoming a juggler.
A museum should not just be a place for fancy paintings but should be a place where we can communicate our lives through our everyday objects.
How do you make the timelessness of inert, silent objects count for something? How to use the, in a way, dumbness of sculpture in a way that acts on us as living things?
The sensory acts are accordingly distinguished by their objects.
I’m interested in finding whether or not there is a really massive, what we like to call ‘super massive’ black hole at the center of our galaxy. And the reason this is interesting is that it gives us an opportunity to prove whether or not these exotic objects really exist.
