Top 390 Interviews Quotes

‘Cloud 9’ is an action/romantic comedy that focuses on the competitive world of snowboarding. We have glamorised it to so that all the players are on the cover of magazines, have all the interviews, and be on the television: so it is very high stakes.

We’re controlled more than any other professional sport. We’re told what to wear, when to wear it, what we’re allowed to say in our interviews.

Like I said before in my earlier interviews when I was just starting, I’m not a CM Punk. Like, I’m not here to jump in, take whoopings, and cash checks.

We were delighted to have Nigel as a producer. The only problem is that Nigel is so famous that he seems to dominate most interviews without being there.

Through process and preparation and going through all of the interviews, I’ve learned a lot about myself and my skills.

A lot of new artists, especially girl artists, feel pressure to be so ‘media perfect’ and ‘trained.’ I’m intelligent, but I don’t like hearing regurgitated answers in interviews that sound so rehearsed.

My school is very good and quite understanding and know I have to take time off for interviews or writers’ festivals.

I don’t like to do a lot of interviews.

You need that marketing power. You need to go do the interviews. You need to put yourself out there and risk and be open to the fact that people are going to not like you, and they are just going to rip you apart, and whatever you say in an interview can get quoted out of context.

You never really meet a human being until you live with them or know them for awhile, so this is my clown and they understand that and so these interviews don’t bother them.

For a lot of people, most of their exposure to politics and politicians involves events on the campaign trail, interviews on cable news, or seeing a viral tweet here or there. But day to day, there’s so much more than anyone sees.

I used to do interviews – I still do – interviews every day, all day. And you go from maybe doing a couple of professional interviews, where you can hear the sound right, to everyone else sounds like they’re at the bottom of the Atlantic Ocean.

When ‘I’ released, I gave a couple of interviews in which I expressed my interest to play an action heroine.

By the age of 13, I knew I wanted to be a comedian like Morecambe and Wise. So, obviously, I thought I’d better start practising my interviews for Parkinson. Don’t look shocked – I wasn’t the only teenager to imagine that. Though I may have been the only one to have chosen T’Pau as my walk-on music.

I’ve been criticized because I’ve had the temerity to speak out and done a couple of interviews since I left office. I don’t find anything surprising about that.

I love doing interviews that are about work that I do, films that I make. I am not very interested in the rest. I think I have always been quite reserved and a bit frightened of that whole thing.

But for every hour and a half on stage, you have a five hour long bus ride, waiting for five hours at the airport, five hours of interviews… I know, it’s part of the job, but that doesn’t imply I have to like it.

I don’t do interviews without a collared shirt.

As far as employees are concerned, clearly I like to communicate with them, since we are more than 40,000 people. I like to communicate either through e-mail or through video conferencing, which we do very often, and stream out videos and interviews. But more than that, I believe in traveling to my branches.

I’m not really good at asking people questions in interviews. I just try to have fun, to talk.

I get quite fearful about interviews, so I sought advice from other actors.

In our comic cons and interviews, they’re always asking him questions, of course, because people love Jean-Luc Picard. They love Sir Patrick Stewart. But he always likes to stop everyone and go, Wait, but these new characters, I can’t wait for you to meet these new people.’ He very much always tries to make space for us.

I’ve been watching a lot of Joan Didion interviews on YouTube. I love her. My drummer has gotten me into looking at Terence McKenna interviews.

Yeah, Kubrick’s a big influence. In something like ‘A Clockwork Orange,’ he is trying to use the practical light – I mean, at least he says that in his interviews, like they’re not using traditionally Hollywood lights. In ‘Elephant’ we basically used no lights; we never really adjusted.

Do people ever ask me to say ‘Wow?’ Never in interviews, but a few times on the street. I don’t do it. I try to get away from them as quickly as possible and explain that I’m not a performing seal.

You can count my interviews this season on one hand, so maybe when I do speak, people want to turn it into something sensational.

I don’t think of myself as giving interviews. I just have conversations. That gets me in trouble.

As a guerrilla journalist, I participate in the news by holding individuals who are in the news accountable through personal interactions. That involves confronting people in ambush interviews, secretly recording them, or engaging in a conversation with them when they are caught off guard.

I think interviews should happen after a journalist sees a film. You have a lot to talk about then.

Post Malone is one of my biggest inspirations. I just love his songs and his writing. He’s a genius. Then person-wise, I’m a huge fan of Zendaya. I love her. I watch her interviews and everything she does all the time because I think she’s just such a crazy good human being.

A lot of wrestling interviews are boring, plain and simple. They don’t say anything you never heard before. Your basic wrestling interview is, you ask me how am I going to do, and I say, ‘I’m going to do my best. I’m going to wrestle hard.’

I’ve always loved working, doing interviews with the guys on the ‘Today’ show; everyone’s really easygoing, and I always feel comfortable on the show.

I get mad at people who talk about traumatic job interviews, about going on one and getting rejected. I get rejected all the time and not only do I get rejected, but people have no problem being really specific about why I was rejected.

Privacy is big for me. To do interviews even, I have a very love/hate with it.

My work with Patriot Voices actually dovetails very well into the work I’m going to be doing with EchoLight. I’ll be traveling around the country, doing a lot of radio interviews, a lot of media interviews, so I don’t see that as all inconsistent.

In the very few interviews I’ve made, it doesn’t matter how long we’ve talked to each other, the headline is still just about my paycheck.

I love that I can talk to my fans through Twitter, to cut out the middle man. Because I’ve done interviews where my words have gotten twisted, so it’s nice to be able to have things coming straight from me.

I’ve done a couple of interviews, and I realized how uncomfortable I felt as soon as I started talking.

I always work with a coach. That’s just a personal thing that I like to do. During interviews, you’ll hear more of my accent, and I’ll stress the wrong words.

Oftentimes, whenever I do interviews with guitar magazines and we discuss my influences, I mention people like Steve Morse, Alex Lifeson, Al Di Meola – but John Scofield’s name never comes up. And that’s funny because he’s so amazing; he’s the epitome of a really cool guitar player.

I’m just me. I’m that cool girl who – as I like to say, I have that Carson Daly effect, where, if you watched ‘TRL,’ he was able to do interviews with NSYNC, blend right in, and then he would do interviews with Cash Money and blend in there, and you just naturally liked him.

I think a guitar solo is how my emotion is most freely released, because verbal articulation isn’t my strongest communication strength. My wife thinks that I should do interviews by listening to the questions and playing the answer on guitar.

There have been many times when I’ve been asked to appear and I’d say to myself, what am I going to talk about? Early on, when I did interviews, I’d tell everyone, Don’t ask me about dates. I don’t even remember what I did yesterday.

I am a very shy and closed person. I stay in my house. The only time I go out is for award functions and maybe interviews. Because, this is part of my profession and I have to do it. Otherwise, I stay in my house or attend some classes.

For the first time in 23 years I’m enjoying the process of supporting it, of going out and doing shows, and doing the interviews, and doing everything.

There’s kind of an unspoken rule where if you’re unpleased with what’s going on in the UFC, especially if you don’t have a name, man, you do not want to do interviews and come out.

I went to art school, wanting to be a painter and then I got into photography. Then it was movies, and I liked the images. One of the things that interested me in film was that I was communicating in images. That was something I did intuitively and could not even talk about until I started having to do interviews.

My women students openly admit that they dress for interviews like dates, hoping to look their best: makeup, high heels, a well-fitting suit that shows off their figure. And I always tell them to make sure to wear a shirt under the suit jacket. Form fitting, yes. Cleavage, no.