Words matter. These are the best Jessye Norman Quotes, and they’re great for sharing with your friends.
I knew that I was loved. And that’s such an important thing. And, of course, at such an early age, you take it for granted. Of course your parents love you. Of course Mrs. Hubert across the street loves you and your godmother loves you and your grandparents love you.
I sing in Hungarian. I read Hungarian. I do not pretend to speak Hungarian, but I sing in languages that I have studied as languages. And I find that to be central and very, very helpful. I think if you’re not really cognizant of what every single word means, I think that might be a little tricky.
I was given a stethoscope in a child’s ‘doctor’s bag’ at about age six and I loved it! One could hear the heart beating through that plastic toy.
‘Swan,’ by Mary Oliver. Poems and prose. Reading from this book is as if visiting a very wise friend. There is wisdom and welcoming kindness on every page.
My parents said to us, practically on a daily basis, that we were as good as anyone else on this earth, and that we would simply have to work harder in order to show that.
I sing in languages that I speak. So when I’m singing a Schubert song, I know precisely what every word means and, you know, when it was composed and who was the poet and all of that and whether Strauss or Wagner or French Belioz, Duparc or Debussy or whatever.
There is a lot of propaganda about opera singers not being able to act. That’s not necessarily true and hasn’t been true for a very long time. And certainly there were those instances when singers were told they need to fit into a certain size dress. Of course, women. Men? They just make the costume bigger.
I like so many different kinds of music that I’ve never allowed myself the limitations of one particular range.
I am grateful that my horizons were not narrowed at the outset.
There’s no anger ever in a spiritual. There’s always the dream of a hope of a better day coming. That God understands the troubles that I’m experiencing.
I have enjoyed most particularly reading the correspondence between Gustav Mahler and Richard Strauss. The genuine friendship, competitiveness and support that thread through their communications are life lessons for us all.
I love singing jazz. I don’t like the idea that classical music should be over here and jazz should be someplace else. It’s all wonderful, and we should be open to enjoying it all.
I’m dying always.
Problems arise in that one has to find a balance between what people need from you and what you need for yourself.
One of the reasons that I take such joy in being a trustee of the New York Public Library is the love of reading that I found as a child in the Saturday morning library events for preschoolers and first and second graders as I was growing up in Augusta, GA.
If you send up a weather vane or put your thumb up in the air every time you want to do something different, to find out what people are going to think about it, you’re going to limit yourself. That’s a very strange way to live.
I walk an 11-minute mile without huffing and puffing.
I have a particular affliction. I am unable to say a word I can’t spell.
Growing up in Augusta in such a protected and loving community is something that I really enjoy talking about. I love talking about – even though I grew up, of course, in the time of segregated schools: Brown vs. Board of Education came along after I was already in first grade.
A person has the right, and I think the responsibility, to develop all of their talents.
I feel comfortable singing in the great cathedrals of the world because I spent so much time as a child singing in church. And it isn’t very different. Of course, nothing looks quite like Notre Dame de Paris.
There have been occasions – and I think it’s very good for any human being that such occasions would be rare – that one would feel that one is a channel, and there have been some occasions when it seemed as though I was standing outside of myself watching and listening to myself sing.
There has never been a time when I was not committed to, involved in, or caring of, the social and political issues of my world.
I am not one to equate dress size and artistic performance.
I want to sing more in Spanish. I want to sing the songs of Granados; the songs of Montsalvatge. To do things that truly I’ve not done before.
I would like to see more African-American singers as part of our opera companies. If you take music and the arts out of the public schools, then you’re going to lose a lot of people that you might have discovered were talented, very early.
It is still more likely that a woman’s power would be seen as aggression, and a man’s power would be seen as assertion.
One needs more than ambition and talent to make a success of anything, really. There must be love and a vocation.
As for my voice, it cannot be categorised – and I like it that way, because I sing things that would be considered in the dramatic, mezzo or spinto range.
If I were not able to separate the art from the artists, I think I would limit myself a great deal, and life wouldn’t be nearly as interesting.
It takes a caring community to raise a child that will be a whole person and a contributing citizen.
One has to draw upon one’s own musical thoughts and one’s own musical acumen, and not to be afraid to let that come into one’s work. Perhaps that comes with more experience, but perhaps it also comes with daring, and believing that you should.
I’m a sloucher, sort of, when nobody’s looking.
I think that it is expansive for the mind, for the fantasy of children and grownups alike, to understand that the world is huge. There is so much in the world to experience, and the odds are so essential to life.
I am deeply spiritual; I revel in those things that make for good – the things that we can do to shed a little light, to help place an oft-dissonant universe back in tune with itself… Long live art, long live friendship, long live the joy of life!
I enjoy reading about the lives of musicians, and find many similarities in their ideas of preparation and their utter devotion to this great, eternal language: music.
We singers have a different level of responsibility from other musicians. We have words that we must convey; we have meanings that we must convey through these lyrics.
I want to keep learning, keep exploring, keep doing more.
I think that, certainly, most of my operatic roles are in German. I think it happened because, of course, I was lucky in that I was invited to sing, first of all, my operatic debut in Berlin at the Deutsche Oper Berlin, which was West Berlin at the time.
I didn’t think at all as a young child that music would be my profession. It was just something that one did along with going to Brownies or going to church or going to school or anything else that one did in sort of one’s very young life.