For those of us who spent our careers competing with David Broder, the hardest thing to abide was the inevitable comparison. If someone said Jack Germond – or Jules Witcover or Walter Mears or whoever – ‘is a pretty good political reporter,’ the default response would be, ‘but he’s no David Broder.’
I’ve always used my own personal emotions and things that I’ve gone through in my life to build a character. The work that I do before a film feels almost like therapy, between me and whoever I’m playing.
Nothing brings me more happiness than trying to help the most vulnerable people in society. It is a goal and an essential part of my life – a kind of destiny. Whoever is in distress can call on me. I will come running wherever they are.
Whoever wants to pay me money to play the game of football, I’ll play for ’em, it doesn’t matter to me.
I do not believe in pure idioms. I think there is naturally a desire, for whoever speaks or writes, to sign in an idiomatic, irreplaceable manner.
Whoever likes football always likes to see the best player on the pitch.
Whoever scores the most goals, the Golden Boot is a by-product of that. I want to be seen up there, at that level.
People are mean on social media, whoever you are. It’s a shame people have to be that way.
As I see it, whoever’s doing the inventing is also doing most of the learning – and probably having most of the fun.
When you first come in the NBA, you have a lot of conversations about saving your money, financially educating yourself, not just trusting whoever it is handling your money, not just having those meetings once a year, and not really putting the effort into learning the same way you learn your craft on the court.
I love to talk about bowling, and whoever comes for hel,p I’m always there. Even in IPL, PSL, I try to help the youngsters as much as I can.
It is good to forget one’s anger against one’s wrongdoer, whoever he may be, for countless number of evils will quickly grow from this anger.
When girls are asking themselves ‘Who am I?’ for the first time and they hear all this bad PR about math, they think, ‘Well, whoever I am, I’m not somebody who likes math.’
A broad trend I’m completely obsessed with is mobile commerce. Like completely. I’m completely convinced that everybody’s going to be buying from their mobile devices. Whoever can claim that space or be in that space, I’m very interested in.
I walk into a scene, and I do the scene. That’s my job. I don’t have an objective. I have the words, and I have whoever I’m playing with.
Is that your final answer? Here in New York garbage men, bus drivers, taxi cab drivers, bus drivers, whoever, you know, people just yell it out to me. So that was a lot of fun.
It’s really crazy looking back on my bullies or whoever was trying to torment me or tease me, because karma is just, like, crazy.
When you get a bad review, you hate the writer. It’s very painful; whoever says the opposite lies. It’s humiliating. Sometimes it comes from an honest place, but most times, it comes from a desire to trash someone.
On the sets, I am just an actress, and I am okay with whoever I am working with.
Whoever has trusted a woman has trusted deceivers.
I’ll vote for whoever is the Democrat. That’s all I need to know.
I will give my life to whoever in need, to any dear friend of mine.
The future is something which everyone reaches at the rate of 60 minutes an hour, whatever he does, whoever he is.
I don’t want people instructing me what to do with my body; I don’t want the government to tell me what I can do in my bedroom, with my body, or with whoever I choose to love.
The thing about Green Lantern rings is they pick whoever has potential to overcome great fear.
I’m always working on new songs. With the technology these days, any idiot can record on Pro Tools on your laptop. All you have to do is plug a microphone into the input jack and anybody can have their own recording studio. So I’m always down in my basement, singing along to riffs or whoever I’m collaborating with.
Whoever controls the media, controls the mind.
Personally, I would say the ‘master’ of this whole thing is fate… Whoever is on the playing field is fair game, and it’s up to them to avoid being used.
I don’t want enemies. I want friends, and I want them in all shapes, sizes, and colors, and loving whoever they want to.
It’s always boiled down to the quality of your music and the quality of your deal with whoever’s distributing your music: There are artists who sold a lot of records and didn’t make money because of their deal, and artists who didn’t sell nearly as much who made a great living because they own their masters.
‘Freaky Friday’ was really fun. They had a ping-pong table on set because Jamie Lee Curtis is really good at ping-pong. She’s awesome at it. And they had a tournament, and we would play during filming. Whoever won the tournament would get to keep the table. I think it was Jamie who kept it.
We need to go to the niceties of approaching the U. N. and let them have a chance to take it over, but we should set some sort of date and begin to move out and leave it to whoever takes over.
The way I look at a solo project is, I create what I want with whoever I want.
What we used to say was whoever had the bow tie got to lead the band. There was never any jealousy.
